The Black Bird

Certainly this flick is not a classic! However,it is guilty fun,quirky-and even affectionate towards the original-if only in its weird way...indeed there is no resemblance to the Bogart noir.Yet it works for me independently as a 70's aberration and a hoot to boot!Flaws?-you bet...so what!Stander is terrific and the two original characters(Cook & Patrick) from the early 40's are a pure delight and a connection from a past glory(also I would bestow honorable mention to Signe Hasso as a museum curator who plays her delightful role w\aplomb and the right kind of satirical dash).Don't know much if I especially like the midget or some of the over the top stuff,but-hey,its OK within the context of a silly little yarn. Moreover,George Segal,I think,is just right for a world weary sleuth in the shadow of a famed father detective.I like the opening credits w\ its promise of something more-but the absurd ending is less than satisfying...despite these things,I have watched the film numerous times and find it overall a "kick;"for you cannot take this one tale that seriously anyway:so go w\ the FLOW....

The Black Bird is not really a parody, as it does not poke fun at "The Maltese Falcon".

It is just a very subtle comedy with very little plot, about another group of people searching for the bird.

It is not a great film, or a hilarious film, but worth watching mainly to see the performances of Lee Patrick and Lionel Stander.

The "8" that I gave it is for them, otherwise I would have given it a "5" or "6".

If they had given Elisha Cook Jr. a larger part it would have helped.

The running gag with the car was cute but nothing to write home about.

The addition of a little person playing a Nazi with Hawaiian thugs was just dumb.

The ending was about the same as the ending of most of this type of movie, a letdown to the tune of "Bye Bye Blackbird".

Lee Patrick and Elisha Cook jnr. Reprise their roles from The Maltese Falcon. Old timer Lionel Stander joins them and Segal in a movie which is consistently entertaining. It made me smile. I laughed 3 aloud times, twice at incidents which occur in the background. Not all the humour is good but then the next crack arrives and I don't care.

This could have been great. The original script was for a serious Spade sequel and the central conceit of the plot is excellent. The cast are superb and George Segal is perfect as the world weary, cynical and laconic Sam Spade. Some of the humour works in a sort of Pink Panther way...the runaway car long gag is genuinely hilarious but this could so easily have been a great move a la The Long Goodbye. The support cast, especially Lionel Stander , are really talented and would have been perfect for the serious incarnation. Such a shame, but I did enjoy this snapshot of the 70s, and San Francisco as it once was. Worth a watch, definitely.

George segal is sam spade junior, in the black bird, a parody of the maltese falcon. Some fun faces in here. Ken swofford (police academy) and vic tayback (mel, for those old enough to remember) are police detectives. Lionel stander (max, for those old enough to remember). Effie and wilmer are played by the original actors from bogart's version! Although in this one, effie is a loud, ornery shrew, who hates her boss. It starts out strong, but loses steam about halfway through; the trivia section here tells us that the writers, producers, and directors were all fighting, which didn't help. I love the premise, but after a while, it just tries too hard. And the anna character just brings it to a halt every time she speaks. Where's madeline kahn when you need her? They really wasted vic tayback... he did this in between the film "alice doesn't live here" and the tv series alice. The first and last film directed by david giler. Segal did this one about ten years after "virginia woolf". Too bad. I really wanted to like this one.