IMDb RATING
2.2/10
5.4K
YOUR RATING
A mad scientist transforms himself into an aquatic killer.A mad scientist transforms himself into an aquatic killer.A mad scientist transforms himself into an aquatic killer.
Rich Valliere
- Deputy Sheriff
- (as Archie Valliere)
Featured reviews
Granted, I wasn't expecting much from this 1971 movie when I sat down to watch in here in 2020. But hey, I hadn't seen it before - nor even heard about it - and so I thought I would sit down to watch it, as it might actually be a good movie.
Well, turns out that the storyline in "Zaat" was rather generic and mundane, offering very little of great entertainment to the audience. The plot was fairly straight forward, for sure, but it just wasn't a particularly compelling or interesting storyline all together. It just amazes me that with four writers, that they couldn't come up with something more wholehearted than what this movie turned out to be.
The acting in the movie was adequate for most parts, aside from the dubious acting in the first part of the movie before the guy turned into the amphibious creature.
For a movie from 1971, then I will say that the special effects weren't all that impressive. Perhaps back in the day they were passable on the screen, but they have not withstood the test of time with grace. The creature design was fairly shoddy, and it was blatantly obvious that it was just a guy in a rubber suit walking and swimming about. And the design of the head for the amphibious creature was just abysmal, it looked horrible and distorted.
No wonder I had never heard about "Zaat" before I got the chance to sit down to watch it, and I hadn't been missing out on a particularly great or outstanding moment in cinema history.
I am rating "Zaat" a mere three out of ten stars, as the movie was watchable, albeit not entertaining. And "Zaat" is not a movie that warrants more than a single viewing, especially since just getting through the first viewing was something of an ordeal in itself.
Well, turns out that the storyline in "Zaat" was rather generic and mundane, offering very little of great entertainment to the audience. The plot was fairly straight forward, for sure, but it just wasn't a particularly compelling or interesting storyline all together. It just amazes me that with four writers, that they couldn't come up with something more wholehearted than what this movie turned out to be.
The acting in the movie was adequate for most parts, aside from the dubious acting in the first part of the movie before the guy turned into the amphibious creature.
For a movie from 1971, then I will say that the special effects weren't all that impressive. Perhaps back in the day they were passable on the screen, but they have not withstood the test of time with grace. The creature design was fairly shoddy, and it was blatantly obvious that it was just a guy in a rubber suit walking and swimming about. And the design of the head for the amphibious creature was just abysmal, it looked horrible and distorted.
No wonder I had never heard about "Zaat" before I got the chance to sit down to watch it, and I hadn't been missing out on a particularly great or outstanding moment in cinema history.
I am rating "Zaat" a mere three out of ten stars, as the movie was watchable, albeit not entertaining. And "Zaat" is not a movie that warrants more than a single viewing, especially since just getting through the first viewing was something of an ordeal in itself.
Well, no, actually it's an abominable movie, but odd in an interesting way -- I suppose partly because of the filmmakers' ineptitude. If it's riffing off of Frankenstein, why does the catfish creature have to find attractive women to try and mutate into fish brides? Where does that beauty go once you've been mutated into a fish?
And how was I supposed to feel when he breaks into a pharmacy and starts knocking things over? Eerie screeching came over the soundtrack as though this were a moment suffused with inner psychological drama, but maybe the suit the guy had to wear fragmented his performance so much that this really didn't get communicated.
I think if I'd watched this without the puppets, I'd have permanently lost my mind. That's got to count for SOMETHING.
And how was I supposed to feel when he breaks into a pharmacy and starts knocking things over? Eerie screeching came over the soundtrack as though this were a moment suffused with inner psychological drama, but maybe the suit the guy had to wear fragmented his performance so much that this really didn't get communicated.
I think if I'd watched this without the puppets, I'd have permanently lost my mind. That's got to count for SOMETHING.
This film is a testament to the low budget, independent monster/horror flicks of the 60's and 70's. Man with a grudge, Dr. Kurt Leopold, transforms himself into a murderous "man fish" reeking revenge on all who have scorned him and anyone who gets in his way. Sure, the FX are non existent, the acting and dialogue amateurish, and the monster looks incredibly inane - a "man fish" with fur around the neck and back to hide the zipper! But that's what makes these films loads of fun to watch! You have to admire these independents who often invest their life savings to produce these gems. Lots of heart and soul fuse this genre. Today's excuses for cinema with bloated corporate budgets, over production, over paid prima donna actors, and excessive FX can't compare to the spirit and zeal of this genre. Cinamatic hacks such as Spielberg, Scorsese, Lucas, and Coppola who prostitute themselves on a consistent basis can learn a lot from the likes of The Blood Waters of Dr. Z.
Yes, I gave it a 2, dammit. The underwater photography is tolerable and there are a couple of suspenseful attacking moments. Basically, however, this movie rambles on pointlessly, much like the "walking catfish" mutant and the government agent who tracks him in the last third of the movie.
The first 20 minutes of the movie is in (hilarious) voiceover, and you begin to wonder if they lost the soundtrack ala Creeping Terror and Beast of Yuca Flats. Then the characters actually start speaking on-screen and you wish they had lost the soundtrack. The dialogue seems to bear no resemblance to the onscreen goings-on. I suppose it establishes some plot points and clarifies things for the audience, but there are so many ramblings and offshoots that you just kinda of give up and give in.
The "monster" looks like an early draft of a Silurian costume from Doctor Who, with a fur neckpiece (??). The skinny, balding bad guy is on-screen for only a few minutes before undergoing his transformation, but imprints himself indelibly in our minds thanks to his stripping down, his hamhanded maneuvering himself into the transformation tank, and his omniscient voiceover narration.
And the fish! What is it with the fish? The opening narration dwells on them (giving us a good impression of Jacques Costeau as a Nazi gone bad), and at least one murder scene decides to insert random shots of fish in-between cuts. There seems to be some kind of implied ecological nature-takes-vengeance message here somewhere, but like everything else, it is lost entirely in the rambling dialogue.
Basically, the movie is pretty much a waste of celluloid. A few good moments, as I've seen far worse underwater cinematography. Watch it if you dare.
The first 20 minutes of the movie is in (hilarious) voiceover, and you begin to wonder if they lost the soundtrack ala Creeping Terror and Beast of Yuca Flats. Then the characters actually start speaking on-screen and you wish they had lost the soundtrack. The dialogue seems to bear no resemblance to the onscreen goings-on. I suppose it establishes some plot points and clarifies things for the audience, but there are so many ramblings and offshoots that you just kinda of give up and give in.
The "monster" looks like an early draft of a Silurian costume from Doctor Who, with a fur neckpiece (??). The skinny, balding bad guy is on-screen for only a few minutes before undergoing his transformation, but imprints himself indelibly in our minds thanks to his stripping down, his hamhanded maneuvering himself into the transformation tank, and his omniscient voiceover narration.
And the fish! What is it with the fish? The opening narration dwells on them (giving us a good impression of Jacques Costeau as a Nazi gone bad), and at least one murder scene decides to insert random shots of fish in-between cuts. There seems to be some kind of implied ecological nature-takes-vengeance message here somewhere, but like everything else, it is lost entirely in the rambling dialogue.
Basically, the movie is pretty much a waste of celluloid. A few good moments, as I've seen far worse underwater cinematography. Watch it if you dare.
Crazy scientist living in the Florida swamps turns himself into a monstrous walking fish-man and proceeds to terrorize.
Another drive in low-budgeter that probably would have been more at home in the 1950's rather than the early 70's. It's weird and cheap schlock all the way! The big rubber monster of the film is quite cheesy looking as it teeters around the swamps and struggles to swim in underwater scenes. The zippers of the monster suit are "hidden" by patches of fur. Zaat seems to have all of the hokey B flick trappings - a silly storyline, lackluster acting, crude editing, and a folksy theme song. Also there's a bikini-wearing girl who gets kidnapped by the monster to cap it off.
Now ordinarily such campy qualities might be downright charming to a B horror fan such as myself, unfortunately Zaat is just too roughly-made and ultimately ridiculous for its own good. Not the worst of its kind, it certainly beats the similarly themed 1966 movie Curse of the Swamp Creature, but Zaat leaves much to be desired.
Then again, what other horror film is there where the monster robs a drugstore?
* 1/2 out of ****
Another drive in low-budgeter that probably would have been more at home in the 1950's rather than the early 70's. It's weird and cheap schlock all the way! The big rubber monster of the film is quite cheesy looking as it teeters around the swamps and struggles to swim in underwater scenes. The zippers of the monster suit are "hidden" by patches of fur. Zaat seems to have all of the hokey B flick trappings - a silly storyline, lackluster acting, crude editing, and a folksy theme song. Also there's a bikini-wearing girl who gets kidnapped by the monster to cap it off.
Now ordinarily such campy qualities might be downright charming to a B horror fan such as myself, unfortunately Zaat is just too roughly-made and ultimately ridiculous for its own good. Not the worst of its kind, it certainly beats the similarly themed 1966 movie Curse of the Swamp Creature, but Zaat leaves much to be desired.
Then again, what other horror film is there where the monster robs a drugstore?
* 1/2 out of ****
Did you know
- TriviaDon Barton filled the monster role through a newspaper ad, "Wanted: 6'5" or taller male to play the role of monster in horror movie. Must be experienced swimmer, scuba diver. Acting Ability not required!" Barton said ten people responded.
- GoofsIn one wide shot, the creature wears tennis shoes while returning to the lab.
- Quotes
Dr. Leopold: The formula they all laughed at - Z sub A, A sub T... ZaAt!
- Alternate versionsFor its 1999 airing on Mystery Science Theater 3000, Zaat (shown under the title Blood Waters of Dr. Z) was heavily edited. Among the numerous scenes cut were further scenes of the INPIT agents, Dr. Leopold disposing of his victim in a vat of acid, scenes of the locals evacuating, and one bizarre scene where a band of singing hippies is taken to the jail by the Sheriff.
- ConnectionsEdited into Robot Bride of Manos (2022)
- SoundtracksWorld War II Boy
(the theme from 'Zaat')
Written and performed by Jamie DeFrates and Barry Hodgin
- How long is Zaat?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Attack of the Swamp Creatures
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $75,000 (estimated)
- Runtime
- 1h 40m(100 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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