A conman's crimes are blamed on a good-natured fast-drawing cowboy he meets and decides to use as decoy.A conman's crimes are blamed on a good-natured fast-drawing cowboy he meets and decides to use as decoy.A conman's crimes are blamed on a good-natured fast-drawing cowboy he meets and decides to use as decoy.
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...but I'm not sure it was supposed to be anything else but bad? Suffice it to say it held my interest. I wonder if this film was made in the wake of the enormous success of "Blazing Saddles?" Not that it has a similar script but it was supposed to be a comedy Western.
The ever-solid and charming Fred "the Hammer" Williamson stars as a rugged itinerant gunslinger who becomes the reluctant constant patsy for slick'n'shrewd con man Richard Pryor. The crafty duo experience a series of goofy misadventures in the Old West in this amiably inane and inconsequential piece of low-budget blaxploitation sagebrush fluff. Competently directed by Williamson (who also wrote the slight, but witty script), the rambling narrative saunters along at a pleasingly relaxed rate, the tone remains pleasant and playful throughout, and there's a winningly breezy'n'easy chemistry between the two leads, with Williamson engagingly playing the long-suffering straight man to Pryor's smartaleck joker. Moreover, Williamson stages the expected rough'n'tumble fisticuffs, heated shoot-outs, a daring jailbreak and frantic horseback chase sequences with a reasonable amount of skill and brio. Popping up in nifty supporting parts are Thalmus ("Blacula," "Cool Breeze") Rasulala as a rascally old coot with two hot daughters and former Tarzan Mike Henry as a dumb, ornery cuss. Both Luchi ("Friday Foster") De Jesus' cool soulful score and especially the funky R&B theme song really hit the groovy spot. Granted, "Blazing Saddles" this picture sure ain't, but it's a satisfyingly lightweight and good-natured diversion just the same.
This was HORRIBLE! You may be tempted to watch it for a chance to see Richard Pryor in his prime, but don't. Pryor isn't funny, and the film is a complete mess. It was obviously made very cheaply, but Fred ¨the Hammer¨ seems to have trying to make a bad film here. Everything appears to have been shot in one take, and I'm guessing they didn't even have a screenplay written up for this one. It's just Fred getting into about fifty brawls, and Pryor doing his con man shtick. Don't get me wrong, I like both these guys, but this was a truly terrible film
The movie does have a cool theme song, but you'll get tired of it after about the 40th time!
The movie does have a cool theme song, but you'll get tired of it after about the 40th time!
i found this movie for a very cheap price and thought,how bad could it be.right off,i could tell the budget was next to nothing.at least it felt that way.it is supposed to be comedy,but from what i watched,it was not funny at all.i also noticed that the same manufacturer and distributer were also behind "Dan Candy's Law".i think the production values are better on this film.at least the movement of the lips and the words matched,unlike "Dan Candy's Law"but i also thought the acting wasn't very good.Richard Pryor and Fred Williamson are the main characters,co the movie should have been funny,but to me it was not.i might try and watch it some other time,and maybe i will have a different opinion.but for right now,i didn't like it.
Adiós Amigo (1975) is a movie I recently watched on Tubi. The storyline follows a righteous Cowboy whose life gets complicated when he runs into a con man and is continuously blamed for his misdeeds and empty promises. They quickly become friends and work together, but will they stay together or cross each other to get out of their constant jams?
This movie stars is directed by Fred Williamson (One Down, Two to Go) and also stars Richard Pryor (Harlem Nights), James Brown (Sands of Iwo Jima), Robert Phillips (The Dirty Dozen) and Mike Henry (Smokey and the Bandit).
The cast in this is awesome. There are some unique elements like the way the artwork is incorporated into the film. The soundtrack was also pretty good. Pryor and Williamson played off each other well, though I will say there's too many scene where the camera just zooms in on Pryor's face and reactions to circumstances. The opening scene where Pryor meets and frees Williamson was probably my favorite.
Overall this is a fairly average addition to the genre that's still a must see...because anything with Pryor is a must see. I would score this a 6/10 and strongly recommend seeing it once.
This movie stars is directed by Fred Williamson (One Down, Two to Go) and also stars Richard Pryor (Harlem Nights), James Brown (Sands of Iwo Jima), Robert Phillips (The Dirty Dozen) and Mike Henry (Smokey and the Bandit).
The cast in this is awesome. There are some unique elements like the way the artwork is incorporated into the film. The soundtrack was also pretty good. Pryor and Williamson played off each other well, though I will say there's too many scene where the camera just zooms in on Pryor's face and reactions to circumstances. The opening scene where Pryor meets and frees Williamson was probably my favorite.
Overall this is a fairly average addition to the genre that's still a must see...because anything with Pryor is a must see. I would score this a 6/10 and strongly recommend seeing it once.
Did you know
- TriviaRichard Pryor's lines were mostly ad-libbed.
- ConnectionsFeatured in Sneak Previews: Pixote, Ragtime, Buddy Buddy, Absence of Malice (1981)
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- $500,000 (estimated)
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