Moïse

not very large, not clear, almost a drawing. but impressive. I do not know if it is a great film. part of end of a period when Ben Hur spirit was master of Hollywood, it is difficult to define it more than part of a chain. but Burt Lancaster does an impeccable role. and for me, this film, like others, was a lesson of religion. under Communism regime, in Romania of 1984, when the churches are victims of strange architectural plans, when the faith was a form of resistance against the regime, Moses, this Moses, maybe fake, maybe theatrical, was a window. and , after years, not the film is important but crumbs of its memories. a great actor creates an unique character. and this character is perfect revolutionary. fragile, weak, strong, powerful, old and solitary. a master and a victim. the nuances of this base of the religions of Word are the gift of Lancaster. and his work is admirable.

The main thing that I liked about Moses The Lawgiver was that it dealt with a lot of what Cecil B. DeMille in his twice told tale failed to cover. A lot of things happened to the Israelites before they're allowed to cross the Jordan into Canaan. DeMille skipped over that whole part of the story. Of course it doesn't have the splashy spectacle that so typifies DeMille, but there's a lot to be said for this made for TV mini-series.

Burt Lancaster as Moses is not the commanding presence nor does he speak in arcane dialog as Charlton Heston did. He leads by persuasion and example and he has more than one reason to think those Hebrews are a 'stiff necked people'. The character of Aaron given short shrift by DeMille is more fully developed and played here by Anthony Quayle.

It was certainly a 20 year trial for Moses leading this bunch. These people did see this man come through for them many times in a crisis and still they carp and complain. Lancaster becomes irritable in a way Heston didn't and wouldn't. It's a more human Moses.

Bible scholars will praise this interpretation of the story, but the masses will still love their DeMille.

To be fair to this biopic of the man who led the Jews from Pharaonic rule in Egypt to the land of Milk and Honey, there has been some serious effort put into the writing. It is less archaic than much of the original biblical text, but it does still manage to convey something of the gravitas of that tome - especially when delivered by Burt Lancaster in the title role. Now true, at times he does over-egg it on the earnestness front, especially towards the end, but for the most part he holds this together remarkably well. He is helped along by the equally rousing oratory of Sir Anthony Quayle who takes on the role of high priest Aaron and by a solid effort from Ingrid Thulin as Miriam. Sadly, though, these three cannot really compensate for the sluggish pace of the whole thing, nor the really pretty lacklustre supporting cast. That's probably best exemplified by Laurent Terzieff's weak performance as the Pharoah, but Mariangela Melato doesn't fare so very much better as Moses's adopted mother Bithia. It doesn't compare at all well with DeMille's "Ten Commandments" (1956) on the lavishness front, but I think it might outdo it on the authenticity front when they travel through the desert eking out an existence from the scraps they can find amongst the brush. It also goes some way to illustrating that all was not always sweetness and light amongst the tribes; that temptation was never far from many a mind and that, as many people may have found from reading the book of Exodus, their lord God wasn't always the easiest deity to keep sweet! This simply hadn't the budget nor Gianfranco De Bosio the imagination or vision to create something compelling to watch. It does have it's moments - thought the parting of the Red Sea maybe isn't one of them - but it needed a more robust and characterful cast to support the leads and much more succinct and focussed direction.

Conceived as mini-series this overlong picture has a valuable attributes, it was rather accurate according the old testament and was shot on location, however when I saw lavish The Ten Commandments of 1955 then there isn't any kind of collating such large gap of strength, thus unbeatable, whatever was the aspect, it's in another pattern.

Moses is plain and cheap as is easily be seen naturally along the picture, gross sets, poorest garments, scarce props, also the special effects done by the master Mario Bava is amiss, due the low budge and so on, in other hand a great foreigner supporting casting, Burt Lancaster portrays a great Moses, in historical background is untouchable and this way we shall be evaluate the movie itself and behold in this point of view.

Measure the great efforts to shot on location on a dry land with inappropriate sternly weather conditions at desert, sands, winds, in this specific point the assignment was fully accomplished, as a few numbers of votes this one is still unknown for the majority of IMDB's users, I saw it for the first time in early 1992 and now on DVD without any restoration, maybe never will be, sadly!!!

Resume:

First watch: 1992 / How many: 3 / Source: TV-DVD / Rating: 6.5.

This was evidently made to go more into details about the Moses case than was possible in "The Ten Commandments" of 1956, which remains the best Moses film. For this version Anthony Burgess among other writers were consulted to make deeper research into the problems, which results in a much more interesting and controversial picture of Moses with his more debatable sides and complexities such as his cruelty and intolerance. We did not see much of Aaron in "The Ten Commandments" while he is here lifted forth to great advantage, convincingly played by Anthony Quayle, showing both his merits and weaknesses. After all, Burt Lancaster gives a sympathetic interpretation of Moses, which completes the efforts of Charlton Heston, who was only convincing and interesting as the prince and fugitive from Egypt. Best, however, is Laurent Terzieff as Pharaoh Mernephta, who is presented as a very conciliatory and human ruler placed in a very delicate and tough spot, - although he is historically entirely wrong. Mernephtah succeeded Ramses II at 66 years of age and did not rule very long, while he is here presented as a very delicate young man. It is more probable that Ramses was the pharaoh who had to deal with Moses, but that's the only flaw of the film, to which Ennio Morricone had great pains in making suitable music. The Red Sea sequence is as always the highlight of the drama, no film can fail in making that a great spectacle, and here is even included Miriam's celebrations afterward, which adds to the films many deserts.