Zorro

The inimitable Alain Delon is Don Diego De la Vega , a foppish governor and look-alike gay , but he dons a black outfit and becomes the Zorro , the legendary masked , hero of oppressed . Zorro riding in the hoof-prints , relishes his secret identity in cape and blade and help the good people who are mistreated , thwarting the ambitious plans of the meanie official . He battles colonel Huertas (last feature movie by Stanley Baker) and a botcher sergeant (Moustache). Zorro's helped by a deaf and dumb servant (Enzo Cerusico) . Zorro unites forces to Father Francisco (Albertini) and a beautiful aristocrat (Ottavia Piccolo). Zorro-Delon fight evildoers and greedy colonel oppressor, while saving damsel in distress from a fate worse than death . The film is set in salty flavour of Old South American , New Aragon , rather than Old California , though it was filmed in Spain.

Derring-do , feats , adventures , humor and action find this agreeable swashbuckler . Alain Delon runs and jumps , bounds and leaps all over the images and overacting outrageously when plays the queer governor . Delon requested to make this film after enjoying his role in the swashbuckler The Black Tulip (1964) by Christian Jaque . A nice cast keeps the picture moving at a rapid clip, special mention for Giacomo Rossi Stuart as grumpy German lieutenant Von Merkel and Moustache as bungler sergeant Garcia . The exciting final sword duel was inspired by the 1952 swashbuckler Scaramouche by George Sidney . Most of the crew was from Italy and the filming took place in Spain , though studio work was done in Rome , Italy . The motion picture was well-mounted and fast paced by Duccio Tessari , a Spaghetti Western expert.

Other versions about this known personage , as television series starred by Guy Williams during the 60s and the 90s starred by Duncan Regher , as cinema the classic silent version (1920) by Douglas Fairbanks and 'The mark of Zorro' (1940) starred by Tyrone Power and directed by Robert Mamoulian . And , of course , modern rendition titled 'The mark and legend of Zorro' starred by Antonio Banderas and Catherine Zeta Jones and directed by Martin Campbell .

Tongue in cheek romp, clever action shots, slap stick comic relief, silly theme song, great scenery and lavish costumes, what more can one ask from a $1 DVD?

I found this DVD in the dollar bin at Big Lots along with several others. The rest were not saving, but Zoro is a keeper.

The interplay between Zoro (Alain Delon) and Col. Huerta (Stanley Baker) is excellent. They spar verbally in the first half of the film, which climaxes in a long sword fight between the two. Incidentally, Stanley Baker died the year after completing Zorro, at age 49.

Ottavia Piccolo plays the female role to perfection.

Falling in between Guy Williams' and Antonio Banderas' renditions of the legendary masked figure is this oddball, campy, yet somehow still watchable Spanish-made entry. Delon wears the cape and the mask this time around and does an admirable job for the most part. He disguises his way into the role of governor to a South American province which is riddled with corruption, much of it at the hands of slimy colonel Baker. While Delon (who, in his prime, was one of the most gorgeous men ever created) does well as Zorro and looks dashing in his costume--his blue eyes jutting from behind the mask, he wildly overplays the foppish role of the governor. It's meant to be funny, but it falls short of humorous and winds up rather annoying. In fact, a lot of the humor doesn't seem to translate from what the Spanish consider funny to what American audiences will enjoy. For example, the film offers up a goofy, dim-witted mute, a rotund, hairy guard whose pants rip open and a little "Buckwheat"-style kid for comic relief. None of these is remotely amusing. The strength of the film lies in the animosity and rivalry of Delon and Baker (put to good use as the villain.) The movie is helped immeasurably by some gorgeous locations and a lot of authentic and regal settings. The costumes tend to be pretty decent as well. Also, there are several elaborate stunt sequences. These aspects cover up some of the lack of budget in the picture. Piccolo, as the heroine resembles Linda Blair, excepting that Piccolo can actually act. She makes a lovely damsel in distress. The story is really a duel between the two men. First it's a battle of wits and then an extended, well-executed and staged battle of swords. This creative, elongated battle is the highlight of the film. Unfortunately, the very, very end of the film is choppy, disjointed and unsatisfying. The theme song (heard over and over) is sung by Oliver Onions (!) and should be used in CIA interrogations. It's hellacious lyrics, vocals and music attack the brain and cling on for hours and hours after the film has been viewed.

It's not the slickest Zorro movie ever, or the most faithful version of the Zorro legend, but Alain Delon's "Zorro" is a lot of fun. In a way, its lack of polish works in the movie's favor and gives it a certain amateurish energy and charm, like an energetic high school play.

Alain Delon makes an appropriately aristocratic Diego, and he (or his stuntman) provide an athletic, agile Zorro. The villain, Colonel Huerta, is grandiose in the comic book tradition, and Moustache as Sergeant Garcia is nice and bumptuous. The heroine, Hortensia (wow, what a name) is adequate, and the mute servant is good for a few laughs.

The only complaint I have with this movie is that Zorro theme music. If you've seen the movie, you know what I'm talking about - it's this weird upbeat pop song that they play almost every time Zorro is onscreen: "Here's to you and me / Flying high and free / La la la la la la / Now that Zorro's back!" Now I can't get that song out of my head!

RELEASED IN 1975 and directed by Duccio Tessari, "Zorro" stars Alain Delon as a new Spanish governor in Mexican California in the 1820s. With the populace of Nueva Aragón under the oppressive rule of corrupt Colonel Huerta (Stanley Baker), the foppish governor becomes the masked adventurer, Zorro, to bring justice. Ottavia Piccolo plays the noble hottie; Enzo Cerusico Zorro's mute servant; and Moustache a bumbling fat bastage soldier.

The version I viewed cut out an entire half hour, so I might raise my rating if I eventually see the longer version. Nevertheless, there's enough good in the short version to make this colorful European rendition of Zorro worth catching if you like swashbuckling adventure flicks with joie de vivre ("joy of living"), like "The Musketeer" (2001), "Raiders of the Lost Ark" (1981) and, of course, "The Mask of Zorro" (1998).

I'm familiar with protagonist Delon from a couple of his prior films, "Texas Across the River" (1966) and "Red Sun" (1971), where he struck me as a striking, charismatic actor; unfortunately, he's not well known in the USA. Regardless, he's just perfect for the role of Zorro. Meanwhile, Piccolo is mind-blowing as the honorable senorita. The closing elongated sword fight is possibly the best bout of fencing put to celluloid, next to the one at the end of "Rob Roy" (1995).

THE MOVIE RUNS 2 hours (with a widely circulated 87 minute version) and was shot in Almería & Madrid, Spain. WRITERS: Giorgio Arlorio (story) and Giorgio Arlorio (screenplay).

GRADE: B