Les derniers survivants

Yup, I was a kid when I saw this, just like nearly all the others. Oddly, I recall it was similar to the Star Trek episode "Omega Glory" as well, what with the white powder left spilling out of people's clothes. I always wondered, since I recall that the main characters' camping companion was feverish and in seeming pain for half the day after being exposed to the solar flare before he tuned to white powder, why so many of the empty clothes with powder spilling out they happened across were in positions that indicated that the occupants had disintegrated immediately without undergoing a period of suffering (e.g. on a playground carousel, behind the wheel of a car, etc.). Oh well, I overanalyze. I remember being likewise bothered by a recent movie where an airline pilot captain had to deal with nearly half his passengers vanishing, leaving empty clothes behind (minus white powder). brr...getting' the shivers.

Four people have gone camping and while three members of a family are inside a cave looking around, a bright light appears outside followed by an earthquake. The other person, "Jim Clancy" (Noble Willingham) just happened to be outside when it happened and not long afterward he gets sick and dies. Totally on their own, the father, "Steven Anders" (Peter Graves) decides to take his teenage son, "David" (George O'Hanlan Jr.) and his daughter, "Deborah" (Kathleen Quinlan) back to Malibu in search of their mother who left the campsite earlier in the day headed for home. On the way back they find that what happened to them wasn't an isolated incident as entire towns are totally deserted and empty. Everybody is gone. Anyway, rather than answer the question of "what happened to everybody" I will leave it to the viewer to see for themselves. I will say however, that even after watching the film in its entirety I still thought there were one or two unanswered questions. Additionally, one particular drawback was the fact that it was narrated in the past tense by one of the family members, which took some of the mystery out of it in my opinion. But even so the film managed to maintain suspense for the most part. I especially liked Peter Graves' calm and collected demeanor throughout the movie as it added a solid character to the film. In short, for a low-budget made-for-television movie this one wasn't too bad and I give it an average rating.

I remember seeing this movie on TV when I was about 7 or 8 years old. This is a movie that will stick with you for life! I wish that I could find it on VHS somewhere. TV movies were something special back then. Maybe it was just my age but movies like Where Have All the People Gone, Don't Be Afraid of the Dark, Omega Man, Crowhaven Farm, Gargoyles, Bad Ronald and Trilogy of Terror stick out in my mind as the coolest movies ever made!

Fondly remembered by all who saw it back in the 70's, this end-of-the-world flick packs a punch. I caught the last forty minutes about a year ago on an independent channel--which temporarily replaced another station that was being primed for a Spanish-language channel takeover. Could this made-for-tv movie have been inspired by the Star Trek episode titled "The Omega Glory"? There are striking similarities: most notably the state of the doomed crews' bodies. In the movie, however, the disease is caused by solar flares. You don't need elaborate and costly effects to convey the desperation and fear in the survivors' milieu. The situation itself is enough. Peter Graves sheds his B-movie threads and delivers a heroic performance as the father who leads by example and care, never loosing sight of their goal to hook up with their loved ones. The director, John Llewellyn Moxey, has deservedly earned his cult status. His television resume is impressive: The Night Stalker, The Last Child, Genesis II, Home for the Holidays, as well as the pilots for Kung Fu and Charlie's Angels.

Thoughtfully considered, well-acted made-for-TV drama stars Peter Graves as a family man on an excavation excursion with his kids in the California mountains who survives a radioactive blast followed by an earthquake; slowly, the family comes to realize the astronomical proportions of the accident when they get back to town and find desolate streets. Writers Lewis John Carlino and Sandor Stern do not trivialize the situation with soap opera; the budget may be slim, but the emotional experiences on hand for Graves and his children (and two others they pick up along the way) are harrowing. Cinematographer Michael D. Margulies does terrific work behind the camera, and the direction is solid except for some stiffness at the beginning and a voice-over narration that was unnecessary. Television movies really came into their own in the 1970s, providing capable TV actors with meatier roles than what was otherwise available to them in the form of popular weekly shows. This is certainly the case with Peter Graves, who retains his laconic, low-key persona but who also excels with some hard-hitting scenes (such as a moment of private grief up in his bedroom); Verna Bloom is also terrific as a mother who has seen her entire family decimated, and young Kathleen Quinlan is outstanding as Graves' warm, maternal daughter (this is a very underrated actress giving an early performance worthy of high praise). Worthwhile, unpretentious fare, a precursor to "Damnation Alley", "The Day After", and many others.