Willie Dynamite

Highly entertaining and interesting as willie dynamite applies the principles of capitalism to enhance his business of managing sporting ladies. But where there is greed and the quest to be second to none, one is always confronted with jealousy and envy from your fellow peers.

The character Willie dynamite was immaculate in his dress from the beginning of the film to the end. He changes wardrobe complete with hats more times than Cher did in her last concert! He displays the 70's pandering apparell that he wore to absolute perfection.

I originally saw Willie Dynamite in 1973, and after watching it again today, after all of these years, it had the same impact. That is why I feel that I can recommend the viewing of this film. If you like blaxploitations films, this is a must see!!!

Not a very common blaxsploitation film released through Universal Pictures. This one had a decent budget and starred the one and only Gordon from Sesame Street (Roscoe Orman). It was a little odd watching him play a pimp but he did do an amazing job. I wonder if this role landed him the job as Gordon.

This isn't really exploitative at all with no violence or nudity instead tells a story of a pimps hardships with the police always arresting his girls and shaking him down constantly. His competition works him over as well every chance they get. His biggest problem seems to be his mother who obviously disapproves of his life choice.

A great film all the way through but the only thing missing was a funky soundtrack.

A classic 70's Blaxploitation film. Pimps as colorful as peacocks with land cruisers dressed in chrome.

Roscoe Orman (Gordon from Sesame Street) plays Willie, a pimp who has the patter down pat and the clothing that rivals anything that your imagination can come up with. He runs afoul of a determined social worker and the police, both determined to bring him down. They use every trick in the book to make his life hell and bring on him the wrath of his fellow pimps.

Diana Sands, who was one of the top black actresses of the 50s and 60s, shined as the social worker. This was one of her last films as she died of cancer before its release. She was 39.

Like Al Capone, Willie's downfall was the IRS.

Willie Dynamite is most certainly one of the most flamboyant pimps to ever grace the screen and his "stable" of beautiful women are frequently scantily clad, but don't let the smooth taste fool you, Willie Dynamite is not your average pimp film.

"Willie Dynamite" was at times thought-provoking, frequently intense and entertaining throughout. Watching Willie Dynamite fall from pimp grace makes for some interesting drama.

Roscoe Orman is great as the fallen pimp and Diana Sands is brilliant as always but there is much to be said about the performance of the young Joyce Walker, Willie's newest and most inexperienced 'treat'. This film's motto seems to be 'even an old dog can learn new tricks' as each of the main characters undergo some form of transformation before the credits start rolling.

8/10 stars

As all fans of exploitation cinema will know, there were many, many blaxploitation movies released during the 1970s after Melvin van Peebles left an incredibly impression on black audiences with Sweet Sweetback's Baadasssss Song in 1971. While many are rather enjoyable in a comical way, few works of blaxploitation were actually any good. Tony Award-nominated Broadway director Gilbert Moses' Willie Dynamite is incredibly under-seen, but is one of the genre's most impressive works, shunning the usual hyper-stylised, lightly comic beats in favour of something more serious and dramatic, while also touching on themes such as black identity, racism and police corruption.

New York pimp Willie Dynamite (Roscoe Orman) has built himself a mini-empire, training his girls to work like a production line to maximise profits and keep his many customers happy. While his clothes are utterly outlandish (there are some of most ridiculous outfits ever seen in the genre here), Willie ain't no lovable scamp like Super Fly (1972), but a real piece of s**t; he regularly threatens his girls with violence, underpays them, and fails to offer any help when they get themselves arrested. When he's late to turn up to court for his most recent arrival Pashen (Joyce Walker), prostitute-turned-social worker Cora (Diana Sands) takes a particular interest, and becomes intent on rescuing Willie's girls and ending his reign of terror.

For a genre normally so rich in exploitative traits, Willie Dynamite contains no nudity and little violence, earning its adult rating instead for language and drug use. The lack of sex and action scenes leaves plenty of room for drama and character building, and Willie's journey to discovering his place in society and ultimately redeeming himself is all the more engrossing for it. Anyone familiar with Sesame Street will be left shocked at the sight of Orman wearing some of the most garish costumes ever committed to celluloid and trying to keep his bitches in check, and it's a very convincing performance. But it is in fact Diana Sands, who sadly died shortly after filming, who steals the film as the force of nature with a gentle side. Ripe for re- discovery, there's much more to Willie Dynamite than I would have ever expected. Now, bring me some scratch.