IMDb RATING
6.4/10
1.4K
YOUR RATING
A social worker tries to get a pimp to change his ways.A social worker tries to get a pimp to change his ways.A social worker tries to get a pimp to change his ways.
Judith Brown
- Gorgia
- (as Judy Brown)
Featured reviews
Willie Dynamite is most certainly one of the most flamboyant pimps to ever grace the screen and his "stable" of beautiful women are frequently scantily clad, but don't let the smooth taste fool you, Willie Dynamite is not your average pimp film.
"Willie Dynamite" was at times thought-provoking, frequently intense and entertaining throughout. Watching Willie Dynamite fall from pimp grace makes for some interesting drama.
Roscoe Orman is great as the fallen pimp and Diana Sands is brilliant as always but there is much to be said about the performance of the young Joyce Walker, Willie's newest and most inexperienced 'treat'. This film's motto seems to be 'even an old dog can learn new tricks' as each of the main characters undergo some form of transformation before the credits start rolling.
8/10 stars
"Willie Dynamite" was at times thought-provoking, frequently intense and entertaining throughout. Watching Willie Dynamite fall from pimp grace makes for some interesting drama.
Roscoe Orman is great as the fallen pimp and Diana Sands is brilliant as always but there is much to be said about the performance of the young Joyce Walker, Willie's newest and most inexperienced 'treat'. This film's motto seems to be 'even an old dog can learn new tricks' as each of the main characters undergo some form of transformation before the credits start rolling.
8/10 stars
In the course of one week, poor Willie the pimp is getting the heat from rival pimps, from the cops (including the wonderful Albert Hall), and from a reformed prostitute who is trying to get Willie's girls' to unionize (`You can call me the Ralph Nadar for prostitutes', she snaps in one of the film's funniest lines). He even gets the IRS on his ass, although that scene isn't terribly realistic since no pimp and/or drug dealer with even half a brain would put his earnings in a bank!. What else? His purple Caddy gets towed about twice a day, his girls get busted (or worse!) and ultimately, his poor mom strokes out. Pimping just doesn't pay! This film isn't like most of the other blaxploitation films. It downplays the guns and drugs angle, and the lead character is not so baaad that he's good or vice versa. He's a nut, really. You can even see people in the background who were unaware they were in a film, pointing at him and laughing. You can almost feel sorry for him because he's more stupid than evil, and that's where the film wins the viewer over. The film breaks away from formula a number of times, and despite the OUTRAGEOUS costumes and decor (even the telephones are fur-lined!), we care about the people in this film. There are good cops and bad cops, and there is a nice balance of giving us women with brains and brawn, but who are still capable of a pretty nasty catfight when the need arises. Something for everyone! My only beef is that despite a pretty bad' theme song, the score doesn't rock at all. In fact, there are even a number of scenes that are scored with folky harmonica music. How uncool is that? It's also a shame that this film wasn't nominated for Best Costume design, but we all know how unlikely it was that most of the Academy members ever even saw this film. Just isn't fair! Overall, I think this is one of the best films of the blaxploitation genre, and along with `Unholy Rollers' and `Switchblade Sisters', one of the best exploitation films of the seventies.
Highly entertaining and interesting as willie dynamite applies the principles of capitalism to enhance his business of managing sporting ladies. But where there is greed and the quest to be second to none, one is always confronted with jealousy and envy from your fellow peers.
The character Willie dynamite was immaculate in his dress from the beginning of the film to the end. He changes wardrobe complete with hats more times than Cher did in her last concert! He displays the 70's pandering apparell that he wore to absolute perfection.
I originally saw Willie Dynamite in 1973, and after watching it again today, after all of these years, it had the same impact. That is why I feel that I can recommend the viewing of this film. If you like blaxploitations films, this is a must see!!!
The character Willie dynamite was immaculate in his dress from the beginning of the film to the end. He changes wardrobe complete with hats more times than Cher did in her last concert! He displays the 70's pandering apparell that he wore to absolute perfection.
I originally saw Willie Dynamite in 1973, and after watching it again today, after all of these years, it had the same impact. That is why I feel that I can recommend the viewing of this film. If you like blaxploitations films, this is a must see!!!
After watching 100 or more blaxploitation movies in the last 10 years or so, my wife and I fell in love with this movie. You love blaxploitation for the cheesy acting, the characters, the cars, the ghetto heroes. But for this one, it's the costumes. Sure, it's got pimps, hos, bad cops, drugs and prostitution, even a ex-hooker with a heart of gold. With costume changes nearly every scene; leather, fur, satin and those hats!, this one should have taken an Oscar!
If we can find the DVD, this one goes in the permanent collection.
Mary and David
If we can find the DVD, this one goes in the permanent collection.
Mary and David
This Blaxploitation classic merits a viewing on at least two bases: one, you've got none other than Gordon of 'Sesame Street', a.k.a. actor Roscoe Orman, playing a pimp, and two, you have to love these COSTUMES! "Willie Dynamite" (Orman) is a capitalism-oriented flesh peddler with a wardrobe to die for. But he'll have a few thorns in his side: a pair of detectives (George Murdock, Albert Hall) out to righteously bust him, a mysterious enemy determined to screw him over, and a crusading social worker named Cora (Diana Sands), who acts as a patron saint to hookers.
Directed with style by Gilbert Moses, "Willie Dynamite" is generally engaging entertainment. Some viewers may be pleased to note that, although the rating is R, there's no excessive violence, and very little in the way of bare female skin. That doesn't mean, however, that it's not worth other peoples' time. It spins a decent yarn (screenplay by Ron Cutler, based on a story by Cutler and Joe Keyes Jr.) that unfolds at a respectable pace, gives us some agreeable action set pieces, and makes fine use of locations. There's a wonderful score provided by J.J. Johnson, and a rousing title theme song that gets you in the proper mood immediately.
Orman is great fun playing a charismatic antihero. The scenario lets you wait until the end to let you know whether or not Willie D. can be redeemed, leading to some poignant moments. Sands, sadly dying of cancer during this time, gives the best performance in the movie. Thalmus Rasulala is saddled with little to do as her attorney boyfriend. Similarly, there are other familiar faces here that are rather wasted. Judith Brown, Juanita Brown, Marcia McBroom, and Mary Charlotte Wilcox as some of Willie D.'s hookers mostly just take up space. The pretty Joyce Walker gets the lions' share of attention as novice ho Pashen. Roger Robinson, as an antagonistic pimp named Bell, is most amusing, but there may be viewers who will take offense to his stereotypical portrayal of a gay character.
"Willie Dynamite" is lively, funny, and sometimes touching. Blaxploitation completists will want to check it out, for sure.
Seven out of 10.
Directed with style by Gilbert Moses, "Willie Dynamite" is generally engaging entertainment. Some viewers may be pleased to note that, although the rating is R, there's no excessive violence, and very little in the way of bare female skin. That doesn't mean, however, that it's not worth other peoples' time. It spins a decent yarn (screenplay by Ron Cutler, based on a story by Cutler and Joe Keyes Jr.) that unfolds at a respectable pace, gives us some agreeable action set pieces, and makes fine use of locations. There's a wonderful score provided by J.J. Johnson, and a rousing title theme song that gets you in the proper mood immediately.
Orman is great fun playing a charismatic antihero. The scenario lets you wait until the end to let you know whether or not Willie D. can be redeemed, leading to some poignant moments. Sands, sadly dying of cancer during this time, gives the best performance in the movie. Thalmus Rasulala is saddled with little to do as her attorney boyfriend. Similarly, there are other familiar faces here that are rather wasted. Judith Brown, Juanita Brown, Marcia McBroom, and Mary Charlotte Wilcox as some of Willie D.'s hookers mostly just take up space. The pretty Joyce Walker gets the lions' share of attention as novice ho Pashen. Roger Robinson, as an antagonistic pimp named Bell, is most amusing, but there may be viewers who will take offense to his stereotypical portrayal of a gay character.
"Willie Dynamite" is lively, funny, and sometimes touching. Blaxploitation completists will want to check it out, for sure.
Seven out of 10.
Did you know
- TriviaRoscoe Orman ('Willie D.') is perhaps best known to audiences as Gordon of Sesame Street.
- GoofsAt the 16:30 mark of the movie, when Honey calls Willie to say Pashen's been busted, Willie tells her he'll be right down, to sit tight, and keep doing business. The only thing, the pay phone she's calling Willie from has a small sign by the coin slot that says "You can dial any number in the Los Angeles area", when they are supposed to be in New York City.
- Crazy creditsDuring the ending credits, Richard Lawson is credited as playing the role of Sugar, when in fact it is Nathaniel Taylor who plays the role.
- ConnectionsFeatured in American Pimp (1999)
- How long is Willie Dynamite?Powered by Alexa
Details
Box office
- Gross US & Canada
- $479,731
- Runtime
- 1h 42m(102 min)
- Aspect ratio
- 1.85 : 1
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