A hippie girl wandering on a California beach is taken in by a Korean War veteran who lives in a nearby mansion with his sister. The girl soon begins to suspect that the mansion is home to s... Read allA hippie girl wandering on a California beach is taken in by a Korean War veteran who lives in a nearby mansion with his sister. The girl soon begins to suspect that the mansion is home to some very strange goings-on.A hippie girl wandering on a California beach is taken in by a Korean War veteran who lives in a nearby mansion with his sister. The girl soon begins to suspect that the mansion is home to some very strange goings-on.
Altovise Davis
- Deputy Molly
- (as Altovise Gore)
Featured reviews
A real oddity, this one. Stars Laurence Harvey who also directed and would die before the film was released. Indeed Harvey does not look well or perform well and it is sad that his career should have ended this way. Not that I ever thought him much of an actor but he certainly had a presence when younger and could successfully bring his personality to bear on a film if nothing else. Not here sadly for this is generally poorly directed and poorly performed by all concerned, though we do get a spirited performance from an aged Gloria LeRoy. Indeed her turn precipitates the best sequence in the whole film and certainly prevents any chance of dropping off. Just about worth seeing for it is certainly a little bit different but could have been so much better.
A veteran of the Korean War whose grisly past experiences has given him an unhealthy appetite for human flesh, owns a large beach house in California where he lives with his similarly unhinged sister. An unsuspecting young woman winds up spending the night at their house of horrors.
This little horror obscurity has cannibalism as its central theme. Although, in fairness, there wasn't much in the way of actual cannibalism on display here. In fact, there is only a quite limited serving of horror at all in this one. This is a bit of a shame, as when the movie decides to ramp things up with a bit of bloody mayhem, it is quite effectively done. The most memorable scene in this regard is the bloody murder of a middle-aged woman which was somewhat visceral in a sort of H.G. Lewis sort of a way. In other words, when our chief cannibal madman brandishes a meat cleaver and sports a demented look, you know things are about to pick up. Mostly though, the horror is implied and under the surface. I am also always pretty forgiving for any early 70's movie with a sunny Californian vibe and especially forgiving if it features a hippy chick, so I kind of cut this one a bit of slack more or less straight away. The schlock horror, while limited, was also just excessive enough to be memorably gruesome. In summary, this is a fairly basic film but it offers enough if you have a weakness for early 70's exploitation.
This little horror obscurity has cannibalism as its central theme. Although, in fairness, there wasn't much in the way of actual cannibalism on display here. In fact, there is only a quite limited serving of horror at all in this one. This is a bit of a shame, as when the movie decides to ramp things up with a bit of bloody mayhem, it is quite effectively done. The most memorable scene in this regard is the bloody murder of a middle-aged woman which was somewhat visceral in a sort of H.G. Lewis sort of a way. In other words, when our chief cannibal madman brandishes a meat cleaver and sports a demented look, you know things are about to pick up. Mostly though, the horror is implied and under the surface. I am also always pretty forgiving for any early 70's movie with a sunny Californian vibe and especially forgiving if it features a hippy chick, so I kind of cut this one a bit of slack more or less straight away. The schlock horror, while limited, was also just excessive enough to be memorably gruesome. In summary, this is a fairly basic film but it offers enough if you have a weakness for early 70's exploitation.
Gotta dig that funky 70's soundtrack, and at times the film doesn't know if it is a romance, comedy, thriller, or horror film, but it is still pretty entertaining. The ending was a little abrupt and there were lots of plot threads left dangling, but all in all it takes you right back to 1974.
Played this Tuesday on a double bill with Re-Animator. Introduced by Johnny Legend, there in the flesh, with that guy who runs one of the memorabilia stores on Hollywood blvd. They said it would probably never be shown again, ever. It's not on vhs or dvd. There is only one print.
A scene where an aging model is put out of her misery is amazing. Lots of splatter and a shock of a final scene that is very Ed Gein. The story is a bit goofy, but good at the same time. See it if you can. Oh, wait, you can't. Well there has got to be a way.
A scene where an aging model is put out of her misery is amazing. Lots of splatter and a shock of a final scene that is very Ed Gein. The story is a bit goofy, but good at the same time. See it if you can. Oh, wait, you can't. Well there has got to be a way.
Hilarious title song by Lou Rawls (can someone be a sport and let me know the name of it?) and some tasty nude scenes can't overcome a real muddled film. Sure it's explained that Harvey has a "taste for cannibalism" but where is the rationale behind it? We see a brief flashback scene of Harvey leaving a vintage-Korean war airplane along with a messed up looking crew of overacting teenagers (and Harvey doesn't look any younger than he is in the "present" day scenes -- check out the sideburns) but what exactly happened there? Perhaps the Dutch version has more footage? Also, what about the Stuart Whitman subplot? He was all hot to find out the truth but that sort of faded away. A real mess ... can't believe Harvey checked out with this as the last bit of work on his resume...
Did you know
- TriviaThis was Laurence Harvey's final film.
- GoofsWhen Deputy Rakes (Stuart Whitman) interrogates Robbin Stanley (Meg Foster) concerning her report of Jason Henry (Lawrence Harvey) attempting to prevent her from escaping through the basement window of Henry's house, she is flustered by Rakes' skeptical and aggressive attitude and incorrectly states that Henry did not grab her leg when the screenplay clearly shows that, in fact, he did.
- Quotes
Robbin Stanley: [noticing Jason Henry staring at her chest] Just secondary sexual characteristics.
- Alternate versionsDutch version contains 15 minutes of footage missing from the American release. Never released uncut in the U.S.
- ConnectionsFeatured in 42nd Street Forever, Volume 4: Cooled by Refrigeration (2009)
- How long is Welcome to Arrow Beach?Powered by Alexa
Details
- Runtime
- 1h 25m(85 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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