Une chose très naturelle

I remember seeing this when it first came out. It was a revelation back then, today it seems like a good story with bad production values. Just seeing two guys kissing on screen was a very big deal back then, then to see them naked too. Oh my. We were beside ourselves. I don't think anyone noticed just how bad the lighting and sound were, we just wanted to see ourselves reflected on the silver screen. Bad editing was easily forgiven.

I just finished watching a special about the history of Fire Island on Logo, then I rented this movie. Must be my 70's day. It's hard to believe I lived through that era and that thirty years have passed.

I wonder what has happened to each of the three leads? I don't recall seeing them in anything else.

I stumbled across this film from Netflix. I really had no preconceived notions of the film when I got the DVD in the mail. I was surprised and uplifted to see a film that was extremely progressive for being filmed in 1973(!) The discussions and concepts brought to light are somewhat the same as now. There was an openness to the cast and real people interviewed during the film that I was unaware of during the early 70s. So many times gay films seem to lack real substance and can't get over the basic premise of dealing with being gay and using stereotypical characters. The story moves from beyond that point and deals with real issues, even if it's just finding someone to love. I was very impressed and it was a great story of modern gay relationships.

I only heard of this film in passing, and did not realize how good it was until I rented the DVD. Don't be put off by the dated 1970s music, wardrobes, hairstyles, small-budget, grainy photography, etc. For this is a milestone in gay cinema. Made just about 5 years after the groundbreaking "The Boys in The Band", this greatly improves upon that film, with no self-loathing characters, but natural, real people. The writer-director Christopher Clark incorporates pensive dialogue in the story of an ex-Seminary student who finds love with one man, but is soon turned away from him and eventually finds peace with someone else. The musical score is moving, with classical pieces and more. Cast of unknowns unfortunately remained that way, but they are all outstanding. The parade sequences give added flavor and still timely food for thought. The last 5 minutes, with slow-motion photography and soaring music (pre-dates "Chariots of Fire" -1981), better illustrates male bonding than anything seen before or since. Most of the latter-day gay films remain silly, shallow, frequently mean-spirited fodder, with "Big Eden" (2000 - good), "Maurice" (1987 - better) "Making Love" (1982 - great) among the few notable exceptions. A classic awaiting rediscovery.

It's interesting to see how this film has weathered the last 40+ years. I enjoy reading your comments.

"A Very Natural Thing," according to sources I've read, was one of the first films to show gay men candidly as people. The two principle characters could be anyone. They don't fall easily into stereotypes which plague gay-themed films, even today in the late 1990s.

This film definitely has the look and the feel of its times, the mid-70s. It's fascinating to see how people dressed, the way they talked, what cars they drove, even how they cut their hair. It's also interesting to look at gay lifestyles in this period setting. This was before AIDS/HIV, and unprotected sex was the norm. It takes place just at the beginnings of the 70s age of sexual liberation, not only for gays, but people in general as well. (For another view of the period see BOOGIE NIGHTS or the TALES OF THE CITY series.)

But the most important part of the film is the relationship between the two, psychologically different characters who meet in a dance club, fall in love, and live together. It could be two people today. It shows what two average gay men might experience living together.

I cross-referenced some of the people who made this film. Few went on to do anything else in movies. I think only one made it into the '80s in a mainstream film.

The film has low-budget production values from the period. I didn't find that so much distracting as endearing. It made the film all that much more real.