Together Brothers

So many Hollywood movies attempt the gritty realism of THIS film, and almost never come close. "Together Brothers" is an astoundingly realistic and gritty look at urban strife, devastating poverty, and finally, loyalty among friends. Four teenagers decide they are going to find the guy who murdered the town police officer, who was so good and respectful to the kids, that they named him Mr. Cool. The film then takes the viewer on a journey through the dark underbelly of one of the poorest, saddest ghetto wastelands EVER captured on film. And it's not a movie set either; it's all real. Galveston Texas looks sort of like a shanty town here, with people living in gutted buildings and shacks, and instead of polished looking actors, real townspeople were used to create this amazing film. It's a town where everyone knows and looks out for each other. When the kids see one of their own murdered in cold blood, they want to do something. The actors were amazing, especially Ahmad Nurradin in the role of H.J, who gives a performance that is sincere and unforgettable. This film is surely one of the best movies of the 70's, and it amazes me how unknown it is. I hope "Together Brothers" isn't labeled "blaxploitation," because it certainly is not that.

Despite being picked up by a major Hollywood studio, "Together Brothers" is one of the most obscure entries in the Blaxploitation genre that was so popular in the early 1970s. It may be pretty unknown, because it's not as flashy and flamboyant as most other Blaxploitation movies of the period. In fact, it takes itself pretty seriously throughout. The serious script does provide some interest, though it's not without flaws. The story is kind of rambling and unfocused at times; you can sense some real padding at times. Also, most of the characters are somewhat underwritten and lacking true different personalities from each other. But while the characters may be inadequately written at times, the (mostly) no-name cast does a pretty good job acting out these characters; there isn't a shabby performance in all of the cast. And the movie is often directed in a real way where it almost feels like you are a fly on the wall and seeing real people in real situations. You can really sense the grit and realism. If you are in a patient mood and are prepared for some minor imperfections, you'll probably find this movie a sometimes interesting change of pace from other genre entries of this period.

Having been a part of the Blaxploitation movie era, This is one of the few movies produced at that time that was a thriller, mystery and who done it. With a African American cast without portraying the young people as drug-runners, dealers or Junkies. It also portrayed them having have a positive relationship with law enforcement officers. I am starting a movement for an updated/remake of this movie. As a film editor and graphic artist I produced an updated poster as a basis for a remake of this movie topped with the soundtrack from Barry White and the Love Unlimited Orchestra...It is truly one of my favorites. Although the cast was completed with virtually unknown actors at the time. Although very dark. It was still very well acted out

Mr. Green and Mr. Dewitt really crafted a masterpiece with this film. Dismiss anything you've heard about Together Brothers, which boxes it in as a period piece. It is actually an urban crime drama cast in urban decay. The plot surrounds a gang of youths, "the Brothers" of the title, who work to solve the murder of an honorable patrolman. Additionally, they must move quickly to protect a young witness - who is doggedly pursued by the cop-killer.

For most of the movie, the killer is lurking in the shadows. But when he is finally revealed, he remains one of the most indelible head cases of movie land. The late Lincoln Kilpatrick really brings it as Billy Most. All the while, the film covers still timely topics as urban decay, police brutality, class warfare, urban decay, and ethnic strife. Together Brothers truly is ahead of its time, and like too many movies made between the mid 1960s and 1980s, digs up the unpleasant underbelly of Americana.

A gritty, sympathetic but unsentimental portrayal of ghetto life, this film was very much a product of its time, and though some of its attributes would be considered blatantly non-PC today, it's still worth a look if you can find it.

The plot is simple: when the uniformed officer who mentors a group of urban teens is found brutally murdered, the "brothers" band together to find the killer (hence the title.) The plot twist: the younger brother of one of the group saw the murder, and was almost dispatched by the killer himself. Traumatized by the incident, the boy is mute for nearly the entire movie, adding to the suspense as the killer stalks him, and closes in to silence him for good, if possible.

Comprised of a cast of unknown non-actors, TOGETHER BROTHERS has very much a documentary feel to it, highlighted by actor Lincoln Kilpatrick, in one of the bravest performances he had ever given in his career (offsetting the OTT ham-and-cheesiness of his role opposite Anthony Zerbe in THE OMEGA MAN.)

Adding to the atmosphere is the only score ever composed for a film by Barry White, which may seem overwrought and "blaxploitation-ish" out of context, but underscores the movie's dark visuals with stunning effectiveness.

A Seventies gem that I hope will someday be made available on DVD, if it's not too late.