Les superflics

Two rookie cops join forces to try and make a difference fighting crime on the streets of New York. They quickly learn they must also fight the corruption and bureaucracy in their own police department.

Entertaining and offbeat crime drama from Gordon Parks which served as his first follow-up feature after directing the two successful Shaft films with Richard Roundtree. Like that series, Super Cops is given a big lift by some great on-location shooting in New York City which really captures the gritty look and feel of 1970's street life.

It also benefits from two likable performances from Ron Leibman and David Selby as the rookie duo "affectionately" nick-named Batman and Robin by the locals. The rest of the cast is a solid mix of familiar faces from the crime and blaxploitation films from that era. Standing out is Pat Hingle as a gruff inspector trying to bring down the boys and Sheila Fraser - fresh off her appearance in the Super Fly films - as a prostitute.

The screenplay is based on the real life exploits of NY police officers David Greenburg and Robert Hantz (who both have cameos in the film) and frequently veers between comedy and drama - albeit somewhat unevenly. It is still held together by the engaging story and the smart direction of Parks.

The 60's loosened up movies a lot. It became okay, for example, to show crooked cops and real poverty. Older Hollywood in its preoccupation with glamour and the Cold War naturally shied away from such inflammatory topics. But the cultural revolt of the Vietnam period insisted on "telling it like it is", and I take this movie to be one of its products.

Greenberg (Leibman) and Hantz (Selby) are a couple of rookie cop hotshots who rock the precinct boat with their zeal and unorthodox style. Too bad we never learn what in their backgrounds drives them. Instead, the movie follows them on their exploits without explaining much of anything. It's kind of like watching a collection of sports highlights without the developmental threads of a narrative.

Still, the movie never drags or bores, plus the gritty shots of ghetto life are worth the admission price alone. Then too, the screenplay sure doesn't glamorize either the typical cop or precinct life generally. The "feel" here is of the real thing, one of the film's genuine strengths.

Unlike most films, however, none of the movie's characters are particularly likable. In fact, I agree with the reviewer who found the quirky Greenberg annoying, while the subdued Hantz remains something of a cypher. Now, there's nothing inherently wrong with this, except by the end, the two appear just the same as they were at the beginning. In short, all the murder, mayhem and human misery have affected them not at all, one way or the other.

All in all, the movie's an okay entry in the post-Serpico sweepstakes. Yet, despite its down-and-dirty look at urban policing, the story never manages any needed depth, despite the richness of the material.

Ron Leibman and David Selby are Greenberg and Hantz, two new york city cops, going after the down and dirty, the drug rings around the city. And they are making plenty of enemies. Selby had done Dark Shadows, but this was an early film role for him. Leibman had a pretty big role in Norma Rae. And was married to Linda Lavin for ten years! The rookies want to be detectives fast, so they go looking for people to arrest. Which makes waves for the cops who just want to ride things out until retirement. Gritty city. But everytime they make progress (and arrests) they have to take one or two steps back becaused they have angered one of their own.or it might just be jealousy. Good stuff. Directed by Gordon Parks directed Shaft and Malcolm X, Learning Tree. Written by LH Whittemore.

After watching and enjoying "Super Cops" I read a bit about it and found that BOTH cops portrayed in the film were involved in some illegal activities....including prison time. So, while the movie might be true, it's also possible that the pair's exploits might be exaggerated a bit.

The story is not surprising, as it came out not too long after "Serpico", another film VERY critical of the NYPD and widespread corruption within the force. Both would make a nice double-feature.

The story is about two brand new cops, Officers Greenberg and Hantz. The pair are extremely eager, often working during their off hours. Oddly, in the film the pair are often yelled at or threatened with termination or an Internal Affairs investigation despite their many, many arrests. According to the film, this is because so many of the policemen are on the take or hate that the pair are so successful that it makes them look bad.

The story is most enjoyable and the film well made. I only wish the story had talked more about the pair's work AFTER the first few months they were on the force.

This film has slipped through the cracks of film history. It is by far much better than some other New York films of the same era such as: "The French Connection" or "The Taking of Pelham 1-2-3". There is a gritty reality to this film which also manages to effectively use humor to further the plot line. It's engaging from start to finish and hasn't tarnished with age as is the case with the above two examples.

Ron Liebman turns in a bravura performance as "Batman" and it's a shame his career didn't take off as a result of this project.

Gordon Parks directs and, coming as it does after "Shaft", it at first appears to be a strange choice. Yet it is the flip side of that earlier effort and approached with just as much in your face machismo.

Unfortunately this film has not been made available on either DVD or VHS in the United States. United Artists really has a gem on their hands and it's a shame they're not doing anything with it.