A woman attempts to reunite her family by helping her husband escape prison and together kidnapping their son. But things don't go as planned when they are forced to take a police hostage on... Read allA woman attempts to reunite her family by helping her husband escape prison and together kidnapping their son. But things don't go as planned when they are forced to take a police hostage on the road.A woman attempts to reunite her family by helping her husband escape prison and together kidnapping their son. But things don't go as planned when they are forced to take a police hostage on the road.
- Awards
- 2 wins & 6 nominations total
- Standby #1
- (as Kenneth Hudgins)
- Buster Daniels - Drunk
- (as Buster Danials)
- Mark Fenno
- (as Jim Harrell)
Featured reviews
I would certainly argue with any notion that this film is "underrated". It's always been well regarded, even back in the days when Spielberg was known as the clever kid who made "Jaws". That doesn't mean it has ever been easy to see.
Now, with the passage of time, "Sugarland Express" looks even better than it did in the 1970's. One still has no trouble at all getting caught up in the quixotic mission of these characters.
'The Sugarland Express', based on a true story is about a husband and wife trying to outrun the law, they want their life back, they want their Baby Langston back. It's a joyride! The incident has been made with ease, the Legendary Filmmaker never disappoints -- as simple as that!
Coming right away to the acting department, Goldie Hawn steals the show with a magnificent performance. The Legendary Actress delivers a performance of a lifetime! William Atherton is superb, this is his most mature performance to date. Ben Johnson is, as always, terrific. Michael Sacks emotes the helplessness and support remarkably. Others are satisfactory.
On the whole, this Superb Piece Of Cinema cannot be missed by Cinema-Devotees. Thumbs Up!
If you're interested in Spielberg as a director this is fascinating as it begins to lay out most of the themes that have driven his work ever since - family (especially divided and dysfunctional families), childhood, parenthood, outsiders, America and Americana etc. It's also a really interesting piece in terms of his developing style. This is the first Hollywood film in which panaflex cameras were used allowing Spielberg to produce fantastically elaborate and fluid shots even in the confines of a car (see the superb 360 pan fixed on Ben Johnson's car when he first talks to the Poplins)- a kind of cinematography that has become a hall mark of Spielberg's, as have the rising crane shots and extended tracking shots that pepper the film. Spielberg skies and "God Light" (his term for shafts of light in mist/at night) also feature heavily.
It's also a really interesting if somewhat unrecognised influence on films like Thelma and Louise which seems to lift its basic structure and characters right out of this film. The way Ben Johnson's Captain Tanner equates to Harvey Keitel's police officer in Ridley Scott's film seems particularly close.
Fantastic performances all round too. Johnson, Horne and Atherton (a much under-used actor who has been largely wasted since, playing roles like the self serving journalist in the Die Hard films)particularly shine.
It's also very funny, sad and engaging from beginning to end. Can't recommend this one enough - especially if you're a Spielberg fan.
Based on a true story, The Sugarland Express tells the story of a young woman who successfully breaks her husband out of prison to help her assist retrieving her child, about to be placed in the care of foster parents. Things soon take a turn for the unexpected when they're left with no choice but to take a patrolman hostage & are pursued by the police throughout their journey.
Directed by Steven Spielberg, the film wonderfully introduces many of his trademarks & themes that would continue to recur in his later works and is a solid work that has enough style & substance to keep the viewers engaged for the most part. Camera-work is dynamic, makes excellent angle choices & remains consistent throughout while editing steadily paces its narrative.
Coming to the acting department, the cast comprises of Goldie Hawn, Ben Johnson, William Atherton & Michael Sacks amongst which it's Hawn who chips in with the most impressive performance. Marking his first collaboration with Spielberg, John William provides a score that beautifully reflects the film's tone with tracks that are adventurous, light-hearted & at the same moment, slightly poignant.
On an overall scale, The Sugarland Express is one of Spielberg's highly underrated flicks & although far from a masterpiece, it's still a quality work of passionate filmmaking that's admirable for a number of things. Full of crowd-pleasing elements, presenting the then-young filmmaker refining his craft & an indication of greater things to come, The Sugarland Express is a must for Spielberg's fans as well as critics.
I think what defines this film more than anything is the distinct new Spielberg smell. It has all of the things we recognize from the bigger Spielberg films, just on a much smaller scale. The dialogue flows so naturally and fits right in with the action and camera work of the film. There are lots of familiar camera techniques in the film, especially the fluid camera movement that goes on within the confines of the police vehicle, where a lot of the film takes place. Nothing is as grand and widespread as Spielberg's classics, but anyone who respects the genius can respect this film for what it is because, like it or not, this is where it all began.
But not only is The Sugarland Express a fascinating look into how Spielberg got his start, it is also just an incredibly fun film. Goldie Hawn plays the border line psychopath mother perfectly. She wants nothing more than to see her baby boy again, and she won't let anything stop her. The film hits both ends of the spectrum very nicely. A lot of it is very comedic, ranging from cleverly hilarious to downright goofy at times. Yet there are also moments of sincere dramatic tension. Through all of the offbeat wackiness, the film never forgets the situation it is dealing with. Despite everything, it is still two convicts running from the law, a subject that the characters must handle with care. And the film brings this to light very well, as it is very gripping at moments, and almost touching at others.
The Sugarland Express isn't much more than a very exciting adventure story with some enticing moments of drama thrown in, but you have to love it for that. It doesn't try to be much more and it pulls off everything it wants to deliver with a lot of talented finesse and grace. This is not a film to miss. It's only mistake was coming right before Jaws, a masterpiece that overshadowed it greatly, hence why we know that name, but few of us have heard of the pleasant little gem that is The Sugarland Express.
Did you know
- TriviaThis is the first movie to feature a tracking shot (front seat to back) and a 360-degree pan with dialogue from within a car, made possible by the new Panaflex Camera (1972), which was intended to be first used by Clint Eastwood in his directorial debut, Un frisson dans la nuit (1971), but wasn't ready in time.
- GoofsWhile the Border Patrol's purpose is indeed to protect the United States against illegal entry and not vice versa, they are still a law enforcement agency that can be called upon to assist other state or federal agencies (as depicted in the film) to prevent wanted felons fleeing the United States jurisdiction during a pursuit. This has happened numerous times in reality and as such they are completely justified in firing at Clovis's car during their attempted escape.
- Quotes
Clovis Poplin: We're in real trouble.
Clovis Poplin: Say, I didn't mean what I said.
Maxwell Slide: What was that?
Clovis Poplin: When I called you a son of a bitch, I didn't mean it
Maxwell Slide: And you ain't no mental subject neither.
- Crazy creditsEpilogue: "Lou Jean served 15 months of a five-year prison term following her parole. She convinced the authorities that she was fit and able to take care of baby Langston. They are now living quietly in a small West Texas town. Captain Tanner and Officer Slide are still serving with the Texas Department of Public Safety."
- ConnectionsFeatured in At the Movies: Special Show: The Magic of Spielberg (1984)
- SoundtracksThe Eyes of Texas
(uncredited)
Written by John Lang Sinclair
[Played by marching band when the car enters Rodrigues, Texas]
- How long is The Sugarland Express?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Loca evasión
- Filming locations
- San Antonio, Texas, USA(Harlandale ISD Stadium & Military Drive)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $3,000,000 (estimated)
- Gross US & Canada
- $7,500,000
- Gross worldwide
- $7,505,037
- Runtime1 hour 50 minutes
- Color
- Aspect ratio
- 2.39 : 1