Brigade volante

This time round we've got Milian playing a cigar chomping, revenge obsessed cop out to catch (and kill) the men who machine gunned his wife by accident. I could have sworn that this film was part of a series of films starring Milian in the same role, but I see no mention of it here.

The marked men in question have just pulled off another heist, and we spend probably more time with them than we do with Milian. You've got Ray Lovelock as a left-wing militant, Gaston Black Thumb as the leader with the gorgeous chick lady woman, that guy who was a cop in The Bird With The Crystal plumage and two other guys. Gaston's character is a lot more interesting that Milian's as he's a smart bad guy who's got his own agenda.

This film isn't a fun as some of Enzo Castellari or Umberto Lenzi's gangster films, but Stelvio Massi is no fool. His camera work is very inventive and the films looks great. Plenty of violence, car chases, sexism, you know the drill. It's good!

Another enjoyable slice of crime from '70s Italy, with old-hand director Stelvio Massi on good form again. Tomas Milian is another cop on the trail of hoodlums, but this time around he's more serious and less jokey, probably to do with his wife being gunned down in the opening. Ray Lovelock makes an appearance too, but the real star is Gastone Moschin, as imposing and larger than life as ever. Not a huge amount of action here, but it hits the mark every time.

I'm a big fan of these Italian crime flicks, and while Emergency Squad may not be the best one to come out of Italy during the seventies; it's decent enough and does deliver most of what I have come to expect from this sort of film. Emergency Squad does not really add anything new to the genre, and director Stelvio Massi did do better four years later with the Maurizio Merli vehicle 'Convoy Busters'. The main reason I wanted to see this film was for the fact that it stars the excellent Tomas Milian, though like Stelvio Massi; this doesn't represent his best work either. Tomas Milian plays Interpol officer Tomas Ravelli, who finds himself on the trail of a gang of crooks after a botched robbery which left a police officer dead reveals that one of them is using the same gun that was used to kill his wife years earlier. Although it's not his case, Ravelli goes after the criminals anyway to gain revenge for what they did to his wife. He later forsakes the police force, leaving him free to get the crooks by any means necessary...

One of the reasons why this isn't Milian's best work is down to the role he is playing. Almost Human clearly shows that Milian is much more at home playing sadistic criminals; so seeing him as a copper, even one that is happy to break the rules, just isn't putting him in a position to do what he does best. The supporting cast doesn't stand out as much as Milian (as usual), though it does feature esteemed stars such as Ray Lovelock and Stefania Casini. The film does feature the staples of the genre; there's a fairly good car chase, plenty of shootouts and the leading man gets to throw his weight around on several occasions. The film benefits from tight plotting and a storyline that doesn't veer off on a tangent often, as plot lines in other Polizi flicks often do. There's not a great deal of violence in the film, though that isn't a big problem as the plot itself usually contains enough to keep the audience entertained. Overall, I won't name Emergency Squad as one of the very best of the genre, but it's a decent enough film and I can recommend seeing it to my fellow Polizi fans.

In the wonderful world of Italian Poliziotteschi (a cult/exploitation sub-genre) movies from the 1970s, Stelvio Massi was a director/cinematographer whose name and reputation were rather insignificant compared to some of his more talented and infamous colleagues, most notably Umberto Lenzi or Enzo G. Castellari or Fernando Di Leo, but he did deliver a handful of undemanding & fun films. This "Emergency Squad" is arguably his best work; a rudimentary and derivative but nevertheless blood-soaked (literally) story about an unorthodox copper on a personal quest for raw vengeance against the bastard criminals that killed his wife during their escape from a bank robbery. During his prolific in these euro- crime movies, cult actor Tomas Milian alternately played borderline coppers and psychotic criminals, and this time he depicts the cop. Inspector Ravelli from Interpol is called to the holdup scene where a quintet of criminals inventively pretended to be a film crew and gunned down an unfortunate policeman. Ravelli immediately spots that the bullet shelves on the ground come from the same weapon that killed his wife five years earlier and begins his obsessive hunt. Meanwhile, there's severe distrust and hostility between the crooks. Particularly their leader Marsigliese clearly doesn't intend to share the loot and prefers to get away with his mistress Martha. "Emergency Squad" is memorable to me for three main reasons: the performances of the two lead actors, the extremely violent nature of the gunfights and the fact that approximately 1/3 of the DVD that I own is spoken in its original Italian language without English dubbing subtitles. The latter point is rather bizarre, since the DVD is an official release (yellow box with a drawn picture of Tomas Milian's character in front of a bullseye) and actually quite expensive! Milian's opponent in the film is none other than Gastone Mochin (immortal thanks to the brilliant "Milano Calibro 9) and he portrays a marvelously complex and atypical gangster. Marsigliese is a ruthless thug, but also struggling with his health due to chain- smoking. Last but not least, "Emergency Squad" contains numerous of vile gunfights and executions for which I honestly wonder whether the human blood spillage is anatomically correct or not… Whenever someone is shot, admittedly always with heavy artillery and at extremely close range, his/her clothes are immediately drenched in blood. In fact, I don't think I've ever seen bigger bullet wounds or more massive bloodshed in any other movie in my life. Of course I never witnessed an execution in real life, but I do suspect that director Stelvio Massi exaggerated a tad bit with the blood spillage in order to make his film more sensational and more appealing to fans of the Poliziotteschi genre … And it worked, too!

This is probably the best of the many, many "polizieschi" flicks director Stelvio Massi directed in the 70's. It has a nice tight plot (unlike more meandering stuff like "Convoy Busters") and it benefits from strong acting by Tomas Milan, Ray Lovelock, and (especially) Gaston Moschin. Milan plays a renegade cop after a group of criminals who murdered his wife five years earlier. While posing as "polizieschi" filmmakers(!), the gang pulls a daring daylight robbery that leaves a policeman dead. They then try to flee Italy dressed as machine-gun toting priests(!!). Moschine plays "the Marseillese" the treacherous, cigar-chomping leader of the group. Lovelock plays a political radical and intellectual who works as the gang's wheel-man. Stefania Cassini plays the rather irritating bimbo girlfriend.

Massi does a pretty good job keeping the plot together for a change. He splits the screen time between the bickering, treacherous gang and the relentless cop. This is far from Milan's best role, but he's pretty decent. Lovelock plays an interesting character who should have had more screen time. Cassini, very atypically, keeps her clothes on for some reason (although there's plenty of gratuitous nudity involving a porno club and a scene where the gang holds an entire family hostage, apparently just so they can feel up the mini-skirted teenage daughter and rip her blouse open a couple times). Cassini is a good actress, but her character is pretty annoying and really serves no function. I was very impressed though with Moschin, who I've only seen previously in the sex comedy "Erotomania". He is a far more effective presence in this genre than in comedies. (Although his final face-off with Milan is kind of disappointing).

In any event, this is worth watching, especially if you like the Italian crime thriller genre.