Un silencieux au bout du canon

My opinion of John Sturges' McQ has evolved over the years. I saw it thirty years ago on NBC (with only a few bullet holes and mild curse words eliminated) and thought it was a flabby, but relatively decent little cops and robbers flick. It had the additional enjoyment of being filmed, in part, in Seattle, an exotic city some 280 miles from my home, Spokane.

John Wayne was something of a cartoon to me when I was a teenager. I didn't understand or appreciate his body of work and that he was a unique performer--to paraphrase his words, "not an actor, but a re-actor." His screen persona was simple and subtle, very human yet heroic. I didn't see any of this; McQ was just John Wayne putting on a business suit (as the reviewer in Time said, "Seems like putting Cary Grant in bib overalls"), strapping on an exotic weapon, and sliding behind the wheel of a Trans Am to go kick drug-dealer butt. McQ wasn't anything special. Just a cop movie with an old guy playing young.

As I got older--and saw McQ uncut on WTBS or KSTW--I began to appreciate both the film and its star even more. Yet I knew that the conventional wisdom of McQ was that it was a ridiculous attempt to modernize Wayne's image, to cash in on his stardom (which it didn't; McQ flopped at the box office). I declared McQ to be my official "Sinful Pleasure," a really bad movie that is truly lovable.

Think of a dog so ugly it's cute.

I taped a keeper copy of it off Cinemax, watched it every year or so. A DVD came a couple of years ago. I realized I never get tired of this movie. It's got lots to complain about--the looping of the dialogue is atrocious, the geography is laughable, the clichés are stacked like cord-wood, and the thought of all the better things John Sturges did in his career keeps popping into my mind.

Yet . . .

Wayne is at his most comfortable, maybe his best work since In Harm's Way. The crime drama itself plays out nicely, with clues being offered out at just the right pace, Seattle and the Olympic Penninsula are beautifully sun-washed and crisp-looking, and Wayne's costars give real weight to the movie--Colleen Dewhurst, Eddie Albert, Diana Muldaur, and David Huddleston, to name a few. There are a few over-the-top scenes that stretch credulity (his confiscation of a MAC-10 machine pistol from a gun dealer and talking Ebonics to Roger E. Mosley come to mind), but our affection for Wayne, and his professionalism, allow him to tame the gamier moments. You actually can believe his call for help to Seattle patrolmen when his car is demolished by a couple of semis, "Get some foam on this thing. I'm up to my butt in gas!" His embarrassment when asking for money from ex-wife Julie Adams and her moneybags husband is one of the best moments in the movie. And, of course, his being seduced by Dewhurst, at first, is so off-putting that you may want to make a Mystery Science Theater 3000 comment at the screen.

But if you're anywhere near adulthood, realize this: Middle aged people (Wayne's character is in his fifties and so is Dewhurst's) have sex. Wayne is the gentleman, here. He's being approached by Dewhurst and he doesn't want his saying no to be hurtful or condescending. If you watch the scene more than once, I believe you will see it as a sweet and decent moment and not some sort of dirty joke about old folks.

This brings us back to the evolution of my opinion of McQ. First it was an okay shootemup, then a sinful indulgence, and now, a set of good performances that lift up an otherwise pedestrian crime drama. It's easy to brand a movie a "sinful pleasure" because you can trash it while enjoying it. Sort of a cheap shot; cowardice comes to mind. McQ is no longer a sin for me to enjoy. It's a pretty good movie with really good people.

I recommend it, warts, jive, and all.

If you don't particularly like John Wayne, then I doubt if this film will change your opinion. But, if you do like his films and want to watch some mindless action, it's not a bad bet at all--though the film is awfully derivative. That's because only a short time before this, the Dirty Harry films debuted and were VERY successful. John Wayne must have been really ticked, as he was first offered the part as Inspector Callahan ("Dirty Harry"). McQ is his attempt to cash in on the genre, though the results were definitely very mixed.

First, let's talk about the bad. The overall tone of the film is pretty dark and depressing. A plot involving stolen drugs and dirty cops was a far cry from the usual John Wayne fare. Plus I was pretty shocked when this newer and "hipper" Wayne gave drugs to Colleen Dewhurst to elicit her assistance AND THEN he slept with her! This just seemed rather gross. Occasionally, the Duke's reasoning abilities seemed a bit "super-human"--such as how did he know what he knew when the film was about to end??!! Also, unlike Dirty Harry and Wayne's next film (BRANNIGAN), there are no great lines from the film such as "you feelin' lucky, punk". Also, the story itself is just okay.

As for the good, there are some wonderful action scenes--ones that a 60-something Wayne couldn't have really done if his life had depended on it! And the final confrontation was really exciting and about what you'd hope for in the film.

By the way, while I only see this as a slightly better than average time-passer, his next film, BRANNIGAN, is a much better film. While not exactly a sequel, he plays a very similar role but the writing, locale and acting is just a whole lot better--and aside from THE SHOOTIST, is probably the best film of the final decade of Wayne's career.

This thrilling movie is a genuine ripping yarn with intrigue , mystery , tension and outstanding twists plots . An agreeable all action seventies nostalgia trip , being fast paced and rightly developed . The picture is packed with a stuffed ragbag of drugs , heavy arms and cars . Seattle cop Lon McQ (aging Wayne , he was 66 when he played a cop for the first time) investigates the murder of his best friend , Stan Boyle (William Bryant) , and the corruption within the police department . McQ believes Manuel Santiago (Al Lettieri) is behind this killing . McQ is a peculiar cop who lives on a boat (this boat McQ lives on actually belonged to John Wayne) and using mercilessly weapons (introducing the MAC-10 submachine gun to the general public and creating a demand for it) against enemy . As defying the orders of his superior , Captain Ed Kosterman (Eddie Albert) , lieutenant McQ takes justice on his own hands , he resigns to track them down . McQ enlists the help of private detective "Pinky" (David Huddleston) and J . C. (Jordan Christopher) . Meanwhile , McQ becomes involved with a twisted intrigue filled with narcotics , corrupt people , big dope dealers , shotguns and traitors . McQ driving his car Brewster Green 1973 Pontiac pursues and shoots nasties , mobsters and corrupt police officers . Including an exciting and breathtaking finale car chase .

One of Duke's last movies with a more work modern day assignment than most . Stepping out of his ordinary Westerns and into the character of a Seattle police man , here Big Duke goes in search of revenge on the gangsters who killed his best friend . Although , it was originally intended as a vehicle for Steve McQueen , it was heavily rewritten for John Wayne . John Wayne starred in this film , along with Brannigan (1975) , because he missed out on starring in Dirty Harry (1971). Stirring film in which there are nail-biting action scenes , intrigue , blasts , suspenseful set pieces and a big star as well as an excellent plethora of secondaries such as : Eddie Albert , Colleen Dewhurst , Clu Gulager , David Huddleston , Al Lettieri , Roger E. Mosley , Julian Christopher , and Julie Adams . This thrilling film is just a rip-off of Bullit (1968) and Dirty Harry , taking parts here and there . Colorful and atmospheric cinematography by Harry Stradling . Including the spectacular ending sequence in which McQ (Wayne) and Lois (Diana Muldaur) driving along the coast , it was filmed on the Olympic Peninsula of Washington State ; there were filming delays when the beach was foggy . Original musical score by the classic Elmer Bernstein , including a catching leitmotif .

The motion picture was compelling and forcefully directed , thanks capable hands of filmmaker John Sturges , if not much continuity , though at the beginning he was opposed to the casting of John Wayne in the title role , due to the actor's age . This is the only movie westerns director John Sturges and westerns film actor John Wayne made together . The redoubtable John demonstrates his skill and mettle here . Sturges was a warlike genre expert (Great escape , Never so few , The Eagle has landed) and Western master (Gunfight OK Corral , Last train of Gun Hill , The law and Jake Wade , Magnificent Seven , Escape from Fort Bravo ). McQ rating: 6.5/10 , Acceptable and passable. It is like Dirty Harry done with a veteran Big Duke . Well worth seeing , the movie will appeal to John Wayne fans .

John Wayne is Lieutenant Lon McQ (yes, that is his actual name) who finds himself in trouble. Several cops are murdered, by another cop who happens to be McQ's partner, who is then himself murdered. Thrown off the case he proceeds to investigate himself and uncovers a plot of corruption and formerly seized narcotics.

The film is quite dated by today's standards as the "lone cop" formula has all but been beaten into the ground. So to enjoy this film one must realize it is in fact from 1974 when cop flicks were as typical as teen comedies are now. Also despite having many similarities to 'Bullitt' and 'Dirty Harry' this is still an enjoyable action movie in its own right. It is not a classic since the story is a lot less inventive as the aforementioned films, but it is pretty cool to see John Wayne as a cop - he is no less tough then when sporting six shooters and riding a horse. Inevitably, the film would have prospered more if Wayne was a bit younger, but he is still good as the lead pretty much as he always has been in previous roles.

Also, there are several car chases - all are very different. From the typical driving down the road, to down alleyways, and even on a beach! Also for you car chase fans, this film supposedly contains the first ever cannon-roll car stunt on film. So, story department aside, the film has an edge that is quite fun and enjoyable. 7/10

Rated PG for violence

I just saw McQ for the first time in a while and I still don't understand where all the harsh criticism comes from. Was John Wayne such an incredible actor that if he comes out with an ok effort it's looked at as crap? I'll admit this movie was not an academy award winner, but it really was quite enjoyable. I liked seeing Wayne in something different. He actually did a decent job as the tough cop who went up against drugs and corruption. In contrast to reviews I've read I really don't see as much sameness to some other movies of the time e.g. "Dirty Harry." It dealt with its own issues and had a fine supporting cast. As far as actioners go I think this one holds its own and turns out to be a pretty fun "Duker."