IMDb RATING
6.2/10
4.8K
YOUR RATING
A horror movie star returns to his famous role after years in a mental institution. But the character seems to be committing murders independent of his will.A horror movie star returns to his famous role after years in a mental institution. But the character seems to be committing murders independent of his will.A horror movie star returns to his famous role after years in a mental institution. But the character seems to be committing murders independent of his will.
- Awards
- 1 nomination total
Julie Crosthwaite
- Ellen Mason
- (as Julie Crosthwait)
Luana Anders
- Catherine Medina (Clip from 'The Pit and the Pendulum')
- (archive footage)
John Dierkes
- West (Clip from 'The Haunted Palace')
- (archive footage)
Boris Karloff
- Clip from 'The Raven'
- (archive footage)
Featured reviews
In MADHOUSE, horror film icon Paul Toombes (Vincent Price) has his big New Year's Eve bash interrupted by the brutal murder of his fiancee. Twelve years later, Toombes arrives in England to visit his old friend and screenwriter, Herbert Flay (Peter Cushing), who joins him in hopes of revitalizing Toombes' old movie persona, Dr Death.
Enter slimy TV producer Oliver Quayle (Robert Quarry), who plans on cashing in on his new Dr. Death show. Meanwhile, new murders ensue. Has Toombes gone insane, believing himself to be Dr. Death, as Scotland Yard speculates? This is a fun, entertaining movie, with Price both paying homage to, and lampooning his own career. Many clips from his movies abound, and it's always cool to see other luminaries like Cushing and Quarry involved.
MADHOUSE is a misunderstood film, having more to do with the end of an era than with real scares. The 1950's-60's were over, and the 70's changed everything, including horror movies. The Gothic gave way to the modern, gory, more suggestive films of the period. Price plays his character with a bit of a wink, and perhaps a tear. Horror would never be the same again. At least not the way it was when Vincent Price filled the screen...
Enter slimy TV producer Oliver Quayle (Robert Quarry), who plans on cashing in on his new Dr. Death show. Meanwhile, new murders ensue. Has Toombes gone insane, believing himself to be Dr. Death, as Scotland Yard speculates? This is a fun, entertaining movie, with Price both paying homage to, and lampooning his own career. Many clips from his movies abound, and it's always cool to see other luminaries like Cushing and Quarry involved.
MADHOUSE is a misunderstood film, having more to do with the end of an era than with real scares. The 1950's-60's were over, and the 70's changed everything, including horror movies. The Gothic gave way to the modern, gory, more suggestive films of the period. Price plays his character with a bit of a wink, and perhaps a tear. Horror would never be the same again. At least not the way it was when Vincent Price filled the screen...
After a mental breakdown following the murder of his bride to be, famed horror actor Paul Toombes (Vincent Price) is persuaded to return to the Dr Death role that made him famous. He is persuaded by a writer friend of his Herbert Flay (Peter Cushing) who is also the scriptwriter of all the Dr Death movies. Soon Toombes finds his mind is again being tested as the series of mysterious deaths that plagued him before, returns. The police soon suspect Toombes of the crimes, but who is the mysterious masked and caped killer that is disrupting filming? Lots of campy and cheesy fun with some horror greats, there's actually some nice visuals too that I hadn't remembered from previous viewings. Not price's best but still good fun.
The general consensus surrounding this film seems to be that it's a disappointment; and while I admit that Madhouse could have been a lot better considering the cast and ideas involved, in general; I'm very happy with the film. Every Vincent Price film that I haven't seen (not many left) is an automatic target for me, and this one also features a performance from the great Peter Cushing, which is a bonus. The central plot isn't all that original, but it still stands as a nice tribute to Vincent Price's career, and the way that director Jim Clark uses clips from classic Vincent Price movies such as Tales of Terror, House of Usher and The Pit and the Pendulum is good and reminds us of what a huge asset to cinema Vincent Price has been. The plot sees Price playing hammy horror movie actor Paul Toombes, famous for the role of 'Doctor Death'. When his wife is killed, Toombes vows never to play Doctor Death again; but on the advice of his friend and Doctor Death writer some years later, he reprises the role - and the murders continue.
The main problem with this movie is simply that it's not always interesting enough. Jim Clark seems content to rely on Price's star power; which is often just about sufficient to see the film through, although sometimes it could have done with something else. Peter Cushing's role isn't too much more than a cameo appearance - but it is nice to see these two great actors on screen together. As you might expect, Vincent Price slots into his self-replicating role nicely, and he seems to enjoy playing it. The story doesn't have much depth, however, and while the murder sequences are interesting and see things such as a woman being skewered with a rake and someone being crushed by an automated special effect bed. The script doesn't give much allowance for red herrings and through the one or two that there are; you don't have to be Sherlock Holmes to spot which one it is. The film attempts a double twist ending, and while it plays out nicely; both are highly predictable and derivative of other movies that have carried off the same twists to better effect. But even so, you can always count on Price movies for entertainment; and this is entertaining despite its shortfalls.
The main problem with this movie is simply that it's not always interesting enough. Jim Clark seems content to rely on Price's star power; which is often just about sufficient to see the film through, although sometimes it could have done with something else. Peter Cushing's role isn't too much more than a cameo appearance - but it is nice to see these two great actors on screen together. As you might expect, Vincent Price slots into his self-replicating role nicely, and he seems to enjoy playing it. The story doesn't have much depth, however, and while the murder sequences are interesting and see things such as a woman being skewered with a rake and someone being crushed by an automated special effect bed. The script doesn't give much allowance for red herrings and through the one or two that there are; you don't have to be Sherlock Holmes to spot which one it is. The film attempts a double twist ending, and while it plays out nicely; both are highly predictable and derivative of other movies that have carried off the same twists to better effect. But even so, you can always count on Price movies for entertainment; and this is entertaining despite its shortfalls.
An ageing horror star comes out of retirement only to find murder follows him everywhere he goes.
There's nothing better than watching two stars, in this case horror stars grace the same screen. Very loosely based on Angus Hall's novel Devil day (1969) Madhouse is certainly of it's time (1974) which is a good thing, making it contemporary of that time and different to their older films. After parties, Cine films, film reels, film launches, tributes and the trappings of fame are on show indicative of film world at that time. Madhouse is wonderfully shot, rich in contrast, with excellent set design and locations. It exudes atmosphere in places and is genuinely creepy in spots, still it's an odd film, almost surreal in places, especially the scenes in the cellar and the body on the boat.
With a striking looking supporting cast both Vincent Price and Peter Cushing are excellent. Even though in their fermenting ages which is a shame, it's fitting to the story, and you can't help feel that there's irony baste over irony in Prices role of Paul Toombes, even maybe a hint of truth in the dialogue of his character. Mild-mannered Cushing as Herbert Flay unfortunately doesn't get as much screen-time as you'd like. This is certainly Price's show and he effortlessly captures the viewer with his immense presence and deep tones as much as he did 10 years earlier in The Last Man on Earth (1964).
Although reminiscent in feel of The House on Haunted Hill (1959) and The Satanic Rites of Dracula (1973) it's my no means a 'classic' but there is enough killings, spiders, old horror clips, kooky cops and good performances to keep you watching veteran editor Jim Clark's (Charade (1963), Memphis Belle (1990)) last and only horror directing contribution.
All in all, Madhouse an intriguing must see for its possible comparable look at how much real life Price was injected into Dr. Death by Ken Levison in his screenplay.
There's nothing better than watching two stars, in this case horror stars grace the same screen. Very loosely based on Angus Hall's novel Devil day (1969) Madhouse is certainly of it's time (1974) which is a good thing, making it contemporary of that time and different to their older films. After parties, Cine films, film reels, film launches, tributes and the trappings of fame are on show indicative of film world at that time. Madhouse is wonderfully shot, rich in contrast, with excellent set design and locations. It exudes atmosphere in places and is genuinely creepy in spots, still it's an odd film, almost surreal in places, especially the scenes in the cellar and the body on the boat.
With a striking looking supporting cast both Vincent Price and Peter Cushing are excellent. Even though in their fermenting ages which is a shame, it's fitting to the story, and you can't help feel that there's irony baste over irony in Prices role of Paul Toombes, even maybe a hint of truth in the dialogue of his character. Mild-mannered Cushing as Herbert Flay unfortunately doesn't get as much screen-time as you'd like. This is certainly Price's show and he effortlessly captures the viewer with his immense presence and deep tones as much as he did 10 years earlier in The Last Man on Earth (1964).
Although reminiscent in feel of The House on Haunted Hill (1959) and The Satanic Rites of Dracula (1973) it's my no means a 'classic' but there is enough killings, spiders, old horror clips, kooky cops and good performances to keep you watching veteran editor Jim Clark's (Charade (1963), Memphis Belle (1990)) last and only horror directing contribution.
All in all, Madhouse an intriguing must see for its possible comparable look at how much real life Price was injected into Dr. Death by Ken Levison in his screenplay.
I saw this movie for the first time about a year ago and thought it was genuinely pretty creepy. I am from the Scream generation and believe it or not, saw comparisons between this movie and Scream. It made me feel the same way. It was horror with a little bit of mystery. I am hoping for a dvd release of the film. If you haven't seen the movie, give it a try. You might be surprised.
Did you know
- TriviaThe film's opening credits include special participation by Basil Rathbone and Boris Karloff. Both of these actors were long since dead, having died in the late 1960s (Rathbone in 1967 and Karloff in 1969), but they appear in this film in clips from real films that they had each starred in with Vincent Price: Rathbone in L'empire de la terreur (1962) and Karloff in Le corbeau (1963).
- GoofsJulia's dead body is breathing heavily after Paul Toombes discovers her.
- Quotes
Paul Toombes: Miss Peters, as they say in horror movies, you will come to a bad end.
- Crazy credits"With special participation by Boris Karloff (and) Basil Rathbone." At the time of this film's theatrical release in 1974, both of these actors had been dead since 1967 and 1969, respectively, and their "special participation" was actually limited to appearing in this film in clips from real films that they had each starred in with Vincent Price: Karloff in Le corbeau (1963) and Rathbone in L'empire de la terreur (1962).
- ConnectionsFeatured in The Horror Hall of Fame (1974)
- SoundtracksWhen Day Is Done
Performed by Vincent Price
- How long is Madhouse?Powered by Alexa
Details
- Release date
- Countries of origin
- Language
- Also known as
- Das Schreckenshaus des Dr. Death
- Filming locations
- Pyrford Place, West Byfleet, Surrey, England, UK(Herbert Flay's house)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 32m(92 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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