Lucky Luciano

In this country, Lucky Luciano is one of those 20s legends who have so often been glamorized in movies; we tend to be fascinated by such characters, and although films tend to either explicitly condemn them or show them coming to bad ends, they are among the most infallibly popular Hollywood staples. We also would concentrate on Luciano's years in America, which could be a familiar plot of the rise and fall of a gang boss. But Rosi's film begins with him leaving this country; it relates the long career that he had in Italy, in the drug trade, a time that Americans know little of -- it doesn't form part of the legend. Most of all, Rosi deliberately downplays the glamor. The drug trade is big business, and this middle-aged Luciano is a very solid businessman; the director (and the actor) have undercut the expected charisma. The efforts of police and government against him are portrayed as "factually" as possible (which makes aspects of their discussions rather unintelligible to Americans). Of course, all these things will make the movie seem rather boring to many viewers here! If you're looking for gangster thrills, go elsewhere; this is a movie of ideas, a critique directed at Italy in particular.

If you want to watch Gian Maria, the greatest actor of all time, at his best, watch him in "Investigation of a Citizen Above Suspicion", "Le Cercle Rouge", "For a Few Dollars More" or "I Am Afraid", he worked much much better with Petri, Melville, Leone and Damiani. This one is very boring and Volontè doesn't appear much. And when he appears, he has the same face that does not say too much. This role did not quite fit him. Rosi's films, most of them, are a special genre, very close to the documentary, very hard to follow, you got to have a patience of steel...

This biography of notorious American racketeer Charles "Lucky" Luciano would have probably worked better if they had made it into a TV mini-series which traced his entire life from his poverty-stricken childhood in Sicily to his rise to power in New York's gangster underworld to his extradition to Italy in 1946 and, finally, his death from a heart attack in 1962. As a 2-hour movie covering the events of his life in Italy after his extradition, it just doesn't work. There's not enough action (eg. shootouts and fistfights) to make it worth watching. Plus, it moves slowly and it's very talky. The English dubbing of the French and Italian actors is great, but not enough to sustain your interest.

Rent "The Godfather" movies instead.

Rating: *1/2

A sort of biography of Lucky Luciano the Italian mobster who was deported to Italy by USA's government after years in the jail, directed by the fine Francesco Rosi, the movie starts in this point when Lucky Luciano (Gian Maria Volonté) has been headed toward to Sicily at Italy by boat, mixed with few flashbacks concerning his violence background, he established at Sicily his homeland and Naples, where he manages all drug smuggling targeted to Europe and America, at its time post war the whole Italy was occupied by USA's Army and all major positions were chosen by American authorities, suggesting some agreement with local corrupts practices, upon this establishment the smooth Luciano feels free to work hidden over the shadows and becoming untouchable, however the unrelenting traffic ongoing peeves the American justice, sending to Italy an inspector to catch Lucky Luciano, the casting is the highlight of the slow paced picture, Gian Maria Volonté simply is great as Lucky, the almost unknowable Edmund O'Brien as Commissioner Anslinger also Rod Steiger as akind cheap mobster and Vincent Gardenia as the corrupt Colonel Charles Poletti, but don't expect too much, has many striking flaws strangely allowed by Rosi as portraits a modern New York as if it was on 1946, I'm trying wondering how it should happened over so magnificent director!!!

Resume:

First watch: 2020 / How many: 1 / Source: DVD / Rating: 7

I would say that i find crime films to be something of a guilty pleasure, from Paul Muni in Scareface (1932) to Marlon Brando in The Godfather (1972) and all the sub genders in between i am normally a fan and gangster films have held audiences interest for as long as the movies have talked. So it was a surprise to me that i found this film such a ordeal to get through, on my viewing copy the language used is Italian and English in equal measure where appropriate, this adds authenticity but since i do not understand Italian, much of this speech dominated film simply passed me bye and there were no sub titles to help out.I also found it's time shifting narrative very confusing as the film did not give us many dates to hang on to. This is i suppose a thinking man's gangster film, i wish i had enjoyed it more for the acting from a unknown cast seemed first rate.A pity but just 5 from 10 from me.