Le petit prince

I only saw this movie by accident, and I'm glad I did catch most of it! Apart from the interesting plot-line, little prince goes space travelling only to end up on earth, the movie has a lot to offer, especially for the young viewer. The sets and locations are well chosen, making for a colourful trip through space, and the characters are acted out quite well. Especially the historian and the snake are very amusing, not to forget the amiable little prince himself. And it's great to see Gene Wilder in an earlier role. But this movie isn't just for kids. It makes some great observations about life, as pointed out by the fox, who says that all humans are hunters and out to kill him, and also the snake, who promises to cure the prince of his disease, known as life. Then there's the historian, who tells us his job is to make up things. That would explain a lot. Not being a great fan of musicals myself, I found that this one was quite watchable. All in all, a fairly good adaption of the children's story by Antoine de Saint-Exupery. The only real shortcoming of this movie is that no part of it is really that memorable, that would make it stick out in your mind. Nonetheless, if you're looking for a film to show your kids, or just a bit of light entertainment, this pleasant little movie might be the one for you. Historian: "I thought of it, wrote it down, read it and it's been printed, therefore it's fact."

Le Petit Prince has been, and may still be, required reading for French students. It is difficult to make a satisfactory film of such a literary icon; it is dangerous to try to make it a musical, as well. I think this film is highly under-rated, and perhaps mostly by people who are not very familiar with its original source. While much of the film could be considered "hokey", I believe that the "dance" sequence of the pilot and the Prince in the spring is sheer delight (as their finding the source of water must have been). Fosse's Snake and Wilder's Fox are phenomenal: it doesn't take long for one to actually believe that they are animals rather than people portraying animals. This is a must-see for all, especially for those with children (they seem to "get it" faster than many adults.

I'm totally mystified by the previous review. This movie is a product of its time -- 1974 -- so why blame it for that? You wouldn't criticize "Don't Look Now" because Donald Sutherland wears wide lapels.

"The Little Prince" is a pitch-perfect film, beautifully written and filmed, with an amazing sense of humor. Yes, it's totally dated, and some of the songs are horrible, but it's got an originality even "West Side Story," another classic stylish film, can't match.

If you want irony, American humor or 21st century attitude, avoid this film like the plague. But if you can appreciate brilliant little films that wear their hearts on their sleeves don't miss this film.

An added bonus: in Bob Fosse's spectacular five minute dance you can see every dance move Michael Jackson ever made.

I had seen this Lerner & Loewe adaptation back when it was first released in 1974 (as a pre-adolescent elementary schooler ). I think it was either a Thanksgiving or Christmas release. The only thing from this film I recalled from that initial theatrical viewing was a song-and-dance sequence involving a therianthropic transfiguration of a snake into a man. That dance sequence by a certain man was all I recalled from this film. Years later when learning about the performing arts industry in general (both stage and screen), I realized it was Broadway icon Bob Fosse(!)...The greatest Broadway dancer & choreographer of all time...Surpassing Jack Cole and Jerome Robbins as a choreographer and even surpassing Fred Astaire & Gene Kelly as a dancer. Fosse was the only dancer who went toe-to-toe with and matched Tommy Rall (arguably the greatest modern stage dancer ever): The 'Alley Dance' from the 1955 film My Sister Eileen between Fosse and Rall is the evidence. But the thing that is absolutely mind-blowing about The Little Prince (1974) is how Bob Fosse's dance sequence in the musical number Snake In The Grass virtually defined Michael Jackson's post- 1982 performing career(!) Michael Jackson's signature dance moves for the most successful period of his performing life (1982-1997) were a direct plagiarism of Bob Fosse's Snake In The Grass sequence. This sequence has all of Michael Jackson's hallmark dance moves. And it is all genuine FOSSE(!). That this film contains the blueprint of Michael Jackson's performing career as an adult is why it is invaluable and A MUST SEE(!)

I'm always amazed at reading reviews-- especially those where the viewers either loved or hated the film, with no one in between. Antoine de Saint-Exupery's tale of lost youth and unresolved childhood desires is the basis of this film, which one reviewer here calls "...an overlooked gem." I certainly share this view. The film is a delight but should not be compared too closely with the book. However, the basic message of the book, i.e., the innocence of youth embraces the significant values of human life and is all too soon lost, comes through nicely. The character of Kiley, as the pilot, Wilder, as the fox, and Fosse, as a delightful snake, are very suggestive of their counterparts in the story.

How successful this is as a musical, I would guess, is still up for grabs. I couldn't recall much of the music later, which is usually a good indication whether a show has legs. But, the tunes are pleasant and children seem to enjoy the fantasy of it all.

This is a splendid little film. Don't overlook it.