La Loi et la Pagaille

It has been many years since I saw this on TV. Two regular Working class Joe's, Ernest Borgnine and Carrol O'Connor, decide to formulate their own Volunteer Police force in their NYC neighborhood. Fed up with the rampant crime that pervades their area, both of these two buddies eventually learn they are in over their heads. Carrol O'Connor is always entertaining, especially when he rides on the Coattails of his famed character from "All in the Family" in a more subtle version. It's really hard to shake off that character, especially in 1974 when the sitcom had reached the height of its popularity.And with his equally tough and gruff friend, Ernest Borgnine, we are hoping these two will become heroic bad ass renegades that make a difference in cleaning up the streets. But things just don't turn out that way. Willie, Carrol O'Connor, gets discouraged by the job too soon before his irascible partner (Cy), Ernest Borgnine, grows increasingly frustrated into madness. The casting of these two is correct. But here their chemistry barely makes this drab film watchable. Unfortunately, O'Connor's wife is played by a much younger woman, Ann Wedgeworth, surpassing credulity. And would you accept Ernest Borgnine as a beautician? The crusty old-school humor with personal barbs, racial epithets and vulgarity may put off modern audiences. This forgotten film is a product of its time. Several scenes and one liners are memorable, but the treatment of the subject matter is too farcical to be taken seriously. A scene in a diner with Willie and his wife is inappropriately downbeat and bizarre. An awakening moment occurs when the buddy wannabee cops are driving the town in their makeshift patrol car. Cy notices a nearby crime scene, "hey let's go handle it. we're cops now aren't we?" "I don't know what the hell we are!", exclaims a confused Willie. And this is where the hope for an adventurous drama goes downhill. The supporting cast is filled with farcical caricatures which undermines the severity of the situation the main characters are in, leaving us duped and soured by the outcome of the final scenes. This was a strange attempt for a Black comedy that didn't quite fly.

I thought this was a decent film; not a classic, but entertaining enough. The basic premise for me is that sometimes you get in over your head trying to be something that you are not. Guess you'd call this a dark comedy. Excellent acting, gritty scenes of New York life when it wasn't so pleasant, and a shockingly brutal ending makes this worth a look.

Having not seen this film for over 20 years, and remembering how great it was as a kid seeing it on cable, I was very happy (and surprised!) to see it released on DVD and picked it up immediately. I discovered it was a lot funnier when I was a kid, although making up for that was watching two great stars like Carroll and Ernest, as well as all the NYC locations, as I've always been a fan of NYC films, my hometown.

One interesting thing is, this being a motion picture, Carroll O'Connor is upstaged in every scene by movie star Ernest Borgnine. And not that Carroll is bad, not at all, he's actually decent, and the two actors make a good pair with some good chemistry (a re-pairing in a future film would have been great even!). But on the silver screen Carroll doesn't have the immense presence he has on the tube as Archie Bunker, and Ernest is clearly the "leader" here.

The two head an auxiliary police force to battle the crime in their neighborhood. It's obvious a pre-Rudy Giuliani New York City, NYC being quite legendary in the 70's for it's high crime and smut. NYC isn't cast in the best light, but then again, in 1974 it just wasn't in the best light yet. (Thanks Rudy for all you've done!) Like "Cooley High," it's a bit odd to see such a downbeat ending in a comedy, but it's still a good viewing.

If you like NYC films, and want to see two old pros do their thing and take the young'uns to school, "Law and Disorder" is a good DVD buy, before it goes out of print.

Carroll O'Connor and Ernest Borgnine were two of the biggest stars in 1974. Even though Borgnine was ever-enshrined as Lt. Commander Quinton McHale, on his hugely successful TV sitcom, McHale's Navy (1962-1966), since then, he had been more prevalent and busy, with his successful film career up to this point, with huge film hits like the Dirty Dozen (1967), the Wild Bunch (1969), and the Poseidon Adventure (1972). O'Connor was, of course, enjoying the success of his hugely popular TV sitcom, All in the Family (1971-1979), that was beginning its season five, when Law and Disorder (1974), was released in theaters. This film utilized those popular aspects, that made these two guys famous, especially Archie's parenting/husband skills and McHale's ability, to lead miscreants into battle. They also are synonymous with comedy, so Law and Disorder (1974), immediately establishes itself as a comedy-drama, about two New York City guys, Cy, the hair-stylist (Borgnine) and Willie, the cabdriver (O'Connor).

Ann Wedgeworth plays O'Connor's wife, Sally. Karen Black plays Gloria, who works with Cy at the hair salon. She's nuts in this movie. Unfortunately, her character felt a little bit over-the-top, but if crazy is what the director, Ivan Passer wanted, he got that successfully. Alan Arbus has a small role in the film too. He's most famous for being Dr. Sydney Freeman on the highly successful TV-Sitcom, M*A*S*H (1972-1983). He plays a psychologist in Law and Disorder (1974), which is, almost, the same occupation as Dr. Freeman, already in his reoccurring, third season on M*A*S*H (1972-1983). Law and Disorder (1974), is a dark-comedy, with a hodgepodge of interesting characters, not really attempting to get you to like them, so don't look for anything, like character appreciation or vicarious inspiration. They are just trying to live their lives in the urban streets of 1970s New York.

After a slew of clever robberies, home-invasions, as well as, an old trench-coat flasher, the people of this New York City neighborhood, ask to join the civilian-led, Police Auxiliary Force, in order to help enforce the laws. Alan Arbus' Dr. Richter, has to teach a class-lecture on rape, to the new Police Auxiliary Force recruits. It's a comedy crime-drama, with a lot of 1970s street-talk. Being as it is the early 1970s, with a story about out-of-control, street crime, Law and Disorder (1974), does have sign-of-the-times humor and situations, that may be too intense for some sensitive, 21st century viewers. It is after all, rated-R for a reason, so keep the kids out of the room when watching this film. As Cy and Willie get their squad together, the film begins to resemble Police Academy (1984), which makes both men think, they may have made a huge mistake with this idea. But, despite that, they push along. The film starts to turn a little dramatic and dark in the last third of the story, with an ending I wasn't expecting.

PMTM Grade: 6.7 (C-) = 7 IMDB.

Given the talent of the two stars of this film (who incidentally happen to be among my favorite actors), I was surprised at how much I really disliked this movie. I will admit that the cinematogrophy was great, really capturing the New York City of the mid-seventies. However, the lack of plot really disappointed me. The film goes nowhere fast, it was all that I could do to keep awake until the end. My brother picked up the DVD at K-Mart for $2.95, but it wasn't even worth that low price. If you must insist on seeing this piece of garbage, however, I recommend the DVD purchase (at the aforementioned low price), as it would be easier to fling like a Frisbee than the VHS version!

-Den Corleone