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1973's "A Knife for the Ladies" starts out as a whodunit set in the Old West, but it's clearly no Jack the Ripper and its few murder scenes are devoid of both blood and suspense. Old Tuscon is the Arizona location used by screenwriter Seton I. Miller, whose career dates back to 1927, his best horror item the stunning Lionel Atwill vehicle "Murders in the Zoo," which was actually far more gruesome for 1933 than anything seen in this tame release. Jeff Cooper's Edward Burns is a private investigator out to solve a series of stabbings in which the victims are all young women of ill repute, at odds with town sheriff Jarrod Colcord (top billed Jack Elam) for accusing the wrong man of the most recent crime. The killer could be saloon owner Virgil Hooker (Gene Evans), perhaps eager to divert suspicion by lynching an innocent man, or nervous barber/undertaker Orville Ainslie (Richard Schaal), whose behavior puts Burns on the trail of town founder Elizabeth Mescal (Ruth Roman), her late son a former deputy with a passion for the ladies. The promised horror film just isn't here, while the veteran presence of Jack Elam offers an aging character holding on to past glories, finding kinship with Burns and redemption in their success, once they learn how arsenic is used in medication. As offbeat as a Western can be, but spotty distribution through short lived Bryanston Pictures kept it from being widely seen (better known releases were "The Texas Chain Saw Massacre" and "The Devil's Rain"). Director Larry G. Spangler was no stranger to casting NFL players, using Oakland Raiders wideout Fred Biletnikoff here, two years after working with Joe Namath on another Western, "The Last Rebel." Making her final screen appearance is Diana Ewing, one of STAR TREK's most intoxicating beauties in the 1969 episode "The Cloud Minders."

In A KNIFE FOR THE LADIES, a small, old-western town is plagued by a serial-killing maniac. When the hard-drinking sheriff (Jack Elam) fails to catch the perpetrator, a private detective (Jeff Cooper) is brought in to solve the case. Unfortunately, the town roustabouts, led by the saloon owner (Gene Evans), don't want to wait that long.

This movie is a murder mystery with heavy doses of gothic-like horror. In fact, if it had been set in Victorian England, it could have easily been a HAMMER film with the likes of Peter Cushing and Christopher Lee in the lead roles. As it stands, it's a respectable mixed genre effort. Both Cooper and Elam are believable in their roles.

Don't miss the twist finale, and be sure to stick around for the big rock song at the end. It's a hoot!...

A bizarre yet watchable cross between a typical oater and a slasher film, KNIFE FOR THE LADIES (or better known as "Jack The Ripper Goes West" on DVD) is actually a fairly entertaining jumble of genres, aided by the one and only Jack "One-Eye" Elam as the town sheriff, a drunken, unwashed, temperamental SOB who loves his rotgut and loves to fight, all of which is exacerbated when a clean-cut private eye comes in from the big city to help the townsfolk stop an unknown murderer bumping off the women. Although the DVD version is obviously edited of some scenes, causing the story to leave gaps as big as the one in Terry-Thomas's smile,the film moves along at a good gallop until the somewhat predictable conclusion.

Does this movie wanna be a western, giallo, comedy, mystery, or what? This movie fails in every genre. If it's trying to be a western, it fails entirely because the detective's 70s hairstyle, clothes, and mannerisms will completely jar viewers out of the western setting. If it's trying to be a giallo, it failed because most of the movie is nonsensical filler that distracts from the killings. If it was trying to be comedy, I didn't find anything intentionally funny, even by 70s standards. If it's trying to be a mystery, it fails because the movie gets so boring by the halfway mark that I fell asleep. I woke up exactly when the killer was revealed, right at the end. When the killer was revealed, I thought, "This movie is still on?" because by that point I had lost so much interest in the movie I decided to go to bed rather than waste time rewatching scenes I fell asleep during. In fact, I turned it off before the credits rolled.

Boring, boring, boring, even by 70s standards. Boring characters where I didn't care who lived and who died. A western setting that is painfully obvious it's a movie set. And decided lack of tension or suspense in a movie that touts itself as a murder mystery. All in all, if you wanna fall asleep, put this crap on. If you wanna watch something even the tiniest bit memorable, don't bother with this.

A Knife for the Ladies (or Jack the Ripper Goes West) is a weird mix of genres. It's a Western with a slasher storyline running through it. A mad killer is slashing the necks of prostitutes in the town of Mescal. The sheriff, Jarrod (Jack Elam) seems incapable of finding the killer, so the town's leaders bring in a private detective named Burns (Jeff Cooper). Can Burns find the killer before Mescal's brothel is left vacant?

Overall, A Knife for the Ladies is one lousy movie. Neither the horror nor the Western elements work. Until the final scene, it's a total failure. Much of the problem comes from the fact that nothing looks real. The town is obviously a set - it doesn't feel "real". The people are obviously actors playing parts. They're not "real" either. Jack Elam's old grizzled hard-drinking sheriff is so over-the-top that he's ridiculous. And Jeff Cooper's Burns is too 1970s to be authentic. A Knife for the Ladies' lone highlight comes in its finale. It's actually a nice twist that I honestly didn't see coming. I could have never guessed the killer's identity. But as nice as the ending may have been, I still can't bring myself to rate A Knife for the Ladies any higher than a 3/10 - and that's being generous.

Finally, one especially annoying aspect A Knife for the Ladies is the way it tries to play the old-school sheriff against the more modern detective. But it's all talk. There's no evidence presented of any real clash between the old vs. new law enforcement techniques. It's as if someone involved with the movie's production thought this conflict would make a good storyline so they threw it into the movie without really adding it (if that makes any sense). Predictably, the old and new get into a completely unnecessary fistfight before they can work together. It's so forced it's painful.