La main du pouvoir

James Coburn is a slick white collar heavy in this twisty thriller, scripted by future directors Barry Levinson ("Rain Man"), who also produced, and Jonathan Lynn ("Clue"). Coburn again projects incredible cool as Robert Elliot, a "professor" who has a major opportunity for advancement in the government. The catch is, he can't afford to have anybody alive who's got knowledge of his past. There are four of these people, and Elliot arranges for all of them to kill each other over the course of a single night. Despite his intricate planning, things don't always go that smoothly.

The excellent cast is the major draw of this film, capably directed by Ken Hughes ("Chitty Chitty Bang Bang"). It's very well paced and sometimes reasonably suspenseful, with a story that might not stand up to a lot of scrutiny, but does solidly entertain for its duration. Another asset is the eclectic soundtrack composed by Roy Budd ("Get Carter" '71).

Coburn is fun to watch in the role of an anti-hero, a man who initially is taken aback at the idea of eliminating these skeletons in his closet, but quickly makes up his mind to be cold-blooded about the whole affair. Lee Grant is fine (and looks very nice, to boot) as the aggressive, feminist journalist with whom he was once involved. Ian Hendry is wonderfully antsy as the diabetic Alex, Christiane Kruger is delectably sexy as Christina, Julian Glover has a good, brief role as a TV host, and Keenan Wynn is endlessly amusing as usual as tycoon E.J. Farnsworth. But the shining star of the production is Harry Andrews as a masseur named Bert Parsons. The character is an angry misogynist, and the viewer may be intrigued and wonder just how this character came to be this way.

Overall, good entertainment. Nothing special, but there are much worse ways to spend an hour and a half.

Seven out of 10.

Ingenious British-made corporate thriller with an impressive cast well-versed in this sort of thing – James Coburn, Keenan Wynn, Ian Hendry, Michael Jayston and Harry Andrews; Lee Grant provides both a feminist viewpoint and a romantic partner for Coburn. The plot involves Coburn’s rise in the political stakes, abetted by ruthless bigwig Wynn; however, he needs to put his shady past behind him and, to this end, organizes an intricate scheme by which his four former associates will eliminate one another on the same night!

Those expecting action, comedy, sex and colorful scenery a' la Coburn’s “Flint” pictures will be sorely disappointed by this low-key, intelligent but humorless character-driven piece – filmed against drab European settings (albeit by the great Geoffrey Unsworth); composer Roy Budd, another genre fixture, delivers an appropriately moody score. Still, the murder sequences themselves (with Coburn bemusedly ticking away each carefully-timed step of his plan) – particularly Andrews’ vicious shower murder of the Christiane Kruger character and the hesitation at carrying out his part of the bargain by the typically angst-ridden Hendry – generate the requisite amount of suspense during the film’s second half.

While Grant’s reporter character seems an intrusion at first, her presence (or, rather, Coburn’s callous mistreatment of her) eventually threatens to jeopardize his ‘mission’ – on finally getting wise to his machinations, she’s willing to suppress her affections and expose him for what he is! The film, however, provides a delicious twist ending, which sees the over-confident Coburn getting his come-uppance – even if the audience is clearly rooting for him – at his moment of glory (by the person he least expected it from)!

Regrettably, this is only available via a reportedly substandard pan-and-scan R2 DVD; then again, I did watch it in this aspect ratio myself – and dubbed in Italian to boot!

The Internecine Project is a devious plan in which the people who were part of a spy operation are now in the way and become unwitting participants in a plan where they kill each other. The idea is that if you took a 60's era Cold War spy and appointed him or her, in this case James Coburn who's now a suave professor of economics who is a guest on TV news interviews for his views, to a top government post in the 70's (or beyond for that matter), that person would face a thorough background investigation, prompting him or her to eliminate anyone with any damaging knowledge that would derail the appointment. It seems like an extreme solution to the problem, but good enough to make a movie about. One wonders how many political appointees today have had to think up there own internecine projects in order to assure their Senate confirmations. The movie is mostly about the contrived plot and seems trivial and weak, held together more by the locations and some nice background music. Before the ball gets rolling Coburn shares neat scenes with each person on his list that build up the characters. Lee Grant's part as an idealist reporter who's in love with Coburn but doesn't trust his methods, doesn't add much, but Keenan Wynne has a few good scenes as one of Coburn's ruthless business and political connections.

I'm amazed that THE INTERNECINE PROJECT has received less than 100 votes . I saw it a couple of times in the early 1980s and despite not seeing it for almost 25 years it's still lodged in my mind as being a clever thriller . Perhaps I shall never watch it in case it's not as good as I remember . The plot centres around former secret agent Robert Elliot ( Played suavely by James Coburn in one of his best roles) gaining a White House promotion , just the first step in a long and successful political career . There's just one thing and that is there's several people who know about Elliot's past and Elliot can't allow his dirty secrets to be revealed by anyone

I won't reveal the plot but it's smart and there's a twist at the end . But for me the best part of the movie is where Elliot visits the home of military veteran Albert Parsons played by Harry Andrews . Parsons and his collection of cats warmly greet Elliot , but it's obvious by his mannerism that Elliot has something on his mind :

" We've got a problem "

" A problem sir ? " asks Parsons

" It's to do with a woman "

Parsons is shocked " A WOMAN SIR ? "

Elliot rubs his chin and studies Albert " She's a sort of high class whore "

By now Parsons is having convulsions and spitting his hatred " THEY'RE ALL WHORES THE WHOLE LOT OF THEM , YOU CAN'T TRUST ANY THEM SIR , NOT ANY OF THEM "

Hmmm I wonder if Albert Parsons is a repressed homosexual ?

The movie begins (and ends) like a political movie,a la Pakula .But if the "hero" is blamed for butchering democracy ,the essential is a thriller ,some very special "domino theory" .To get rid of some people who become embarrassing,the professor (a spy) ,pushes the "divide and rule" concept to its absolute limits and ,although completely implausible (all works out much too well) , displays an implacable logic in his sinister plans.Probably not great,but not derivative,and rather gripping.

Main objection: Lee Grant's character is almost useless and her would be feminist journalist is only decorative.