A humble orphan suddenly becomes a gentleman with the help of an unknown benefactor.A humble orphan suddenly becomes a gentleman with the help of an unknown benefactor.A humble orphan suddenly becomes a gentleman with the help of an unknown benefactor.
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I remember being assigned to read Charles Dickens' novel, "Great Expectations," as an English major in college. I think this movie would have greatly enhanced my understanding of the story. The film has a first rate cast featuring a rising star, Michael York, as the adult Pip. Miss Havisham is played by the late great British actress, Margaret Leighton. Sarah Miles played Estella in this film. I loved Leighton's performance as Miss Havisham, the mysterious woman who lived in a mansion in a small English village with Estella, her adopted daughter. The first rate cast features plenty of great actors and actresses mostly British such as Joss Ackland, James Mason, Anthony Quayle, Heather Sears, Rachel Roberts, and even Tom Owen has a scene in there as taunting adult Pip. The quality is decent and the film was done in Elstree Studios long before East-Enders in Bedfordshire, England.
I saw this years ago back in 1994. The movie has always stayed with me it holds a special part in my heart. Simon Gipps-Kents beauty just took my breath away. Everything Simon Gipps-Kent says and does turns into gold. This boy should got a award but didn't. What makes Simon Gipps-Kent so bloody great is his facial expressions.
He plays Pip, Pip is a poor boy thats had a hard life. His parents died when just a little child. His friends take him to visit Miss Havishem. Miss Havishem is very strange. When Pips firsts see her if asks people "Is she mad"? Miss Havisem lets play with the daughter Estella of course, Miss Havishem encourage Estella. I love the erotic undertones this movie has you wouldn't expect but is has. "You may kiss me if you like" Estella asks Pip indeed kisses her. It is the best kiss I have ever seen in a movie! When Miss Havisham asks Estella if Estella likes Pip Estella makes a cute response. I can't tell you because I can't give to much away. Then Pip grows up and thats the end of the movie. Simon Gipps-Kent died of a drug overdose. RIP
He plays Pip, Pip is a poor boy thats had a hard life. His parents died when just a little child. His friends take him to visit Miss Havishem. Miss Havishem is very strange. When Pips firsts see her if asks people "Is she mad"? Miss Havisem lets play with the daughter Estella of course, Miss Havishem encourage Estella. I love the erotic undertones this movie has you wouldn't expect but is has. "You may kiss me if you like" Estella asks Pip indeed kisses her. It is the best kiss I have ever seen in a movie! When Miss Havisham asks Estella if Estella likes Pip Estella makes a cute response. I can't tell you because I can't give to much away. Then Pip grows up and thats the end of the movie. Simon Gipps-Kent died of a drug overdose. RIP
I count a dozen versions of Charles Dickens' beloved classic Great Expectations made for the big and small screen, but this version from the BBC in 1984 stands up with the best of them. The best being the one that David Lean did in 1946.
Curiously enough I was watching some legislative hearings on the foster care system and it occurred to me watching this that Dickens was making some kind of commentary on it that's still relevant today. Mostly through the lawyer Jaggers played here by Anthony Quayle. Both the characters of Pip and Estella are in what we would consider foster care placements for good and evil. Jaggers tried to save two children from what at that time was a damned existence on earth by placing them in good surroundings. Unfortunately the strict class system being what it was both have to go through some trials before gaining a measure of happiness.
Michael York and Sarah Miles pretty well fit my conception of what Pip and Estella should be. Margaret Leighton is one batty old Miss Favesham. I lived with a relative while I was growing up who could have been a Miss Favesham, taking it out on the world around her for a miserable childhood. I knew another whom I worked with who also was left a bride at the altar and also behaved quite weirdly after that for her 90 plus years.
The convict Magwitch is a bit of offbeat casting for James Mason. I'm used to that polished and precise speech whether a good guy or a villain. Here Mason shows he's got the acting chops to stretch his casting persona as the rough and crude Magwitch who provides Pip with his Great Expectations.
I'm sure we'll see more and more versions of this classic in the future. This production can certainly hold its own with the others.
Curiously enough I was watching some legislative hearings on the foster care system and it occurred to me watching this that Dickens was making some kind of commentary on it that's still relevant today. Mostly through the lawyer Jaggers played here by Anthony Quayle. Both the characters of Pip and Estella are in what we would consider foster care placements for good and evil. Jaggers tried to save two children from what at that time was a damned existence on earth by placing them in good surroundings. Unfortunately the strict class system being what it was both have to go through some trials before gaining a measure of happiness.
Michael York and Sarah Miles pretty well fit my conception of what Pip and Estella should be. Margaret Leighton is one batty old Miss Favesham. I lived with a relative while I was growing up who could have been a Miss Favesham, taking it out on the world around her for a miserable childhood. I knew another whom I worked with who also was left a bride at the altar and also behaved quite weirdly after that for her 90 plus years.
The convict Magwitch is a bit of offbeat casting for James Mason. I'm used to that polished and precise speech whether a good guy or a villain. Here Mason shows he's got the acting chops to stretch his casting persona as the rough and crude Magwitch who provides Pip with his Great Expectations.
I'm sure we'll see more and more versions of this classic in the future. This production can certainly hold its own with the others.
This Is The 'Informal' Version. The particular features that you would expect to find in any Great Expectations adaptions are all there in this 1974 TV Film, which is full of 1970s familiar & popular faces. In comparison to all other adaptations, it showcases the best 'Biddy' played by actress Heather Sears & the worst Abel Magwitch played by actor James Mason.
The film's unique attributes to the story are twofold: 1. It very briefly honours Christmas by the presence of or the appearance of Christmas Carol Singers: 2. One actress - a '30 something' year 'old' actress is used to play the 2 parts of being both a younger & older Estella.
This 'coming-of-age' story - which by today's standard and broadly speaking could be anything from 16-25 years of age depending. There's a good likeness between Simon Gipps-Kent who plays the younger Pip & Michael York - another '30 something' year 'old' actor who plays an older Pip. Sarah Miles is the actress who plays both a younger & older Estella.
I guess the two 'old has beens' - Michael York & Sarah Miles - were popular in 1974. Nevertheless, both Michael York & Sarah Miles played their parts well enough for me not to vote them as 'the worst', but not good enough to be voted 'the best', by any measure.
The film's unique attributes to the story are twofold: 1. It very briefly honours Christmas by the presence of or the appearance of Christmas Carol Singers: 2. One actress - a '30 something' year 'old' actress is used to play the 2 parts of being both a younger & older Estella.
This 'coming-of-age' story - which by today's standard and broadly speaking could be anything from 16-25 years of age depending. There's a good likeness between Simon Gipps-Kent who plays the younger Pip & Michael York - another '30 something' year 'old' actor who plays an older Pip. Sarah Miles is the actress who plays both a younger & older Estella.
I guess the two 'old has beens' - Michael York & Sarah Miles - were popular in 1974. Nevertheless, both Michael York & Sarah Miles played their parts well enough for me not to vote them as 'the worst', but not good enough to be voted 'the best', by any measure.
There have been so many Great Expectations films, it's hard to keep them straight! The good news is usually big names flock to the adaptations, so it's easy to remember them as the "John Mills one," or in this case, the "Michael York one."
In the Michael York version, several other big stars of the 1970s joint together for Charles Dickens's classic novel about striving to become a gentleman: Sarah Miles plays Estella, Margaret Leighton plays Miss Havisham, Joss Ackland plays Joe Gargery, Anthony Quayle plays Jaggers, Robert Morley plays Uncle Pumblechook, and James Mason plays Magwitch. While it's wonderful to see James Mason lend his talents to the heartwrenching role of Magwitch, I always wondered why he wasn't cast as Pip in the "John Mills version". He would have been the right age and had the right talents for the part.
This version is very "seventies" in the way it was filmed and edited, but there are some good parts to it. This is the only version I've seen where the character Biddy teaches Pip how to read; it's not necessary, but it is an interesting part of the story. Michael York has the wide-eyed innocence required for Pip, and if you can get past Sarah Miles, you can pretend he has other motivations and root for him. Great Expectations is my mom's favorite book, so she always recruits me to rent every version known to man. Unless this is also your motivation, just check out the cast lists and pick whichever version you think you'll like.
In the Michael York version, several other big stars of the 1970s joint together for Charles Dickens's classic novel about striving to become a gentleman: Sarah Miles plays Estella, Margaret Leighton plays Miss Havisham, Joss Ackland plays Joe Gargery, Anthony Quayle plays Jaggers, Robert Morley plays Uncle Pumblechook, and James Mason plays Magwitch. While it's wonderful to see James Mason lend his talents to the heartwrenching role of Magwitch, I always wondered why he wasn't cast as Pip in the "John Mills version". He would have been the right age and had the right talents for the part.
This version is very "seventies" in the way it was filmed and edited, but there are some good parts to it. This is the only version I've seen where the character Biddy teaches Pip how to read; it's not necessary, but it is an interesting part of the story. Michael York has the wide-eyed innocence required for Pip, and if you can get past Sarah Miles, you can pretend he has other motivations and root for him. Great Expectations is my mom's favorite book, so she always recruits me to rent every version known to man. Unless this is also your motivation, just check out the cast lists and pick whichever version you think you'll like.
Did you know
- TriviaFilmed as a musical, but the songs were abandoned seven weeks into filming. According to Michael York, they interrupted the narrative flow.
- GoofsAt the dance when Estella returns to her seat one of her suitors says "Miss Estella, remember you promised me the next dance?" another suitor says "Nonsense, I have your solemn promise you'd save the next dance for me" - Immediately after this there is an audible fart.
- Quotes
Jaggers: [to Pip] For whose sake would you reveal this?...
Pip: For Estella's sake! If Drummle knew, he'd never marry her!
Jaggers: Ah, you'd save her, is that it? You'd drag her into disgrace after twenty years? She's chosen her own life and Drummle - remember that! Oh, if you must save someone, I think you might look a little closer to home.
- Crazy creditsOpening credits prologue: The Beginning 1830
- Alternate versionsThe version shown in the U.S. was cut to 103 minutes to make room for commercials. The European version, meant for movie theatres, is more than twenty minutes longer. As of 2010, the full-length European version has begun to be shown on cable TV in the U.S.
- ConnectionsEdited into George Burns Comedy Week: Christmas Carol II: The Sequel (1985)
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- Runtime
- 2h 4m(124 min)
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- 4:3(original TV version)
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