Ma femme est dingue

Barbra Streisand shines as a woman helping her husband (Michael Sarrazin) get through school, whatever it takes. What takes place is very funny because he has no idea what she does all day as he's working as a cab driver in New York City. She keeps all of her hilarious misdeeds from him, hoping to be able to make the money he needs for school. She'll do anything...all for Pete's sake. My rating: 8

The first 30 minutes or so of "For Pete's Sake" are amusingly on-target: Brooklyn housewife Barbra Streisand drops her husband off at work on their motorcycle and then pops a wheelie; she proceeds to forge a battle of the bills with the grocery store cashier, the insurance company, the banker, and the telephone company exec (Anne Ramsey, pre-"Throw Momma From The Train"). All this time, Streisand is in terrific comedic form, her expressions more and more incredulous. A dinner with her husband's relatives is equally funny, but "Pete" starts to give out somewhere after this. Barbra can't pay back loan sharks and has to work as a prostitute, a bomb deliverer and a cattle rustler. This last job gives the movie its big slapstick scene, which was a groaner even in 1974. Clearly a rip-off of Streisand's "What's Up, Doc?", it features a stampede of cows down the Columbia backlot accompanied by some of the silliest "country" music I've ever heard. If the filmmakers had kept the movie on a grounded level--and kept Streisand as the perfect Everywoman--this might have been a dead-on satire of the ailing economy. As it is, it's passable fluff. **1/2 from ****

In New York, the housewife Henrietta Robins (Barbra Streisand) and the taxi driver Pete (Michael Sarrazin) have financial difficulties since they got married very young and Pete has not concluded the college education. When Pete receives an inside information from a coworker that the pork bellies will raise their price since the Americans and the Russians are negotiating a great business transaction, Pete needs US$ 3,000.00 to invest in the market. Henrietta decides to help Peter and secretly makes a loan with a mobster. However the price of the pork bellies fall and she is not able to pay the loan. The loan shark promises to kill Pete and Henrietta accepts that her debt be sold to a madame by a higher amount. After many problems, her debt is increased and sold to mobsters and then to a cattle thief. What will happen to Henrietta and Pete?

After forty-four years from its release, "For Pete's Sake" is still a very funny comedy. Barbra Streisand shows great talent performing the role of Henrietta Robins, who gets in a sequence of troubles trying to help her beloved husband. There are many hilarious situations and the film has not aged. My vote is seven.

Title (Brazil): "Nossa, que Loucura!" ('Wow, What Madness")

Struggling financially, a young couple needs quick cash to invest in pork bellies, prompting the wife to concoct a series of wild schemes to raise the cash. This is basically a vehicle for Streisand to engage in some zaniness, trying to duplicate the success of "What's Up, Doc?" a couple of years earlier. Unlike the latter film, however, this one does not have a particularly inspired script. Babs tries hard, but is unable to raise the material beyond a level of mild amusement. To pay off loan sharks, she goes through a series of jobs, including prostitution (taken rather lightly), each meant to setup hilarious situations but the payoff isn't there.

Although I have been aware of this film for a long time, it was only after watching its amusing theatrical trailer – on THE OWL AND THE PUSSYCAT (1970) DVD – that I became eager to watch it. The end result proved to be a patchy affair but, nevertheless, it does have its fair share of belly-laughs and, in any case, watching Streisand in kooky mode is always fun; Estelle Parsons and William Redfield are her hubby (Michael Sarrazin)’s well-to-do and snobbish relatives who particularly look down on Streisand.

It clearly emulates the screwball style of WHAT’S UP, DOC? (1972), parodies THE FRENCH CONNECTION (1971) – the underground station cat-and-mouse chase between Gene Hackman and Fernando Rey is performed here by a disguised Streisand and a persistent police dog! – and it also homages Buster Keaton’s GO WEST (1925) in the urban cow stampede sequence and Luis Bunuel’s BELLE DE JOUR (1967) in the role-playing encounters during Streisand’s disastrous stint as a call-girl! British action director Yates was surprisingly roped in for this, but he seems to have enjoyed the experience as his next project was on similarly zany lines – the black comedy MOTHER, JUGS AND SPEED (1976; which I’ll be watching presently).

Another notable sequence sees the heroine involved, unbeknownst to her, in terrorist activity (she’s asked to deliver a package in disguise to a similarly-dressed woman) – which eventually rebounds on her shady brother employers! Similarly, one of the best lines has Streisand’s nonchalant black maid (she hires a Hispanic woman to do her own cleaning-up!) who, admiring the former’s tenacity, tells her: “Girl, you could even sell a Confederate flag in Harlem!”