Flavia la défroquée

Flavia(Florinda Bolkan of "Don't Torture a Duckling" fame)is locked away in a convent of carnal desires by her father.Tired of all of the sadism she sees around her(rape of a young woman in a pigsty,sexual cravings,horse castration)Flavia decides to run from the convent with her Jewish friend from the outside,Abraham.The two don't get very far before they are captured and then brought back to be tortured and forced to repent.After punishment she joins up with a band of Muslims called the Tarantulas,who had invaded the convent prior and leads a crusade that turns into nothing short of a bloody battle behind the convent walls."Flavia the Heretic" is a well-directed and fairly notorious piece of Italian nunsploitation.The film is slightly gruesome and sleazy at times.The acting is great and the characters are well-developed.Overall,"Flavia the Heretic" is a genuinely moving and intelligent movie with plenty of nudity and gore.You can't go wrong with it.8 out of 10.

A young woman is sent to a nunnery by her domineering father in 15th century southern Italy, while there she is subject and witness to many atrocities. She later flees and becomes the lover of the leader of an invading Muslim army and with his muscle underpinning her; she enacts grisly revenge on those who have wronged her.

Flavia the Heretic is one of the prime examples of the sub-genre known as nunsploitation. Along with The Devils (1971), it combines some serious drama along with gruesome exploitative material. Although it could be argued that in both of these films the nasty scenes are pretty necessary in reflecting the grimness of their respective stories. Both films look at the dubious actions of the church in the middle ages but Flavia more specifically has a feminist outlook as well and considers the role of women at that time. Consequently, this is an unusually serious minded bit of nunsploitation. It is considerably helped in this regard by a standout turn from the always impressive Florinda Bolkan in the lead role. She essays the emotional story arc of Flavia quite expertly and certainly elevates the drama of the story. This is a very interesting central female character of a type you don't see very often leading a movie, especially in a film of this type.

In regards to the more visceral aspects, there were a few very grim scenes of torture and graphic excess, including a borderline unwatchable castration of a horse and a gruesome climax. Some of the horrible scenes have a definite overall point though, such as a sequence where a rich and decadent duke rapes a servant girl in a pig sty. It's a scene that illustrates the way that women were treated like animals by the ruling classes who were at liberty to act as they saw fit. On the whole, Flavia the Heretic is an Italian genre film with a more art-house sensibility than was typical. It provides both vicarious thrills and something to actually think about. And that's not a bad achievement really.

Whoops, it happened again! I was all set to watch the harmless sounding Violent Bloodbath when my finger slipped off the keyboard, grabbed this DVD and accidentally put in the in the DVD player. Fathers of teenage daughters during the early 15th century: When you notice that your teenage daughter is taking a bit of a shine to the last surviving muslim invader on a bloody battlefield, it's probably not a good idea to capture that invader, behead him, then stick his head on a pike right in front of her. That kind of things makes a lasting impression, and throwing your daughter into a convent shortly afterwards isn't going to help the situation. Flavia the Heretic is a grim document of what occurs when this happens.

Years later Flavia is still a sexually repressed nun who is about to learn a lesson that all men are bastards. The hard way. Not only does her father continually berate her, she also witnesses an arrogant Duke raping a farm girl and get away with it, and her nun friend tortured to death for letting her sexual urges get the better of her. Flavia begins to question why the world is male dominated, from religion to war to God himself, and bitter rage wells up inside. Seeing your best friend's nipple sliced off by your father's cronies will do that to you.

Of course, this being a film by Gianfranco Mingozzi, who thought it was okay to have someone drive a car into a herd of sheep in the film Island of Crime, we also get to see a horse getting castrated while Flavia watches. As Ralf Wiggum would say in the Simpsons: the castration stands for obviousness.

With the encouragement of a grizzled old nun, Flavia begins to break free from her male-dominated shackles and seeks to destroy the convent and the all the men who have supressed her all her life, except good guy Claudio Cassanelli, who plays her friendly Jew sidekick. Flavia achieves this by doing what every woman does: by joining forces with an invading muslim army and hitting it off with their leader, then using his army to kill everyone.

Whilst having a very serious point to make about male dominance and the various ways male society has crushed and controlled women in various ways (and the sad fact it seems to happen in most cultures), the film still has plenty of exploitation elements that go way beyond the boundaries of taste. For every angry speech about female power you have the rape-happy Duke getting revenge bummed by a mob of Islamic soldiers. The part that takes the biscuit for me is when Flavia drugs the entire convent and everything breaks down into a surreal orgy where one woman jumps into, that's into, the empty carcass of a bull hanging from a ceiling. When she jumps back out again and hits her head on the still attached knackers of the bull, I really did start to wonder why I watch these things.

That said, beyond all the symbolism, naked women, and suspicious absence of lesbian activity there's a good, serious film. Florinda Bolkan is no trash actress, and Claudio Cassanelli, moody as usual, supports her well.

So there you go. Flava Flav: The Movie.

In 1400, in Puglia, Southern Italy, the nobleman father of Flavia (Florinda Bolkan) beheads her lover and locks her away in a seaside convent. Flavia questions the submissive treatment of women and is submitted to the repressive Catholic system in the convent. When Flavia has the chance, she flees from the convent with the Jew friend Abraham (Claudio Cassinelli). However, they are captured by her father and Flavia is whipped and Abraham is imprisoned in the dungeons. During the Musulman invasion of Italy, Flavia becomes the lover of their Muslin leader Ahmed (Anthony Corlan) and uses him to revenge against the nuns that have humiliated her and her father.

I was curious to see this 1978 movie of nunsploitation, not because I am fan of this subgenre of exploitation film, but because of the Brazilian Florinda Bolkan. "Flavia, la Monaca Musulmana" is a brutal nunsploitation, associating the usual themes of sexual repression and religious oppression with revenge. There is no historical background and most of the situations are only pretext for nudity, torture and violence. Now I am satisfied but this film is only recommended to very specific audiences since it is very offensive specially for religious viewers. In the Extras of the DVD, there is an interview with Florinda Bolkan. My vote is six.

Title (Brazil): "Flávia, a Freira Muçulmana" ("Flavia, the Muslin Nun")

Reportedy based on actual historical events, this disturbingly violent, bloody, and shocking period epic sustains viewer interest by creating a verisimilitude missing in the majority of films set in a remote era. Ms. Bolkan's portrayal of the rebellious nun is a tour de force. Her gradual transformation in character from an obedient if unwilling complicitor in social injustices of her day is adeptly evidenced by telling sequences: her witnessing of the hated local Duke's casual rapist activity, her forbidden love affair with a Jew, her criminal defection to the invading Moslem forces of the sensual Prince Ahmed (Anthony Corlan) There are some painfully realistic gory sequences (human flaying) in this film that are not for the squeamish, but viewers with strong stomachs and an interest in medieval history should find ample interest. Deserves to be seen, if only as an antidote to Hollywood depictions of the medieval world.