Tremblement de terre

Earthquake is directed by Mark Robson and written by Mario Puzo and George Fox. It stars Charlton Heston, George Kennedy, Ava Gardner, Geneviève Bujold, Lorne Greene, Richard Roundtree & Marjoe Gortner.

A catastrophic earthquake hits Southern California and begins to level Los Angeles...

"It's not a negative to have heart in the disaster genre of film"

Take yourself to 1974, are you there? Good, now maybe you can appreciate this film a little more? Maybe? Earthquake does suffer from old age, it's a statement we see and hear a lot, but it's a fact that some film's stand the test of time whilst others do not. In this desensitised computer age, it is easy to forget that not all the tools available in film making today were available back when film's like this were being made. So as is my want, I firmly judge this as a 1974 offering, to which it delivers enough entertainment to fully satisfy my genre leanings and entertainment persuasions.

The main complaint of many is the long build up of the characters, cries of boring can be read across internet forums and critics blogs. I just don't see it that way, yes we want the quake and the mayhem destruction that will follow it, because really this is a disaster film after all, but is it so bad that the film has heart to go with the crash bang wallop? After the build up of characters, where relationships and character traits are formed, the disaster strikes and it doesn't disappoint, utter destruction as effects and noise fill the eyes and ears, where those with a good home cinema system finding it literally does rock the house. We are then treated to a series of sequences that hold and engage our attention, upsetting passages of human sadness, punctured by heroic surges as Heston and the fabulous Kennedy set about saving life, hell! saving the town even. Then it's the film's fitting finale, where there are no cop outs, the makers choosing to go out with a darker edge than the detractors give it credit for.

Some can scoff at a blood splat effect, or rant about some of the acting on show, but Earthquake achieves two important things. One is that it entertains as a visual experience, the other is that it doesn't soft soap the devastating effects of an earthquake. As the camera pulls away from a ravaged L.A. the impact is sombre, where reflection is needed and most assuredly surely gotten. 7/10

I really enjoyed the practical effects before CGI took over the film industry. This is the time when making disaster films was a huge challenge. This is decent film making at its best. The visual effects are incredible and is still good by today's standard. This must have been amazing at the time of release. Charlton Heston is a likable hero as usual. I enjoyed how the characters interacted with one another and how their characters developed during and after the disaster. The film did end rather abruptly, but it was an enjoyable action drama.

Earthquake almost realistically shows us the devastating effects of such "an event" on a large modern day city. Since movie studios didn't have the resources in 1974 to add expensive computerized effects, miniatures, camera trickery and a few large-scale destructions were used to simulate the quake. However even by today's standards, most (but not all) effects work pretty well. Many of the buildings we see crumbling to the ground are actual locals in Los Angeles and anyone who ever lived is this area (myself included) would still find watching this film chilling to say the least. The sets are very impressive - they made one helluva mess of Universal Studios making this film. The acting is so-so and the ending is disappointing and leaves us with a lot of unanswered questions: what ever happened to Miles and Rosa's brother anyway? And the scenes with Jody the weirdo are just plain uncomfortable. But as far as pure "end of the world" disaster entertainment goes, this film has it all.

In 1974 I was 29 years old when I first saw this movie. At the time I didn't question the suitability of the lead stars as I had grown up with them appearing in other films. Considering all the various genre of films I had seen up to that time, I must confess that it didn't seem a bad effort at that point in time. I grew up with various westerns and others and one film in particular I remember well is the classic "King Kong".

Critics who knock this film must remember that 1974 was a transitional period where techniques were still being learned. Without the benefit of computers, I might add. When you have grown up with computer wizardry, that is, since the start of the seventies, it it far easier to find fault than to see the merit in what these people achieved.

However, with the passage of time, one realizes the major fault with this film was the poor casting. This should not detract from the efforts of the special effects people. They have led the way and shown the young people coming along what can be done with skill and imagination. 3/10 for casting, 6/10 for special effects.

Middle of the road disaster movie attempt has all the elements, but just misses the right tone needed to assure the momentum for a two-hour shakedown. Heston (hot on the heels of "Skyjacked" and moments away from "Airport 1975") and Gardner are beyond their prime in roles perhaps better suited to younger performers, nevertheless, there is ample youth displayed in Marjoe Gortner playing an unhinged national guardsman taking his duty far too seriously, Richard Roundtree riding the "Shaft" wave as a self-styled Evel Kneivel, and beauties Genevieve Bujold and Victoria Principal in shallow, supporting roles.

The story revolves around the destruction of Los Angeles following a series of tremors, claiming the lives of many of the cast and sparing some who probably should have perished. Lorne Greene plays Ava Gardner's dad (apparently he was 4 or 5 when she was conceived), Barry Sullivan is a seismologist, and for some unknown reason Walter Matthau plays a barfly who's too sozzled to know what's happening when the big one razes the bar (so to speak). There's the usual solar system worth of stars and character actors in varying roles ranging from George Kennedy as an LAPD cop with plenty on his plate, to HB Haggerty and Lonny Chapman in an uncredited role.

Made at a time when these type of films were in vogue, you didn't need to think too hard about the back stories and soap opera melodrama, just recline and enjoy the ensuing pandemonium, here, focused mainly on the post-earthquake looting and usual stories of heroism, survival and sometimes, tragedy. Nothing heavy nor sentimental with which to contend, it's just plain old meat and drink, take it or leave it, disaster movie 101.