Identikit

Elizabeth Taylor gives a stunning performance as a disturbed spinster who is looking for a man, but not for the reasons you may think. It's a bizarre movie, but also a very good one thanks to Taylor's excellent portrayal of a troubled woman about to go over the edge. Based on a novel by Muriel Spark.

This obscure movie, which has been so unfairly panned by the critics of its time, actually manages to deliver what I believe was the intention, a disintegrating world of a psychotic woman. As viewers, we are somewhere in the middle of two layers of realities, the one being the compulsive psyche of the main character, Lise, portrayed by Liz Taylor, and the other one being the absurd and incoherent events in her surroundings. I quite like this film, I had expected a B-movie with second rate production values, but I was at least partly mistaken, the cinematography is effective in painting the psychotic state of mind, example; Lise turning to her right, framed in the left side of the screen, when addressing someone. Another scene, where Lise is attempting to get in touch with a woman she befriended just recently, who may be stuck in the lavatory from some illness, we see Lise at the same time completely absorbed by her own mirror image, disconnected from any real emotional concern over the lady that might be in peril. Maybe some think these are cheap means of making a weird and psychotic setting, still the movie makes the viewer access the process of disintegration of Lise. Furthermore, some scenes are chillingly before its time regarding terror events and crimes; terror do pop up everywhere these days, and maybe a modern day public can better identify themselves with a confused and disintegrating persona as Lise. We can barely understand our own feelings and our driving forces - how can we then understand the complexity of the human society in terms of terror and conflicts?

This strange little film has a small but devoted cult following, due to it's haunting atmosphere, obscure storyline, and a hypnotic performance by the Great Elizabeth Taylor. She stars as Lise, a spinster who makes a decision to go on a holiday, a trip that will be her last, to Rome. Dressed in a psychedelic outfit made up of every color in the rainbow, she is a peacock, using colors to attract a certain man. A man that will fulfill her darkest wish. The viewer must wait until the end of the film to find out just exactly what the crazed Lise is looking for. The ending is pretty gruesome, and not expected. But before we get there, Taylor, as Lise, gives us a guided tour of a very different looking Rome, as well as a tour of her own warped and desperate psyche. This film is what art-house cinema is all about. As far away from Hollywood as you can hope to get, there has never been a film quite like this one. Taylor exudes such an intense feeling of loneliness here, so much so, that some will find this to be a somewhat depressing film experience. But this is not a 'feel-good' film, although it is filled with some truly hilarious one-liners that you might find yourself repeating with friends who you watch this with. Some critics call this Taylors worst film, but that is utterly preposterous. It doesn't have the glossy, expensive look of her earlier Hollywood films, but then again this is a much darker and more serious film than say, "Cat On A Hot Tin Roof". Also she isn't as young and beautiful here, but if she were than the tale would not be so sad, and the desperation of this woman would make no sense. 'Identikit' is filled with familiar actors, all in totally memorable performances. Ian Bannon is hilarious as one of Lise's companions. Guido Mannari, a familiar presence in countless Italian exploitation movies is cast here as a lecherous mechanic who attempts to rape Taylor in a car. His performance is over-the-top sleazy. And veteran actress Mona Washbourne is priceless as the impromptu shopping companion of Lise, forever looking for the perfect gift for her nephew. Strangely, the shopping center sequence with Washbourne and Taylor, is one of my favorite scenes in all cinema. I don't know why, but I never get tired of listening to the strange conversation between the two eccentric characters as they wander around that modern-looking Rome shopping mall. And it is fitting that Andy Warhol has a cameo here, as both this film, and Warhol, are bizarre entities indeed. Also worth mentioning is the dark, moody background music, which compliments the feeling of the film perfectly. 'Identikit' is not for people who enjoy mainstream cinema. If 'Pretty Woman' is your idea of a good film, then you will most likely find this dark, murky film deplorable. But for fans of the precisely weird, i recommend this little-known gem. It is available as a 'cheapo' DVD. I paid around $5 dollars for it. Don't expect anamorphic widescreen here. In fact this looks like it was copied directly from a video tape. But for this film, it is somehow fitting. And I am grateful, and surprised that it is available at all. And incidentally... Do you have a gun?? Because if you did, you could shoot me...

I disagree with the reviewers here whom simply write this off as a bad movie. "Identikit", or as it is known on the deceptively retitled US videotape release, "Psychotic", is a film that requires the viewer to think about what is happening, studying the disjointed events which gradually come to an ambiguous conclusion (which slightly echoes "Blow-Up" I might add). It is obvious that every detail of this film is deliberate and well crafted. Liz Taylor fans used to her more mainstream movies may be a bit put-off. If you like offbeat dramas from this time period that require a little brainwork then you may dig it. If you like having everything spelled out for you then you may find it "bad". I dug it!

I have been watching and enjoying Elizabeth Taylor films all my life and this is one of her best. I think this film is one of the most underrated films of all time. It is flawless in every aspect...story, directing, set, music, clothes, and of course acting. The beautiful and talented actress Elizabeth Taylor does not walk through this one. She gives it her all, as well as does everyone else involved in this work of Art. This is not a spoon fed piece of sugar, rather a serious and artistic look at the psychology of a "person".