IMDb RATING
4.6/10
473
YOUR RATING
An evil medieval French baron consults a black magician to expand his power, but his people revolt and are joined by a heroic captain, whom is an old friend of the baron.An evil medieval French baron consults a black magician to expand his power, but his people revolt and are joined by a heroic captain, whom is an old friend of the baron.An evil medieval French baron consults a black magician to expand his power, but his people revolt and are joined by a heroic captain, whom is an old friend of the baron.
Mariano Vidal Molina
- Sillé
- (as Vidal Molina)
José Luis Chinchilla
- Daniel
- (as Jose Luis Chinchilla)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
(1974 Devil's Possessed/ El mariscal del infierno
DUBBED
HORROR THRILLER/ HISTORICAL
A cross between "The Adventures of Robin Hood" and evil MacBeth starring Paul Naschy who was also credited as a writer as he plays the Baron, Gilles de Lancré allowing himself to be manipulated by his evil wife, Graciela (Graciela Nilson) upon listening to their alchemist's Sille (Mariano Vidal Molina) mythical way of using common peasants and farmers as a sacrifice toward his eternal life with hero, Gaston de Malebranche (Guillermo Bredeston) staging a rebellion. Low budget and does not offer anything new to the genre.
A cross between "The Adventures of Robin Hood" and evil MacBeth starring Paul Naschy who was also credited as a writer as he plays the Baron, Gilles de Lancré allowing himself to be manipulated by his evil wife, Graciela (Graciela Nilson) upon listening to their alchemist's Sille (Mariano Vidal Molina) mythical way of using common peasants and farmers as a sacrifice toward his eternal life with hero, Gaston de Malebranche (Guillermo Bredeston) staging a rebellion. Low budget and does not offer anything new to the genre.
The Devil's Possessed (1974)
** (out of 4)
Barón Gilles de Lancré (Paul Naschy) is an evil King who is searching for a jewel that will give him eternal life. When he's not doing that he's torturing people in a variety of ways so that they know who the boss is and that they should never try and cross him.
THE DEVIL'S POSSESSED is yet another Spanish horror movie that takes witchcraft and makes a full feature out of it. If you've seen MARK OF THE DEVIL then you've pretty much seen this movie as elements of it are thrown in with a touch of THE ADVENTURES OF ROBIN HOOD. This film is certainly far from being a bad movie but at the same time the genre is just so crowded and this film really doesn't do anything to set itself apart.
I think the best thing going for the film was its visual look. The atmosphere is just right and I thought that the director really nailed the setting. You really do feel as if you're watching a movie that captured the era just right. Director León Klimovsky does a very good job at making this film look a lot better than its budget would have normally allowed. The cinematography is quite good as is the music and overall it has a very professional look. I'd also add that Naschy is quite good in his role.
So, what's wrong with the film? I'd say it's just too bland for its own good. If you're familiar with the genre then you know there have been countless films like this. The problem here is that everything is just rather bland and there's nothing here that really jumps out at you. There's no real gore or major violence so those seeking that are going to be disappointed. The story doesn't offer anything original enough to make it stand out. Again, THE DEVIL'S POSSESSED is a mild entertainment but there's much more interesting films out there.
** (out of 4)
Barón Gilles de Lancré (Paul Naschy) is an evil King who is searching for a jewel that will give him eternal life. When he's not doing that he's torturing people in a variety of ways so that they know who the boss is and that they should never try and cross him.
THE DEVIL'S POSSESSED is yet another Spanish horror movie that takes witchcraft and makes a full feature out of it. If you've seen MARK OF THE DEVIL then you've pretty much seen this movie as elements of it are thrown in with a touch of THE ADVENTURES OF ROBIN HOOD. This film is certainly far from being a bad movie but at the same time the genre is just so crowded and this film really doesn't do anything to set itself apart.
I think the best thing going for the film was its visual look. The atmosphere is just right and I thought that the director really nailed the setting. You really do feel as if you're watching a movie that captured the era just right. Director León Klimovsky does a very good job at making this film look a lot better than its budget would have normally allowed. The cinematography is quite good as is the music and overall it has a very professional look. I'd also add that Naschy is quite good in his role.
So, what's wrong with the film? I'd say it's just too bland for its own good. If you're familiar with the genre then you know there have been countless films like this. The problem here is that everything is just rather bland and there's nothing here that really jumps out at you. There's no real gore or major violence so those seeking that are going to be disappointed. The story doesn't offer anything original enough to make it stand out. Again, THE DEVIL'S POSSESSED is a mild entertainment but there's much more interesting films out there.
This misleadingly-titled film should not even really be classified as horror, despite the myriad diabolic invocations and torture scenes. It is a good-looking medieval epic with a plot which basically amalgamates Shakespeare's "Macbeth" (spurned nobleman Paul Naschy being egged on by his ambitious wife to seize power from the current ruler) with the legendary exploits of Robin Hood (opposition to the tyrant being provided by a band of outlaws) – cue numerous athletic action scenes, and there is even a jousting tournament in an effort to catch their leader (who happens to be the tyrant's former ally) but, rather than hide his identity, he smiles defiantly at Naschy's wife before taking on her husband in mortal combat!!
As usual, the star also penned the script – attempting to lend sympathy to his character by making him gullible rather than truly evil (he is also shown feeling remorse and being, economically but effectively, haunted by his victims) though he still gets to lose an eye and, eventually, expires from a hail of arrows in clear imitation of Akira Kurosawa's own definitive "Macbeth" adaptation THRONE OF BLOOD (1957). Still, Klimovsky being no more than a journeyman director, the result is too often heavy-handed (if undeniably enjoyable) and, in any case, the countless references to the villain's lust for power as "The Great Work" is not a little silly (especially since he only sends for the man he himself dubs "the world's greatest sorcerer" to this end only after several other alchemists had failed – WTF?!). To add insult to injury, the latter is just another quack who even performs the "Wizard of Oz" routine of enlightening the hero through a dead man's skull (when, in reality, he is hiding behind some rocks nearby and talking through a primitive microphone)! Equally anachronistic is the fact that, while generally appropriately robust, the music score is marred by intermittent and completely incongruous electronic passages!
While Naschy's "Waldemar Daninsky" Werewolf effort CURSE OF THE DEVIL (1973) similarly adopted a medieval setting (as did the opening scene of his best outing in that popular series i.e. THE CRAVING [1980]), THE DEVIL'S POSSESSED – whose original Spanish title translates to HELL'S MARSHALL – was the first of a loose trilogy, to be followed by two the star directed himself (which he actually considered his own personal favorites and that I will be checking out in quick succession): INQUISITION (1976) and THE TRAVELER (1979).
As usual, the star also penned the script – attempting to lend sympathy to his character by making him gullible rather than truly evil (he is also shown feeling remorse and being, economically but effectively, haunted by his victims) though he still gets to lose an eye and, eventually, expires from a hail of arrows in clear imitation of Akira Kurosawa's own definitive "Macbeth" adaptation THRONE OF BLOOD (1957). Still, Klimovsky being no more than a journeyman director, the result is too often heavy-handed (if undeniably enjoyable) and, in any case, the countless references to the villain's lust for power as "The Great Work" is not a little silly (especially since he only sends for the man he himself dubs "the world's greatest sorcerer" to this end only after several other alchemists had failed – WTF?!). To add insult to injury, the latter is just another quack who even performs the "Wizard of Oz" routine of enlightening the hero through a dead man's skull (when, in reality, he is hiding behind some rocks nearby and talking through a primitive microphone)! Equally anachronistic is the fact that, while generally appropriately robust, the music score is marred by intermittent and completely incongruous electronic passages!
While Naschy's "Waldemar Daninsky" Werewolf effort CURSE OF THE DEVIL (1973) similarly adopted a medieval setting (as did the opening scene of his best outing in that popular series i.e. THE CRAVING [1980]), THE DEVIL'S POSSESSED – whose original Spanish title translates to HELL'S MARSHALL – was the first of a loose trilogy, to be followed by two the star directed himself (which he actually considered his own personal favorites and that I will be checking out in quick succession): INQUISITION (1976) and THE TRAVELER (1979).
I tend to love everything the great late Paul Naschy (R.I.P.) ever was in. While not all films starring Naschy are great, they all have a specific charm that can be found nowhere but in Naschy-flicks, and they are always entertaining. There is no rule without exception, however, as "El Mariscal Del Infierno" aka. "The Devil's Possessed" (1974) proves. While the film does have the specific Naschy-flick-charm, it sadly drags far too much and gets really, really dull in-between. Naschy stars as the evil Baron Gilles De Lancré, who oppresses the people and uses black magic and bloody rituals to stay in power. When Gaston de Malebranche (Guillermo Bredeston), who fought side by side with Gilles De Lancré against the British, learns about the Baron's evil behavior, he decides to turn against his former comrade in arms and help the people free themselves from the satanic Baron's tyranny...
Directed by León Klimovsky, who is best known for directing Naschy in "La Noche De Walpurgis" ("The Werewolf Vs. The Vampire Woman", 1971), the film was scripted by Naschy himself. Naschy often scripted his own films, and one must say that he mostly did a better, more original job than it is the case here. "El Mariscal Del Infierno" is mostly built up as a historical adventure rather than a Horror film, and it gets quite boring throughout the middle. It often resembles the Sword and Sandal films from the 50s, only that this film is set in medieval times. The Satanic part was probably only added because the great Paul Naschy's name is linked to the Horror genre. The film has its good parts: Paul Naschy giving weird speeches, Paul Naschy looking weird, Paul Naschy doing Satanic stuff, Paul Naschy torturing innocent victims, etc. But sadly, most of the film concentrates on the boring hero and the good guys, and these moments are boring. The female cast members are nice to look at, but, unlike most Naschy films, this one features no nudity and sleaze. There is some gore, but it mostly looks clumsy and isn't as fun too look at as it is the case with most other Naschy films. Overall, "El Mariscal Del Infierno" is only worth a look for my fellow Naschy-enthusiasts. There are dozens of films starring the Spanish Horror deity which should be seen before this one, such as "El Jorobado De La Morgue" ("The Hunchback of the Morgue", 1973), "La Orgia De Los Muertos" ("The Hanging Woman", 1973), "El Espanto Surge De La Tumba" ("Horror Rises From The Tomb", 1973), "Latidos De Panico" ("Panic Beats", 1983), "Rojo Sangre" (2004), or any of the 'Waldemar Daninsky' werewolf films. R.I.P. Paul Naschy. Legends never die!
Directed by León Klimovsky, who is best known for directing Naschy in "La Noche De Walpurgis" ("The Werewolf Vs. The Vampire Woman", 1971), the film was scripted by Naschy himself. Naschy often scripted his own films, and one must say that he mostly did a better, more original job than it is the case here. "El Mariscal Del Infierno" is mostly built up as a historical adventure rather than a Horror film, and it gets quite boring throughout the middle. It often resembles the Sword and Sandal films from the 50s, only that this film is set in medieval times. The Satanic part was probably only added because the great Paul Naschy's name is linked to the Horror genre. The film has its good parts: Paul Naschy giving weird speeches, Paul Naschy looking weird, Paul Naschy doing Satanic stuff, Paul Naschy torturing innocent victims, etc. But sadly, most of the film concentrates on the boring hero and the good guys, and these moments are boring. The female cast members are nice to look at, but, unlike most Naschy films, this one features no nudity and sleaze. There is some gore, but it mostly looks clumsy and isn't as fun too look at as it is the case with most other Naschy films. Overall, "El Mariscal Del Infierno" is only worth a look for my fellow Naschy-enthusiasts. There are dozens of films starring the Spanish Horror deity which should be seen before this one, such as "El Jorobado De La Morgue" ("The Hunchback of the Morgue", 1973), "La Orgia De Los Muertos" ("The Hanging Woman", 1973), "El Espanto Surge De La Tumba" ("Horror Rises From The Tomb", 1973), "Latidos De Panico" ("Panic Beats", 1983), "Rojo Sangre" (2004), or any of the 'Waldemar Daninsky' werewolf films. R.I.P. Paul Naschy. Legends never die!
As part of a Mill Creek box set called Pure Terror, I expected this 1974 Paul Naschy film to offer up the excess of cheesy gore and gratuitous female nudity that one typically finds in many a Euro-horror of the era—except that this isn't a horror, more of a historical adventure (with more than a touch of Robin Hood about it), and as such delivers not nearly enough in the way of graphic violence, and absolutely no bare flesh.
The pedestrian plot sees Naschy playing power hungry Barón Gilles de Lancré, who, along with his wicked mistress Georgelle (Norma Sebre), turns to the dark arts to further his plans of becoming king, employing the services of an alchemist who uses the blood of virgins in his magic. Shocked by de Lancré's nefarious activities, valiant nobleman Gaston de Malebranche (Guillermo Bredeston) joins a band of partisans determined to put a stop to the wickedness.
Much of the film consists of poorly choreographed sword-fights, with a boring jousting competition, and extremely mild scenes of torture, while Naschy rants about the Philosopher's Stone and Ars Magna — all of which proves extremely tedious. There is some amusement to be had as de Malebranche repeatedly leaps onto a trampoline (hidden from camera) during a melee in a bar, and from a silly scene featuring an unconvincing severed head, but for the most part this is a very disappointing and instantly forgettable vehicle for Spain's premier horror star.
The pedestrian plot sees Naschy playing power hungry Barón Gilles de Lancré, who, along with his wicked mistress Georgelle (Norma Sebre), turns to the dark arts to further his plans of becoming king, employing the services of an alchemist who uses the blood of virgins in his magic. Shocked by de Lancré's nefarious activities, valiant nobleman Gaston de Malebranche (Guillermo Bredeston) joins a band of partisans determined to put a stop to the wickedness.
Much of the film consists of poorly choreographed sword-fights, with a boring jousting competition, and extremely mild scenes of torture, while Naschy rants about the Philosopher's Stone and Ars Magna — all of which proves extremely tedious. There is some amusement to be had as de Malebranche repeatedly leaps onto a trampoline (hidden from camera) during a melee in a bar, and from a silly scene featuring an unconvincing severed head, but for the most part this is a very disappointing and instantly forgettable vehicle for Spain's premier horror star.
Did you know
- TriviaThe film is very loosely based on the life of the infamous French serial killer Gilles de Rais (1404-1440), knight and baron from Brittany, Anjou and Poitou, Marshal of France, and former companion of Joan of Arc.
- GoofsDuring a passionate kiss between Norma Sebre and Paul Naschy, there is a fly sitting on her wig.
- Quotes
Barón Gilles de Lancré: [of defenseless religious pilgrims] Kill them all!
- ConnectionsFeatured in Cineficción Radio: Paul Naschy (2020)
Details
- Runtime
- 1h 35m(95 min)
- Aspect ratio
- 1.33 : 1(original ratio, open matte)
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