Brief Encounter

29 years after the first film version of Brief Encounter was made and made stars of Trevor Howard and Celia Johnson this television version with Richard Burton and Sophia Loren was done for British television. My same criticism stands, I would love to have seen Noel Coward and Gertrude Lawrence do Coward's original one act play for the screen.

Both versions are considerably expanded from Coward's stage play. But the 1945 version had a real sense of urgency about it. It was set in wartime where such things if not approved of, at least expected and somewhat tolerated. Updating the play was a mistake, both Loren and Burton in this setting treat their situation as more of an inconvenience.

Of course bringing it back to 1945 would have been impossible because British soldiers just did not bring back brides from the recent enemy's country and no way could Sophia Loren have played the part. And she had to because her husband Carlo Ponti was the producer.

This Brief Encounter is all right, but if you don't encounter it you won't miss all that much.

Not because it's so bad, as many reviewers would have you believe. We should not compare with David Lean's masterpiece. That was a romance. It sweeps us along with period charm, superb cinematography and Rachmaninov's gushing music. This is altogether different. We are disturbed and embarrassed because that's what the "sordid affair" is! We just want the two "lovers" to stop and we hate Dr. Harvey for his selfishness. The goings on of ordinary life - the excellent soundtrack conveys this - is a jarring accompaniment and distraction. We just want the pair to blend back into it and return to their day jobs and, in the case of Anna/Laura, her family. I was glad when it was all over. Good job!

Richard Burton is not Trevor Howard, and Sophia Loren is not Celia Johnson, and although they were two of the world's leading actors, they fall flat to the David Lean version 29 years earlier. The differences are interesting to observe. The David Lean film consists mostly of flashbacks, but there is no flashback at all here. Also there is no Rachmaninov's second piano concerto, but instead there is a very good music score by Cyril Ornadel, which saves the film, together with all the domestic natural scenes of Winchester and its countryside. John le Mesurier plays the part of the friend who drags an ideal love affair to a more banal level of "sordid squalidness", which ultimately shatters the love story. Dolly enters in the last moment to complete the destruction, but in the end we are left hanging, as doctor Harvey here has a wife, who is quite beautiful, and we can't guess the rest. What we miss most of all in this film is the very gentlemanly part of Trevor Howard, replaced by Richard Burton's more embarassed bluntness, and the very English Celia Johnson, who is replaced by Sophia Loren, who fortunately though confesses to her Italianness. It's a good film, but, like most remakes, a bleak shadow to the original, in spite of it being in colour.

Is it the age we live in, or is it that objectively this is a slow-moving quaint view of the 50's England? Sophia Loren is lovely as usual, and you can't help but think that this film was also a commentary on her private life. Her husband, Carlos Ponti, produced this film. A much older man, he must have had to face the dilemma featured in this movie often. And the answer was obviously always the same: the allure of a sexually titillating romance could not be overcome for a victim of WWII the wonderful stability of home and family, no matter how 'boring'. Definitely a morality tale, 'Brief Encounter' is based on a Noel Coward play which I find intriguing. The movement is slow, the dialogue similarly, and you are left wondering what exactly was missing from her home life that she should turn to this fellow. It's perfectly obvious what's missing from his, when his wife barely looks up from her writing to say, "Our love slipped away so long ago, I hardly noticed it. But why is love necessary, anyhow?"

Lew Grade strikes again as he brings star power together for this television remake of David Lean's classic.

This modern updating has Dr Alec Harvey (Richard Burton) meeting housewife Anna Jesson (Sophia Loren) after she gets some grit in her eye.

Both are trapped in mundane marriages, just pottering along. Harvey and Jesson find a spark, maybe destined to be soulmates.

As Anna works part time at a Citizens Advice Bureau. They start to regularly meet then both go in opposite directions on the train.

Is their growing relationship enough for both of them to walk out on their respective families.

Loren is too glamorous to be an ordinary housewife. Burton at least relishes a chance to be gentle and romantic.

The movie does not work, it is too flat and dull. I think the Lean version was of its time and works in that respect.