Du sang pour Dracula

In this retelling of the story of Dracula, the world's most famous vampire (Udo Kier, in a breathtaking and charismatic role as the count) lives in rapid deterioration in Romania with his watcher, Anton. Dracula is nearing death due to the fact that he needs the blood of a virgin in order to survive as tainted blood makes him deeply ill. Dracula decides to travel to Italy after burying his sister because Anton tells him that there are many religious girls there who value their virginity and do not have sex until marriage. The plan makes sense, but problems arise when Dracula and Anton take shelter in the home of a religious family consisting of a greedy and thoughtless wife, a bitter husband, their four daughters, and their communist worker (played by the consistently memorable Joe Dallesandro). The plan is to pretend to be an aristocrat looking for a virgin bride, but issues arise when Dracula discovers that the daughters are not as innocent and as virginal as they are reputed to be, thanks to their worker, in this bizarre and extremely bloody vampire fable.

Excuse me for seeming rather melodramatic for saying this, but this has got to be one of the most depressing horror films I think I have ever seen. The idea of Dracula being a terrifying and intimidating demon of a human being is completely altered here. Dracula is no longer the great monster that legend states, but rather a frail and deteriorating creature who is weak and pitiful. Call me crazy, but to me this idea is truly heartbreaking. This is a very tragic, pessimistic, and cruel film, and watching it is like watching a weak old man slowly bleed to death in a creek after getting in a bicycle accident. It is basically the mental equivalent, and as a result I would highly suggest that folks who aren't privy to films about tragedies better steer clear of this. For everyone else, however, who is a 70s grindhouse horror fan, fans of erotic horror cinema, and fans of Euro-trash, there is a lot here to recommend. For starters, Udo Kier as Dracula. Oh my god can this man tug at the heartstrings. His performance as Dracula is as pitiful, feeble, and tortured as you can ever imagine. Say what you will about his theatrical line delivery, but I found myself tearing up just looking at the guy. The opening scene in which we watch him cover his old frame with make-up is one of my favorite opening scenes in horror. It is sad, it is tranquil, and it is classy all at once. Udo Kier has such gentle and expressive eyes that help give the character a sense of lost humanity that I found incredibly poignant.

Arno Juerging as Anton is also astounding. He allows his character to be somewhat charming and timid while still allowing him to show a vicious tendency. He's an unusually memorable aspect of the film that certainly helps to differentiate this picture from other films of it's nature. Joe Dallesandro is a lot funnier and has a lot more fun with his role here than in the past, but above all he just looks great on camera regardless of the quality of film stock. He has such a wonderful presence here, and his character is a lot more interesting and clever than you would expect from this type of role. Above all, however, he's a hero who you don't feel entirely comfortable rooting for. He's a main character whom the writer doesn't mind showing you his sleazy side. He's not an entirely likable protagonist, and I always appreciate when filmmakers have the balls to do that. It worked in 2009 with District 9, and it works just as brilliantly here. The musical score by Claudio Gizzi is one of the great haunting horror film scores of the 70s. This score, as well as his equally powerful score in Flesh For Frankenstein, are two of my favorite music scores of all time. It fits the sadness of the film like a glove.

This is one of my favorite vampire films and one of my favorite films of it's kind. It's not going to appeal to everyone, especially the easily offended, but it is a tremendous piece of horror filmmaking that I personally think deserves it's place in film history. Best of all, it is a vampire film that, like the 2008 Swedish film Let the Right One In as well as the 1996 actioner From Dusk Till Dawn, follows all the basic rules in vampire lore. This film also includes a cameo by Roman Polanski, and to this day I think it's one of the funniest and most intelligent cameo appearances of all time. What more can I really say? This is a cult classic of the highest caliber. It's beautifully shot, it's evenly paced, it's gory as hell, it's genuinely erotic, and it's not afraid to break your heart. If you are a fan of cult horror and you haven't seen this, you are seriously missing out.

This film opens with a close up of Udo Keir, possessor one of the most beautiful male faces of the era, applying makeup in front of a mirror. The camera then reveals that being Count Dracula, like all vampires, he has no reflection! thus the humorous tone is set for the rest of the film. The dialogue is wild and delicious, helped along by hugely overstated accents of all kinds and exaggerated overacting and in many cases - no acting at all. The film is stunningly photographed and is often beautiful to look at when you can, but you may find it difficult to watch Dracula regurgitate gallons of impure (i.e. non-virgin) blood or watch him lick pure virgin blood from the floor. Much more easy on the eye is the sight of a naked Joe Dallesandro, the camera drinks it's fill of this guy and many close-ups of his amazing face fill the screen. There is also an excellent cameo from Roman Polanski who challenges Count Dracula to an amusing game in a bar. The climax is blood soaked and bizarre and like the whole movie, way over the top. A hugely entertaining film providing you have the stomach for it!

Not nearly as disgusting as its closely made forerunner Flesh for Frankenstein, Blood for Dracula has some nice, stylistic moments, excellent period piece settings and costumes, wild overacting from Udo Keir as Dracula(subdued though when compared with his performance as Dr. Frankenstein) and a non-performance by Joe Dallesandro, a sluggish pace at times and, of course, lots of gratuitous sex scenes. Dracula must go south for his health and find a virgin(for he can only drink the blood of a virgin girl). He chooses Italy and finds a family with three beautiful, unwed daughters all professing innocence of man. A swarthy gardener(Dallesandro) works there. Add two and two and you have the basic premise of the film. For me, and let me say that I get what camp is and what the filmmakers were trying - TRYING - to do, the best part of this film is easily the brief cameo of Roman Polanski as a man in the pub playing a game of do-what-I-do. Polanski has brilliant comic timing, and he reinforces my opinion that he was and could have been a very good actor. I am thankful he still directs though. As for Blood of Dracula, it will definitely take a bite out of your time.

Count Dracula (Udo Kier) can only drink the blood of virgins or he becomes violently ill. He comes upon a family with a bunch of virgin daughters. He plans to have each of them but the family's horny gardener (Joe Dellesandro) is after them too...for sex!

Silly but you just can't stop watching. Like it's companion piece ("Andy Warhol's Frankenstein") the story is silly with over the top acting and gore. Kiers convulsions after drinking the blood of non-virgins is SO disgusting they're hilarious. And (in the X rated version) there are some fairly explicit sex scenes between Dellesandro and the daughters. And Dracula's death at the end is just great! Silly and stupid but very funny. Try to catch the X rated version.

I was intrigued when I heard about Andy Warhol producing 'Blood for Dracula,' and 'Flesh for Frankenstein.' I planned on watching both of them, starting with 'Blood for Dracula.' This movie is just very entertaining, strange, and artistic. The story is like no other Dracula film. With Udo Kier as Dracula this was bound to be good for me. I first saw Udo in Gus Van Sant's 'My Own Private Idaho,' (which many people probably had the same experience as me.) I thought he was good at first sight. Then I watched an interview with director Gus Van Sant, where he was talking about first seeing Udo in 'Flesh for Frankenstein,' and 'Blood for Dracula.' Naturally, I had to see them. It was exciting to know that this movie existed. So this was interesting. I don't think it was great, I don't think it could've been better, it's just good the way it is. You just kind of have to see it yourself.