Black Samson

Regardless of your views on the nature of blaxploitation films themselves, the average viewer expects silly one-liners, comically inept and invariably racist antagonists, and a breezy plot which allows for the genre tropes to star. Black Samson offers virtually none of these, and instead presents you with ceaseless cruelty.

The film starts out looking like another fun-to-watch-with-friends romp, but quickly takes an ever-dark and ever-sadistic turn and never once looks back. Gone are the cartoonish racist villains; instead, we have believable, human monsters that exude hate (kudos to the actors, but unfortunately in the wrong genre for such savagery). Gone is the lighthearted pacing and tempo; instead, we have a story that plays more like a Greek tragedy. Where you'd normally find comic vehicles, instead scenes play out as if from a snuff film.

Black Samson is not a bad film by any means; if anything, it's one of the most sincere efforts of cinema normally attached to the blaxploitation era. However, those looking to goof on a film might find themselves sorely disappointed in how human and bruised the characters are presented.

In BLACK SAMSON, Rockne Tarkington plays the benevolent, neighborhood protector of the title. From his local topless bar, complete with his mascot / pet lion, Samson watches over his friends, carrying his signature walking stick. All is well, until the mob decides to move in on Sam's territory.

Going against the more moderate approach of the big boss, the psychopathic Johnny Nappa (William Smith) decides that far more violence is necessary. This leads to murder, and an unforgettable final showdown.

Mr. Tarkington is the heart and soul of this movie. He plays Samson as just the sort of man we would want to call upon in times of trouble. Mr. Smith portrays Nappo as a vile, irredeemable man, set on having what he wants at all costs. We can see early on that these two are going to face off.

One of the better films of its subgenre...

White Director/Stuntman Chuck Bail directed this forgotten Warner Bros. film that features Rockne Tarkington (well-known for starring on 70's kid show BANANA SPLITS:DANGER ISLAND) as Samson, a nightclub owner (who owns a lion) who doesn't want any drugs on his neighborhood. William Smith is terrific as a evil Johnny Napa, who wants to own the neighborhood and starts a war with Samson. Character actor Titos Vandis (who is Greek)is miscast as a italian mobster, but seems to chew up the part prettty good. The film does look cheap, and it's intresting Warner Bros. gave Tarkington a lead when it's reported that he turned down ENTER THE DRAGON (a part which went to Jim kelly). The ending is pretty good, so I recommened this film to any action fans looking for 70's actioner. Actor/Stuntman Tornatore later directed Rockne is ZEBRA FORCE and worked with him on TRAINED TO KILL U.S.A.

Bar owner Samson (Rockne Tarkington), armed only with his wits, strength and a cudgel, fights to keep his neighbourhood crime-free, much to the irritation of vicious mob under-boss Johnny Nappa (William Smith). The film is essential a wish-fulfillment fable as Samson single-handily dispatches numerous hapless mob underlings and, even by the standards of the genre, the ending is a bit implausible. The film has a bit of a brutal edge and lots of swearing but the numerous fights are typical bloodless PG brawls. The cast is fine, there are some fine 70s fashions on display, and Samson's woman Leslie (Carol Speed) is topped by an impressive afro. The role of the lion is unclear, but the big cat does add some novelty to the film (and makes for a great poster). Not one of the great blaxploitation flics but watchable for fans of the dated but funky genre.

The groovy threads, jive talk and funky music are all present but Tarkington just doesn't have the presence of a Jim Brown or Fred Williamson. Dependable bad-guy William Smith performs with his usual gusto though. The supporting cast of 70s exploitation actresses like Carol Speed and Connie Strickland will add enjoyment for fans of 70s drive-in/grindhouse cinema.