Deux cent dollars plus les frais

This series brought to full maturity the development of James Garner in television characters. First there was Garner's Maverick days when he was one of a group of tin horned gamblers who were living by their wits & conning people. It is a classic Western series which introduced Garner to fame.

Garner then started getting movies roles like The Great Escape where he is a con man again, & romantic comedies with Doris Day. While some of his movie roles were good, he never quite became a major movie star. One of his lesser known roles, The Wheeler Dealers is an interesting film to see as he is the star role in it & the premise is a stock broker.

Jim then came back to TV with Nichols (also know as The James Garner Show). This is the first show with Cherokee Productions where Jim was well cast as a turn of the century western cowboy who didn't like violence. Sadly, this series failed in spite of introducing Margot Kidder to Americans, folks just weren't ready for Garner with little action & a bad NBC time slot.

Then, came Rockford, which went deeper into all the characters Garner had developed & became a smash. This shows main carry over from Nichols is Angel (Stuart Margolin) who was a main stay in both shows. Rockford added Noah Berry & a lot of good actors. It had sharp unpredictable scripts. It also introduced special effects wizard Steven J Cannell & established production company Glen A Larsen to putting it together.

The marriage was made in heaven. The combination of these skyrocketed into a great series in which the main character seems to be stuck getting nowhere, but we love them so much we feel for them. In the end, Rockford still has the tin horn of Maverick, the con man from his other roles, the romance from his leading man movie days, & his spirit from Nichols, all developed into the essential formula.

Some of the scripts do show some small holes, but with a wink & a grin, Jim Garner pulls it off smoothly. The character make up & entertainment are so good, you don't care. Just call & leave the message, Jim will get back with you.

Although this series may look like just another private eye series from the 1970's, it is so much more. The show has great one liners, interesting cases, maybe one or two too many car chases, but above all, the show has some great characters. Every episode has interesting, unusual, complex characters running through it. Jim Rockford himself is a private detective but also a former con man and he is not above pretending to be another person or pulling a con in order to help solve his cases. The writing and acting were always top notch and it is no wonder that alumni from this show went on to do such projects as "Magnum, P.I.", "Wiseguy," and "The Sopranos." Enjoy, you will laugh, you will be surprised and you will be impressed.

The Rockford Files is pure 70s Californian nostalgia. I love it! It's a show I grew up with, and I never tire of giving it a revisit especially in these pandemic times. I still wonder about the actual locations where filming took place, and how much they've changed since the 70s. Sure, James Garner got famous in the Polaroid commercials, but he'll always be Jim Rockford.

I recall seeing one of the first episodes when it aired in October '74, and not being that impressed. In the end, I was hooked on this gentle but deceptively captivating series. It sums up what is best about episodic television when a good cast, writers and production crew gets together. Garner is perfect for the role doing his "everyman" schtick. His comedic ability is also put to very good use (the later episodes with "Lance White" - Tom Selleck - are just soo funny, as Garner is always left eating dust!). The supporting roles are also extremely well filled. Simply extremely good television that everyone involved can feel proud of.

What the hell kind of a detective is this? The guy's not strong jawed, self-righteous and brave, and he seldom even carries a gun, much less shoots anyone. Since he consistently gets stiffed by his clients, he has to live hand to mouth in a cheesy trailer in a parking lot. (The trailer, incidently, is only crummy on the outside. Inside, it's comfortable, well furnished and clean, much like Rockford's character.)

Even the cops in this excellent series are presented as human, not as cardboard heroes. They've got the same pecking order problems at work that most of us have. In fact, ALL of the characters in this series seem to have some depth.

One of the most amazing things about the show's plots is that they hardly ever had to be resolved by gunfire because the writers were too lazy to come up with anything else.

Jim Garner's charm was a big part of the show's success, but it was the superb writing that made "The Rockford Files" so consistently entertaining. Many of the stories would have made first rate movies, particularly some of the two parters.

I'll never forget Angel begging Rockford for help after getting himself thoroughly enmeshed with the mob through his own stupidity and greed. Rockford chews him out, explains exactly why he ought to let him go right down the drain, and challenges him to come up with one good reason he should help him.

"Because you're my friend," Angel says, leaving Rockford without a comeback.

A friend like that, I could use.