Using his status as a police informant to procure his victims, baby-faced, shaven-headed Fritz Haarmann dismembers their bodies after death and sells the flesh to restaurants, dumping the re... Read allUsing his status as a police informant to procure his victims, baby-faced, shaven-headed Fritz Haarmann dismembers their bodies after death and sells the flesh to restaurants, dumping the remainder out of sight.Using his status as a police informant to procure his victims, baby-faced, shaven-headed Fritz Haarmann dismembers their bodies after death and sells the flesh to restaurants, dumping the remainder out of sight.
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- (as Reiner Will)
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He sells 'meat' on the black market and his visits are eagerly awaited by his customers. At night he patrols the local train station and helps out waifs and strays – some of them he takes under his wing and brings them back to his attic room. There the neighbours start to complain about the ungodly noises that emanate from the loft long into the wee hours of the German night.
Now this is deeply chilling and has scenes that will stay with you. The nasty bits are far from gratuitous but they have more of an impact because of that. Openly gay he lusts after Hans who is the German equivalent of a 'Spiv' and equally as loathsome. The lighting is just brilliant too, adding to the eerie atmosphere and the squalid detritus of post war life. Rainer Werner Fassbinder puts in an on screen appearance too – which is just cinematic gravy as far as I am concerned. The actual transfer by Arrow Video is really high quality too and it feels as if this could have been made a few years ago and not in 1973 as indeed it was. A great and worthy film to have some new life breathed into it.
The sequences in which Haarmann is intimate with his victims are extremely discomforting, but at the same time they make the film all the more powerful and hauntingly realistic. It seems unthinkable in this modern day and age, but it was so easy for twisted perverts to pick up unsuspecting and youthful victims. Especially in times of poverty and despair, like the case in Germany between the two World Wars. Every time Haarmann comes near a boy, you can already assume the poor kid's fate is sealed, like the runaway drifter at the railway station or the boy at the carnival. Whenever he approaches a kid, your skin is guaranteed to crawl, because his voice is so stern and despicable. "The Tenderness of Wolves" also benefices from a more than decent re-creation of the depressing era and – of course – the incredibly brilliant and courageous performance of lead actor/writer Kurt Raab. He truly depicts Fritz Haarmann exactly like an emotionless and depraved monster ought to be depicted. This certainly isn't a film that is suitable for all tastes (and even the most hardened cult fanatics need to feel in a certain state of mind to watch it), but it's undeniably a unique experience and easily one of the top five most unpleasant yet fascinating things I ever watched. Moreover, after witnessing the unforgettable tour-de-force accomplishment that is "The Tenderness of Wolves", it's all the more difficult to accept that Ulli Lommel is nowadays directing junk entitled "Zombie Nation", "Diary of a Cannibal" or "BTK Killer".
Written by the great Kurt Raab, who also stars as Haarmann, Tenderness of the Wolves doesn't spend any time trying to understand the motivation of the man dubbed the Vampire of Hanover, but instead shows us a snippet of his debauched life. Moving the story from 1924 (when Haarmann was arrested in real-life) to post World War II, Germany is a country clearly feeling the economic strain of losing the war, where the black market is flourishing and con-man Haarmann is doing very well for himself. Along with his on-and-off lover and pimp Hans Grans (Jeff Roden), he swindles clothes from good Samaritans and sells them on for profit, as well as selling meat to bar owner Louise (Brigitte Mira) which may or may not be the bodies of his victims.
As a horror, it achieves it's disturbing atmosphere not through gratuitousness, but through the squalor of its setting, observant direction, and Raab's magnificent performance. Haartmann was a gay child molester who enjoyed throttling his victims, biting into their throats (often through the Adam's apple), before chopping them into pieces and throwing them into the Leine River. We don't see much of the murders, but when they do occur they are filmed without sensationalism, made all the more unsettling due to the full-frontal male nudity of some of the film's under-age actors, something extremely rare in horror even today.
Haartmann, shaven-headed and ghostly pale, manipulates his victims by posing as a police officer before drugging and overpowering them, often making little effort to cover his tracks or dispose of the bodies discretely. This arrogance, although it would eventually lead to his arrest, makes him even more of a monster, and Raab delivers a truly terrific performance. Without attempting to explain his actions or even offer a background of how Haarmann got into the criminal business and how he developed a taste for human blood, Tenderness of the Wolves becomes more about the world he inhabits and the creepy characters who surround him. It's hardly a film to discuss over breakfast, but it will no doubt stay with you for long after the credits have rolled.
Did you know
- TriviaListed as one of the 1,000 movies that will change your life in the book by TimeOut.
- GoofsThe US military general at the police station mentioned "Nazi". The term "Nazi" wasn't coined until 1926 when Joseph Goebbels published a pamphlet. Previously, the organization was called NSDAP. The film took place in the early 1920s with the exact reference to 1925 at the end of the film.
- Quotes
Insp. Fritz Haarmann: Take my little life. I am not afraid of death through the axe of the hangman. It is my salvation. I am happy to give my death and my blood for atonement into God's arms and justice. It could've been 30, but also 40. I don't know. There are victims that you don't know about. But they are not the ones you're thinking of. They were the most beautiful ones I had.
- Crazy credits"Mein Tod und Blut gebe ich gern zur Sühne in Gottes Arme und Gerechtigkeit" Fritz Haarmann (I will gladly give my death and blood as a reparation into the arms of god and justice)
- ConnectionsEdited into Ulli Lommel's Zodiac Killer (2005)
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- Tenderness of the Wolves
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- Gelsenkirchen, North Rhine-Westphalia, Germany(street scenes)
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- DEM 250,000 (estimated)