La tendresse des loups

Back in the early 70's, when his name wasn't yet a synonym for insufferably crappy hand-held camera horror stuff, Ulli Lommel actually was quite the promising and visionary young (barely 29 years old) director in his home country Germany. The powerful impact of "The Tenderness of Wolves" alone is already more than enough evidence to back up this statement. This is a thoroughly unsettling and disturbing drama/horror hybrid based on the true facts in the case of one of the most notorious European criminal figures of the previous century. Fritz Haarmann was a German pedophile and serial killer of young adolescent males during the Interbellum period and made nearly 30 victims in only five years of time. Haarmann makes his money by trades food and goods on the black market that he himself falsely confiscated by pretending to be a policeman. This is also how he picks up young lads in the train station and lures them to his apartment loft. Uncle Fritz probes for homeless boys and eventually murders them by biting their throats; which gave him the nickname "The Vampire of Hanover". The atrocities became even more inhuman when Fritz, together with his lover/partner-in-crime Hans Grans, sold the hacked up flesh of the victims on the black market. "The Tenderness of Wolves" is definitely not an overly graphical or tasteless film, but the subject matter is sickening and the whole portrayal of pedophilia is beyond disturbing. Haarmann pretty openly declares his affection for young boys and his entire surrounding either deliberately ignores this or even considers it to be the most common thing in the world. Only his neighbor from the apartment below suspects his psychopathic tendencies and attempts to alert the authorities, but that fails as Haarmann actually had connections with the police where he worked as a "rat".

The sequences in which Haarmann is intimate with his victims are extremely discomforting, but at the same time they make the film all the more powerful and hauntingly realistic. It seems unthinkable in this modern day and age, but it was so easy for twisted perverts to pick up unsuspecting and youthful victims. Especially in times of poverty and despair, like the case in Germany between the two World Wars. Every time Haarmann comes near a boy, you can already assume the poor kid's fate is sealed, like the runaway drifter at the railway station or the boy at the carnival. Whenever he approaches a kid, your skin is guaranteed to crawl, because his voice is so stern and despicable. "The Tenderness of Wolves" also benefices from a more than decent re-creation of the depressing era and – of course – the incredibly brilliant and courageous performance of lead actor/writer Kurt Raab. He truly depicts Fritz Haarmann exactly like an emotionless and depraved monster ought to be depicted. This certainly isn't a film that is suitable for all tastes (and even the most hardened cult fanatics need to feel in a certain state of mind to watch it), but it's undeniably a unique experience and easily one of the top five most unpleasant yet fascinating things I ever watched. Moreover, after witnessing the unforgettable tour-de-force accomplishment that is "The Tenderness of Wolves", it's all the more difficult to accept that Ulli Lommel is nowadays directing junk entitled "Zombie Nation", "Diary of a Cannibal" or "BTK Killer".

Tenderness of the Wolf (1973) is an excellent film about a serial killer living in war torn Germany. Fritz Haarman was a pedophile psychopath who lived during WWI Germany (the time period in the movie was moved up to WWII). Ulli Lommel's style of directing was a nod to Fritz Lang and the other German expressionist filmmakers of the the 20's and 30's. Beware, I must warn you that this film has some strong adult content matter that most people will find repulsing. But those who are open minded will find this movie an interesting and honest portrait of a madman. Lommel and Kurt Raab (who also wrote the screenplay) portray Fritz Haarman as a tortured soul who can never truly express himself or convey his emotions. In his twisted mind he sees no harm in what he does. Several Fassbinder stock players have supporting and minor roles in this picture including Fassbinder (he cameos as a real shady slug). Kurt Raab does an excellent character study of one of Germany's most notorious serial killers.

Highly recommended (if you can stomach the content).

This movie was one of the most interesting experiences that I have ever had! On one hand, it made me cringe. (The graphic sex was a surprise; I expected the gore.)On the other hand, it was beautiful and eerie. Great atmosphere... dark and smoky. Full of mystery and forbidden pleasures... cannibalism, vampirism, underage sex, corruption... the list goes on and on. Kurt Raab was frightening as Fritz Haarman: child molester, vampire, cannibal and black market salesman. He lures young boys off of the street and takes them back to his small, dingy apartment. Once there, he molests them (before, and sometimes after he kills them) murders them in cold blood and processes their carcasses to sell as meat in this post-WW2 drama. Both sexy and revolting, Raab draws the viewer into his dark, tortured psyche without garnering any sympathy for his dilemma. He is in one word, depraved.

Fritz' neighbor is hearing strange chopping noises in the night--- she does not like his way of bringing strange boys to the apartment. Suspicious, she contacts the police, who basically patronize her, until the murders become so numerous that they are impossible to ignore any longer. Go see this film. It is a truly disturbing experience.

Based on the true story of Fritz Haarman who was a serial killer who preyed on young men and boys between the wars, this is a repositioning of the time line to be just after World War II in a devastated Germany. He was a man who had come under the watch of the Police but they chose to keep him as informant rather than look into his more nefarious habits.

He sells 'meat' on the black market and his visits are eagerly awaited by his customers. At night he patrols the local train station and helps out waifs and strays – some of them he takes under his wing and brings them back to his attic room. There the neighbours start to complain about the ungodly noises that emanate from the loft long into the wee hours of the German night.

Now this is deeply chilling and has scenes that will stay with you. The nasty bits are far from gratuitous but they have more of an impact because of that. Openly gay he lusts after Hans who is the German equivalent of a 'Spiv' and equally as loathsome. The lighting is just brilliant too, adding to the eerie atmosphere and the squalid detritus of post war life. Rainer Werner Fassbinder puts in an on screen appearance too – which is just cinematic gravy as far as I am concerned. The actual transfer by Arrow Video is really high quality too and it feels as if this could have been made a few years ago and not in 1973 as indeed it was. A great and worthy film to have some new life breathed into it.

This movie was shot in only 23 days at a theatre in Düsseldorf. It´s about a gay murderer who kills lots of young boys and then butchers them in order to eat ´em with his friends.-

Sounds scary, but it´s incredible how the film crew created an stunning atmosphere with just a very low budget. Fassbinder couldn´t direct because he did other projects, so crew member and actor Uli Lommel did the job. Many Fassbinder friends join the movie. See this unusual one!