Wattstax
- 1973
- Tous publics
- 1h 43m
IMDb RATING
7.6/10
1.2K
YOUR RATING
Documentary covering a Stax Records-sponsored all-day concert at the 1972 Watts Summer Festival with performances by Stax Records artists such as Isaac Hayes, Rufus Thomas, The Staples Singe... Read allDocumentary covering a Stax Records-sponsored all-day concert at the 1972 Watts Summer Festival with performances by Stax Records artists such as Isaac Hayes, Rufus Thomas, The Staples Singers, and more.Documentary covering a Stax Records-sponsored all-day concert at the 1972 Watts Summer Festival with performances by Stax Records artists such as Isaac Hayes, Rufus Thomas, The Staples Singers, and more.
- Awards
- 1 win & 1 nomination total
Deborah Manning Thomas
- Self
- (as Debra Manning)
Sonny Warner
- Self
- (as Little Sonny Warner)
Featured reviews
I only heard of this movie recently, bought it yesterday, and watched it this evening. Wow! I'm old enough to remember 1972, but I was very removed from the feel of this film at the time.
The musical performances are magnificent, and the attempt to capture the feel of the people in the audience is admirable, but I wonder if "Isaac the Bartender" from "The Love Boat" was actually a Watts resident or if he was an actor hired to evoke a mood (same deal for "Woodrow" from "Sanford and Son").
I suppose it's good that we would consider the Reverend Jesse Jackson enticing 100,000 black people to shout "I am somebody!" not so significant today, but in 1972 it was probably considered radical.
Rufus Thomas is an absolute gem. It's amazing to see how smoothly he works crowd control, completely eliminating the need for police intervention, by appealing directly to the masses. And of course it's always a treat to see the Staple Singers perform.
I recommend this movie first for the fabulous musical performances, and second for its capturing of the feel of the time and place. I give it an 8 instead of a 10 simply because I wish I could have seen ALL of the performances in their entirety.
The musical performances are magnificent, and the attempt to capture the feel of the people in the audience is admirable, but I wonder if "Isaac the Bartender" from "The Love Boat" was actually a Watts resident or if he was an actor hired to evoke a mood (same deal for "Woodrow" from "Sanford and Son").
I suppose it's good that we would consider the Reverend Jesse Jackson enticing 100,000 black people to shout "I am somebody!" not so significant today, but in 1972 it was probably considered radical.
Rufus Thomas is an absolute gem. It's amazing to see how smoothly he works crowd control, completely eliminating the need for police intervention, by appealing directly to the masses. And of course it's always a treat to see the Staple Singers perform.
I recommend this movie first for the fabulous musical performances, and second for its capturing of the feel of the time and place. I give it an 8 instead of a 10 simply because I wish I could have seen ALL of the performances in their entirety.
My all time favorite music film, probably because it shows how soul was about so much more than music. Stirring performances (Isaac Hayes, The Emotions, Rance Allen Group) and hilarious running monologue from Richard Pryor (at his peak). Also some provocative social statements from Watts residents in the early '70s who speak out on race and romance. Catch it whenever you can---no VHS or DVD is available.
Not only was I at the colliseum to witness this incredible event from the beginning to the end, but my wife my nephew and I appear briefly on camera. To say that I enjoyed the beautiful expressions that I observed that day is to put it mildly. To see such a large crowd of beautiful, proud and peaceful African Americans celebrating our musical heritage was an event that I will cherish to my grave. I can only give thanks to everyone who participated in making this such a seminal event in my life. I was fortunate enough to be able to tape the movie when it came on cable TV but of course I am anxiously waiting for it to come out on DVD. You know the thing that really impresses me is that this came about as the aftermath of a very violent occurrence and there were, at least to my knowledge, no acts of violence during this event. What a great testament to us. Be proud black folks, be very, very proud.
Back when being black , meant being proud .Melvin"Sweet Sweetback's Baaaadass song"Van Peebles came along with Wattstax. This was the Woodstock for soulbrothers and soulsisters held in 1972 at the L.A. Coliseum.This was the kind of show that made you wnat to jump out your skin and dance up a storm. Rance Allen's "Lying on the Truth" makes a man wanna go to church. Unfortunatly this movie hasn't made its way out on DVD or even VHS as of yet.The only way we can hear the legendary performances is to get the Wattstax soundtrack on cd.There is actually more than one soundtrack out, Wattstax and Wattstax 2. The first one made the leap to cd..while its latter partner in crime is stuck in vinyldom. I can say I have Wattstax 2 and it makes me thank Gd for a turntable...soulfully decadent.
This rarely seen gem has Richard Pryor running on all twelve cylinders, stashed in a Watts bar, rapping with his buddies, the high point of a fascinating unvarnished view of ghetto life that slid down a black hole. This is one of a kind.
Did you know
- TriviaOriginally The Bar-Kays were going to enter the L.A. Coliseum riding in horse-drawn chariots. However, when the executives of Stax Records heard what the group had planned they ordered them not to do it. It turned out that the reason they didn't want the group to do it was so that they wouldn't upstage the concert's headliner, Isaac Hayes.
- Alternate versionsThe 2003 restoration includes the original ending; Isaac Hayes performing the songs "Theme From Shaft" and "Soulsville", which were removed from the film following the 1973 Los Angeles premiere due to the threat of a lawsuit from Metro-Goldwyn-Mayer (MGM) over the use of those songs in a motion picture. The replacement ending, Isaac Hayes performing "Rolling Down A Mountainside" (recorded on a Los Angeles soundstage months after the concert) has been removed and is included as extra material on the 2003 DVD release.
- ConnectionsEdited into Richard Pryor: I Ain't Dead Yet, #*%$#@!! (2003)
- How long is Wattstax?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- ワッツタックス スタックス・コンサート
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $16,000
- Opening weekend US & Canada
- $16,000
- Jun 8, 2003
- Gross worldwide
- $16,155
- Runtime
- 1h 43m(103 min)
- Color
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content