Justice sauvage

Some rather unscrupulous Dixie gangsters wanted this man out of the way real bad. In his real life town of Adamsville, Tennessee sheriff Buford Pusser made a career out of busting the various clip joints that infested his areas. Those that ran them did all they could to kill him. After the action in this film was portrayed they kind of got their wish and Buford Pusser was killed in a car crash that some still label suspicious.

Pusser was a big guy in real life and a big guy in Joe Don Baker was hired to play him. On screen Baker really gets into his character so much so that could be the real Pusser you see on screen. Before going into law enforcement Pusser was a professional wrestler in the southern circuit known as Buford the Bull. As the man was attacked several times including one shooting no doubt his superb athletic conditioning saved his life.

Elizabeth Hartman portrays his wife and mother of his two children, one of them played soon future teen bubblegum idol Leif Garrett. A few familiar faces dot the supporting cast. One portrayal you won't forget is Rosemary Murphy owner of one of the clip joints who hustles women and gambling and she develops a real hatred for Baker. She sizzles on the screen.

On the screen and in real life Pusser was not a stickler for civil liberties niceties. He did what he had to do to root out corruption in his small corner of the world. In another century like the one we're in now, Buford Pusser would have the status of a Wild Bill Hickok or Wyatt Earp. Both of whom didn't mind gambling interests but kept the cheating to a minimum.

To some, an American hero.

The fact that the remake of this classic is opening in a few days persuaded me to review the original Joe Don Baker ass-kicker of a movie. Baker will always be in my mind as Buford Pusser, a man who chooses to walk tall no matter what the consequences that may befall. After retiring from wrestling, he returns home with his wife, Elizabeth Hartman (Edwina in Clint Eastwood's strangest film "the Beguiled), and children, Dawn Lyn and Leif Garret (heh) in tow, only to find corruption. Luckily Buford carries a BIG stick and knows how to swing it. At a tad over two hours, this film is almost 2 times the film that the remake is time-wise, but a million times better than it entertainment and story-wise. A tad dated, but it still holds up pretty well

My Grade: A

"Walking Tall" is certainly one of the most ass kicking movies ever made. It's a fictionalization of the true story of Tennessee sheriff Buford Pusser, played here with conviction and intensity by Joe Don Baker. Buford has retired from life as a wrestler, hoping to settle down to a quiet life in his hometown, but he finds out that everything has gotten crooked, with local bigwigs running the show. Soon enraged at a system that does little to nothing to help the common man, he wages a personal war on corruption, using any method necessary. The movie does its job as far as manipulating its audience. It doesn't take long for viewers to get their blood lust up, and loudly cheer on our swaggering hero as he gives the assorted sleazy cretins their just desserts. And it doesn't hold back in the violence department, either; even if the blood is typically bright red movie blood that looks more like paint than anything, there's a lot of it that flows before the movie is over. And we can also definitely take interest in a story of a regular Joe who fumes at the injustices of the world, and refuses to live in a place where the big shots can have their way at any time. When Pusser puts a pompous, ineffective judge (Douglas Fowley) in his place, or humiliates a rat by having them crawl on all fours, it's not hard to pump one's fist in the air and yell, "YEAH!" All of the bad people are one dimensional, sleazy, selfish jerks; even though they may disagree with one another on methods used, they all look out for number one and enjoy their hold on the community. Provided one can take the brutality, and doesn't mind having their buttons pushed so obviously, "Walking Tall" is gripping. A superb cast really helps in the selling of the material, with Elizabeth Hartman as the troubled but loyal wife, Gene Evans as the ineffectual sheriff, Bruce Glover and Felton Perry as deputies, real-life siblings Leif Garrett and Dawn Lyn as the Pusser children, Noah Beery Jr. and Lurene Tuttle as Buford's folks, Rosemary Murphy as trouble making Callie Hacker, and assorted other character players such as Arch Johnson, Don Keefer, Sam Laws, Kenneth Tobey, Pepper Martin, Red West, Logan Ramsey, Richard X. Slattery, Sidney Clute, and John Myhers. Now, granted, all of what happens is plenty predictable, but it's hard to deny how this could become a crowd pleasing entertainment on a non-think level. And Buford's story didn't end here, with two sequels, a TV movie, a short lived series, and a loose remake & subsequent sequels to follow, just going to show how enduring the concept of a strong, principled man fighting for what's right can be. Seven out of 10.

Lemme y'all tell a story about a fine working-class hero named Buford Pusser!

Actually, being a European and born in the 80s, I only know Buford Pusser from his Wikipedia page and the many things I heard & read about this film. "Walking Tall" is supposedly one of the most successful and loved drive-in/exploitation movies of its era, so it must have ended up on my must-see list sooner or later. It's a partially biographical and partially fictionalized tale about a "real American Hero", and illustrates the period between Buford's homecoming to McNairy County, TN, and the tragic assassination of his wife in 1967. The sequel picks up from there, and normally would have starred the real Buford Pusser if he hadn't died in questionable circumstances prior to the start of production. Bo Svenson took over the role from Joe Don Baker (who refused in honor of Buford Pusser) and portrayed him in the two sequels and a short-lived television series.

So much for the information you can also find on Wikipedia. "Walking Tall" is a bizarre drive-in/exploitation experience, since it's one of the sole movies of its type that successfully merges emotional drama with extreme bits of violence. Usually these "Dixie-rednecksploitation" efforts heavily focus on the moonshining, liquor-smuggling and illegal gambling activities - and there's absolutely nothing wrong with that - but "Walking Tall" clearly wanted to put the emphasize on human beings and their personal quests. This naturally includes Pusser's quest to rid his beloved county of all the smutty mafia practices going on, but also his wife's quest to safeguard her husband and family, and the quest of the Dixie mobsters to proceed with their profitable business and eliminate the intrusive Sheriff. It's definitely different, but "Walking Tall" works very efficiently. Even though a bit too long for my taste, the atmosphere is moody and ominous throughout, and all the significant characters are well-developed. The action sequences are very violent, and the aforementioned assassination even downright shocking, but it certainly adds power and realism to the film. Great acting performances all-around, notably from Joe Don Baker and the integer Elizabeth Hartman as his wife, but also from many respectable names in the supportive cast, like Noah Beery Jr, Gene Evans, Felton Perry and Bruce Glover. With regards to that last name, it's amazing how Bruce Glover and his son Crispin look identical!

All you folks complaining that this is amateur film-making because the boom is visible in several shots don't understand how movies are made. In order to get good sound on dialog, the mike is hung very close to the subject. It is almost always captured on film, but in the area which is not meant to be seen by an audience, as the square film frame is supposed to be matted at top and bottom by the projectionist when shown in a theater, or by the technician when transferring film to video.

In the case of Walking Tall, whoever supervised the transfer to video did so "open matte", meaning they transfered the ENTIRE film frame without proper matting, hence the visible boom. This was not carelessness on the part of the filmmakers, but on the part of whoever put it out on video. You'd see microphone booms in Star Wars if it were transfered to video this way.

When I saw Walking Tall in the theater, it did not have visible booms. Blame the video release, not the filmmakers.