Una vela para el diablo

Every movie is made up of a series of edits to what the filmmaker originally shot. This can turn a good film to bad and vice versa. The most famous is the very different versions that exist of Orson Welles' "Touch Of Evil". "Night And The City" and "Mad Wednseday"/"The Sin Of Harld Diddlebock" exist in two different version of the same source material. That is also true with "It Happened At Nightmare Inn" and "A Candle For the Devil". It is sad that IMDb does not see the difference in these very, very different cuts of the same source material. But the versions are all different from their counterparts.

"It Happened At Nightmare Inn" is not very good. The more sexually charged "A Candle For The Devil" is far more interesting. In 1973, "Candle" probably could not be shown in the U.S. The theme of sexual repression caused by religious fervor is very different from a couple of crazy ladies who like to kill young women.

Pass on "It Happened At Nightmare Inn". "A Candle For The Devil" is worth a look.

Two sisters run a hotel in some village in Spain, preparing meals for their guests, being hospitable and friendly, and killing young women whom they perceive as slutty, a perception that seems to include 99% of their young female guests, save for Laura, a conservatively clothed lady who is looking for her sister.

That'll be the sister who was accidentally killed for sunbathing topless on the roof of the hotel a mere five minutes prior to Laura arriving. The sisters tell Laura that her sister left early that day, which is an excuse she'll be hearing often regarding other guests. Slowly, Laura starts to figure out what's going on, but it could be that she's already too late to save herself...

This one has a kind of run of the mill plot but is saved by having two interesting murderers. One sister is a timid type who has a clandestine relationship with the young man who helps out at the hotel, while the other is the more aggressive type, constantly judging others while barely repressing her own sexual feelings, while her frustration manifests itself in murderous ways. There's a bit more depth to the two of them than just maniacal killers.

The major problem is not with the film itself, it's with the various presentations of it you'll potentially stumble over. Under the name of It Happened At Nightmare Inn the film runs for about 70 minutes, and it's recommended that you watch it under the name of Candle For The Devil, but there version I watched of that is also heavily cut. The Spanish version seems to be the most complete, because without that you'll have practically no idea of what's going on as such a hack job has been done on the film. While not over the top in terms of gore, you're still missing out on all the nudity and gore, so what's the point? The most shocking murder of the film is cut out almost completely, which harms the impact of the film greatly.

I've read somewhere that this is some kind of political allegory on the Franco regime, but I wouldn't have figured that out myself.

Though obviously inspired by PSYCHO, this truly deranged Spanish shocker features several gruesome sequences which makes the film way ahead of its time. The atmosphere is quite sinister and very threatening. Judy Geeson(of TO SIR, WITH LOVE fame) does well in her role as the pretty blonde heroine, and Aurora Batista and Esperanza Roy are indeed the most menacing inn-keepers since Mr. Norman Bates. In fact, the film's only real drawback is the poor dubbing that makes it resemble one of those cheesy Euro-Hercules flicks. Available on video for the longest time only in an old edited television version, the missing footage has finally been restored to home video. The video title of the film is: IT HAPPENED AT NIGHTMARE INN.

Aurora Bautista and Esperanza Roy play two sisters running an inn in Spain. Young, foreign girls come to visit but end up staying permanently. British actress Judy Geeson plays the sister of one of the girls who begins to put the pieces together of the horrors that have been going on at the inn. Director Eugenio Martin does quite an effective job with this film. It seems that the oldest sister Bautista was jilted on her wedding day by a young, pretty girl of a loose nature. Now, she is out to do God's work and rid the world of girls with loose morals and inappropriate attire. Both actresses playing the crazy sisters do stellar jobs playing off-key, psychotic women of very different natures. Bautista in particular gives a very commanding performance and is indeed very menacing. She also adds some pathos to her role. Martin builds suspense nicely and does several things very well. The use of religion as a tool of sexual repression was a thematic thread throughout. One scene has a girl die by accidentally falling in a pane of stained glass - a religious subject. When the body is removed a piece sticking in her has a bloody sword from the window stand in tact as to say this is the work of God. There are many other religious scenes and references used as well. The film is not particularly gory but there are some scenes that I found quite chilling. One with a baby as witness and then another of Geeson getting to know wine vats. The performers all do fine jobs, the direction is taut, and the script is convincing given the aforementioned two credits toward its credibility. The film does indeed have that European film from the 60's or 70's quality, but I truly am surprised that I had not heard much about this film beforehand. It is one of those minor gems you sometime are lucky enough to come across every now and then.

Back in my youth, I was a big fan of late night horror flicks, particularly from back in the late 1960's to early 1970's. Judy Geeson was something of a regular in them and again gives a credible performance. So I caught this on a very late Friday or Saturday night, and rather enjoyed it. It was nothing great, and the dubbing wasn't good, but it was watchable and moderately scary. It's about this old hotel in Spain whose owners prosper from foreign tourists, but who are also offended by many of the tourists' morals. The actresses playing the two sisters/inn keepers gave performances worth watching. Aurora Bautista was genuinely frightening as the more fanatical and violent one, and Esperanza Roy was alternately scary and moving as her younger sister, who is conflicted about their crimes. It also delivers a convincing atmosphere of an old Spanish village which is torn between its seemingly simple past and the free-wheeling modern amorality. I say it's worthwhile for ardent fans of this kind of entertainment.