Triple Écho

THE TRIPLE ECHO is a sedate, slow paced psychological drama with a few characters interacting in a barren and isolated landscape. It's a one-of-a-kind type film that offers up some interesting characterisation and an unusual storyline. The film was directed by Hollywood director Michael Apted (GORILLAS IN THE MIST) as one of the first things he made outside of television.

The unknown-to-me actor Brian Deacon plays a frustrated young soldier who happens by a lonely farmhouse occupied by grieving widow Glenda Jackson. The two embark on an affair, although it transpires that Jackson is a little disturbed by her history. For his part, Deacon's had enough of the army, so he decides to go A.W.O.L., masquerading as Jackson's sister. Their happiness is short-lived when other local soldiers call by and one of them takes a shine to Deacon, mistaking him for a woman.

The cross-dressing aspect of the tale is what makes this unusual. It's hard to believe that the rugged Oliver Reed would genuinely mistake Deacon for a woman, but there you go. The climax has an air of inevitable tragedy to it, so a sense of foreboding seeps over the latter stages of the film. The central performances are subtle and effective, although Reed is something of a scene-stealer as the flamboyant and utterly horrid army sergeant.

In any movie where a man has to dress up like a woman, for whatever reason, there's the one genuine manly male who wants to give that so-called female a test ride wherein the truth will be discovered...

So when it's stocky firebrand Oliver Reed as a World War II era tank sergeant, lusting after a deserted soldier hiding out in widowed Glenda Jackson's rural chicken farm while (romancing her and) posing as his sister, this otherwise searing romantic drama turns into a heated thriller...

That's because Reed (reunited with his WOMEN IN LOVE co-star Jackson yet sharing more scenes opposite fitfully feminine/literal pretty boy Brian Deacon) is like a bomb ready to explode: in more ways than one...

And he's never been so frightening and formidable, also providing Michael Apted's THE TRIPLE ECHO a sense of horror/exploitation in a bizarre curio that, while predictable, you'll have to squirm through till the end.

Triple Echo, based on the H E Bates story, is a well-directed and well-acted film about a lonely woman (Jackson) on a farm who is visited by a young soldier (Deacon) and they soon become lovers. He decides to avoid being captured as a deserter by dressing as a woman and pretending he is Jackson's sister. A surly sergeant-major (Reed) falls for her (his) charms and invites the 'sisters' to a Christmas dance at the barracks. In a back room, Reed discovers 'her' real sex. The soldier escapes but is eventually caught. It is one of Reed's best performances, and although the plot is barely believable, the film is highly entertaining.

I have loved this film ever since I first saw it, so much so that I had bought a VHS tape AND the player, as this forgotten gem is unfortunately still not available on DVD. I will not explain the plot, as the synopsis is covered rather detailed on the first page, but concentrate on the specifics. Michael Apted, from the first shot, creates a certain mood of the film which is very effective that once in, the viewer is fully engaged to the end (despite certain plot and screenplay shortcomings) and that is isolation and loneliness. And this emotion is shared by all three central characters, shaping their decisions and actions. A fitting title, as well, as we do have a three-way character development here. They all want the same things. Brian Deacon's loneliness is in his alienation and is very much a need to belong. Oliver Reed's is purely physical and Glenda shares both. All the actors are very good in their portrayals. However, Glenda Jackson's performance is what glues the whole story together. A brilliant turn, and probably her most subtle that I have seen. The silent looks that she gives are priceless. Alas, this is a forgotten gem. I don't think it will ever get a DVD release, unfortunately. But a must see, for sure. Especially if you like for those rare, character and performance driven dramas, all too rare in today's market. 8 1/2 out of 10

An unusual little feature which teams Glenda Jackson and Oliver Reed with, making his debut, Brian Deacon.

Deacon plays an AWOL soldier who goes to Jackson for help and ends up posing as her visiting sister, a role he grows to identify with. Reed plays a sneery officer who becomes interested in the the 'sister'. Cue a rather convoluted plot which inevitably ends in tragedy.

Jackson is the best thing in this - a tired, lonely farmer looking for companionship and making tough decisions. But the film is - although fascinating - ultimately unsatisfying and seems to step back from the scenario it took such care to create just as it gets interesting.