A Shakespearean actor takes poetic revenge on the critics who denied him recognition.A Shakespearean actor takes poetic revenge on the critics who denied him recognition.A Shakespearean actor takes poetic revenge on the critics who denied him recognition.
- Awards
- 1 win & 2 nominations total
Renée Asherson
- Mrs. Maxwell
- (as Renee Asherson)
Featured reviews
There's a lot of commentary on this film here; however, I want to draw attention to the use of dream structure in this movie. People that appeared normal to the victims at first are suddenly balding, idiotic savages. A man looks to a policeman for aid and the audience suddenly notices that his face is not entirely real. The experiences of the victim of Lionheart (Price's character in this movie) each resemble a dream suddenly turned nightmare. It was a very effective device for a horror movie.
Vincent Price plays Lionheart, an actor who specializes in Shakespeare. But he's been getting bad reviews, and did not receive the Critics Circle award. There's only one thing to do: kill off each of the critics in a style modeled after a Shakespearean death.
Although not a Phibes film, this is clearly in the same grouping as "The Abominable Dr. Phibes" and its sequel, coming only one year later, and following much the same formula: a man who was thought dead goes after those who wronged him in a methodical manner (here, Shakespeare) and with a female assistant. They also asked Robert Fuest to direct, clearly trying to make the picture as similar as possible.
There are some great scenes, and for me none more memorable than Price's disguise as Butch, the effeminate hair dresser. In general, the whole idea of hippie, homeless slaves (who seem to like big mustaches and afros) is just plain silly, but works in this case.
Price is alleged to have loved this role, and Diana Rigg (who plays his daughter) is said to find this her favorite role. I have to say I prefer "Phibes", but there's never a bad time for Vincent Price, especially when he's on killing spree.
Although not a Phibes film, this is clearly in the same grouping as "The Abominable Dr. Phibes" and its sequel, coming only one year later, and following much the same formula: a man who was thought dead goes after those who wronged him in a methodical manner (here, Shakespeare) and with a female assistant. They also asked Robert Fuest to direct, clearly trying to make the picture as similar as possible.
There are some great scenes, and for me none more memorable than Price's disguise as Butch, the effeminate hair dresser. In general, the whole idea of hippie, homeless slaves (who seem to like big mustaches and afros) is just plain silly, but works in this case.
Price is alleged to have loved this role, and Diana Rigg (who plays his daughter) is said to find this her favorite role. I have to say I prefer "Phibes", but there's never a bad time for Vincent Price, especially when he's on killing spree.
Vincent Price is at his extravagant best in this splendidly black comedy in which some complacent critics receive a cunning come-uppance from the dreadful actor who they drove to suicide. Some brilliantly staged imaginative deaths are the icing on the cake, making this a bit like a very camp "Friday The 13th". But who wouldn't rather watch Vincent at his best than boring old Jason ?
Vincent Price is one of the best actors of all time, and this is a SUPERB film! Theatre of Blood follows much the same plot formula as Price's earlier success, The Abominable Dr Phibes, only this time instead of playing a deranged madman; Price plays a self-parody of himself. Edward Lionheart is an over the top version of Price in all but name, and it's clear that the great Vincent Price is the only man that could have lead this film. This macabre film depicts what, I'm sure, many actors would like to engage in; the brutal punishment of less than impressed critics. And these punishments aren't just brutal - Price murders his victims in the style of the Shakespeare plays that they lambasted, and the result is a high camp and very fun little horror comedy. The deaths are all violent, but also very playful and inventive. We see people being drowned in a vat of wine, waking up next to their dead husband, being electrocuted, eating their pets and more! And it's all done with such a big sly grin that the result is practically impossible not to go along with.
Being a British made film, Theatre of Blood utilises that great British style that the Hammer films did so well, and this massively adds to the fun camp element of the movie. We've got all sorts of things from everyone speaking in a thick London accents to the bumbling policed force that made The Abominable Dr Phibes so hilarious. The movie starts of ridiculously, with Price hamming it up to the max, and then it just continues to get more and more ridiculous; with the final two death scenes being beyond the stupidity of anything else Price ever did. Being a self-parody, the impact of this film increases ten fold if you've seen a lot of Price's other work. It's all good though, and despite being knowingly hammy; Price really shows his worth as an actor as he dons all sorts of different disguises. It's hard to mask the Vincent Price persona, but the great thespian manages it a few times in this film. Films of this nature; i.e. ones where a bunch of people get murdered in a certain way, tend to be quite monotonous; but thanks to the superior handling, this one is never dull. Far from it, in fact! Overall, Theatre of Blood, despite often being overlooked, is a great film and one of the best Price ever made. HIGHLY recommended!
Being a British made film, Theatre of Blood utilises that great British style that the Hammer films did so well, and this massively adds to the fun camp element of the movie. We've got all sorts of things from everyone speaking in a thick London accents to the bumbling policed force that made The Abominable Dr Phibes so hilarious. The movie starts of ridiculously, with Price hamming it up to the max, and then it just continues to get more and more ridiculous; with the final two death scenes being beyond the stupidity of anything else Price ever did. Being a self-parody, the impact of this film increases ten fold if you've seen a lot of Price's other work. It's all good though, and despite being knowingly hammy; Price really shows his worth as an actor as he dons all sorts of different disguises. It's hard to mask the Vincent Price persona, but the great thespian manages it a few times in this film. Films of this nature; i.e. ones where a bunch of people get murdered in a certain way, tend to be quite monotonous; but thanks to the superior handling, this one is never dull. Far from it, in fact! Overall, Theatre of Blood, despite often being overlooked, is a great film and one of the best Price ever made. HIGHLY recommended!
"Reasonbran 234" (Nov 6 2001) takes out the award here for the most literate, apt and concise review of Theater of Blood. This WAS Vincent Price's finest screen moment and I recall clearly at the time, one particular UK critic who suggested "This brilliant film will probably require a generation before it can ever be held in the esteem to which it is entitled!"
Way too literate for mainstream horror fans' taste - it was so much more. Few had the theatrical flourish of Vincent Price and he was just so perfectly cast as the acting-legend-in-his-own-mind disfavored by a cross section of critics that may otherwise have steered his career on to the rocks. Taking "tragedy" to a new level, he REALLY silencies his critics once and for all, taking them out one by one in escalatingly appropriate Shakespearean circumstances.
Black black dialog with the Bard's turn of a phrase pervades the entire film. Yeah its gory - so's Macbeth! It is also one of the greatest horror comedies ever devised, with A-List acting credits.
Quite simply, NOT to be missed!
Way too literate for mainstream horror fans' taste - it was so much more. Few had the theatrical flourish of Vincent Price and he was just so perfectly cast as the acting-legend-in-his-own-mind disfavored by a cross section of critics that may otherwise have steered his career on to the rocks. Taking "tragedy" to a new level, he REALLY silencies his critics once and for all, taking them out one by one in escalatingly appropriate Shakespearean circumstances.
Black black dialog with the Bard's turn of a phrase pervades the entire film. Yeah its gory - so's Macbeth! It is also one of the greatest horror comedies ever devised, with A-List acting credits.
Quite simply, NOT to be missed!
Did you know
- TriviaConsidered by Vincent Price to be his personal favorite of all of his films, followed closely by L'Abominable Docteur Phibes (1971).
- GoofsHorace Sprout's decapitated head rolls over when the maid discovers him. In the next scene, it is impaled on a milk bottle at Devlin's front door. It has been said this is a goof because Lionheart could not have retrieved the head after the maid saw it the next morning. But the head left in the bed was a "dummy" waxwork head. Lionheart took the real head and put that on the milk bottle at Devlin's front door.
- Quotes
Peregrine Devlin: [after receiving Dickman's heart in a gift box] It's him, all right. Only Lionheart would have the temerity to rewrite Shakespeare!
- Alternate versionsDespite the film's comedic nature, the original UK theatrical version of it was cut by the BBFC and some of the close-up shots from the murders of Meredith Merridew and Miss Chloe Moon were slightly trimmed. All later home video and DVD releases were uncut.
- ConnectionsFeatured in V.I.P.-Schaukel: Episode #9.2 (1979)
Details
Contribute to this page
Suggest an edit or add missing content