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6.1/10
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A computer programmer decides to become a thief. And when he starts making waves an insurance investigator hounds him. He also meets a woman who becomes his accomplice.A computer programmer decides to become a thief. And when he starts making waves an insurance investigator hounds him. He also meets a woman who becomes his accomplice.A computer programmer decides to become a thief. And when he starts making waves an insurance investigator hounds him. He also meets a woman who becomes his accomplice.
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I've seen this film twice, and I like it quite a bit. It's possibly the best performance O'Neal has given, Oates does a nice turn, and it has Jackie Bisset. The plot is okay, but the performances really give this film its punch. "Thief..." may not be for everyone, but it's worth a shot. The film may seem a bit dated and slow, so viewer beware.
Ryan O'Neal gives one of his better, looser performances in this crime-caper, a handsome comedy-drama involving a computer programmer-turned-jewel thief planning a major heist. Warren Oates is the insurance investigator in dogged pursuit, Jacqueline Bisset (at her most lovely) plays a love-interest in on the action, Austin Pendleton is very funny as a nerdy chess pro, and wonderfully blithe Jill Clayburgh makes a big impression in the minor role of O'Neal's ex-wife. Brisk, fairly engaging fluff has tongue wryly in-cheek and is well-directed by Bud Yorkin. This seemed a little flat when it played in theaters, but it works much better on the tube. **1/2 from ****
In 1973, the best chess programs running on the fastest supercomputers could barely play a passable game of chess, much less challenge a master level player such as the Austin Pendleton character would be (newspaper chess columnist for the Houston Chronicle).
Ryan O'Neal's performance in "The Thief Who Came to Dinner" (1973) reflects mature professionalism. The story is agreeable enough: Computer programmer Mr. Straight abruptly quits his job to become a jewel-thief.
Walter Hill authored this script before beginning his directorial career. Here, his work takes on a more ironic tone than the stone-cold nature of his other accomplishments ("The Driver," "The Warriors," the screenplay for Peckinpah's "The Getaway"). But when Hill works tongue-in-cheek, as in parts of "The Long Riders" and all of "48 Hours," the results can be crafty and diverting. Here, the jokes don't always work, but one can still appreciate the intelligence behind them.
"Thief" was directed by Bud Yorkin, known primarily for his association with TV producer Norman Lear ("All In The Family"). As a moviemaker, Yorkin falls down on the job. He has a pedestrian talent for setting up visual gags, but there's no payoff. Where the film calls for laughter, there's only a chuckle. Not that "Thief" needed a comic genius behind the camera, but this movie should have been a whole lot better.
Walter Hill authored this script before beginning his directorial career. Here, his work takes on a more ironic tone than the stone-cold nature of his other accomplishments ("The Driver," "The Warriors," the screenplay for Peckinpah's "The Getaway"). But when Hill works tongue-in-cheek, as in parts of "The Long Riders" and all of "48 Hours," the results can be crafty and diverting. Here, the jokes don't always work, but one can still appreciate the intelligence behind them.
"Thief" was directed by Bud Yorkin, known primarily for his association with TV producer Norman Lear ("All In The Family"). As a moviemaker, Yorkin falls down on the job. He has a pedestrian talent for setting up visual gags, but there's no payoff. Where the film calls for laughter, there's only a chuckle. Not that "Thief" needed a comic genius behind the camera, but this movie should have been a whole lot better.
There are some humorous scenes, some suspense, some great Houston locations, some really bad 1970s clothes and some interesting architecture,
This film relies mostly on the attractiveness and charm of its leads in their physical prime.
This film relies mostly on the attractiveness and charm of its leads in their physical prime.
Did you know
- TriviaJacqueline Bisset took over the role of Laura from Charlotte Rampling, who bowed out because of pregnancy. [VARIETY, Mar 15, 1972]
- GoofsTravis is pulled over by police and is asked for the car's registration. In the 1970s, Texas did not require that the registration be kept in the car, and officers did not ask for it. Hollywood got it wrong because in California drivers were required to present their "registration".
- ConnectionsFeatured in Gazap Rüzgari (1983)
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- $679,839
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