That'll Be the Day

ITV have just shown the Jim Maclaine(David Essex) films of which this is the first and Stardust is the second and as an avid supporter and fan of sixties and seventies British cinema i thought i had to check it out.

It doesn't disappoint with its gritty evocation of a fifties childhood with a lack of a father figure. Jim then turns to the Rock and Roll world when he buys a guitar from a pawn shop at the end. His rise and fall is taken up in Stardust with Adam Faith taking the Ringo Starr role as Mike.

Great, forgotten film with superior performances from Essex and Ringo Starr and a good cameo from Keith Moon and Billy Fury.

This so a film made in the 70s about the end of the 50s. Looking at it through modern eyes it could look dated, but it's not, it's A well made film that captures an atmosphere and a class at a specific time and place in history.

It has its flaws though, not least of which the lead character is simply awful, no real redeeming features and apart from the opening about his father leaving, it doesn't really show why he suddenly changed his attitude from talented good boy to total greaser drop out.

Set in post austerity Britain of the 1950's,this film brings alive the feeling and the vibe of that time vividly to to the screen.David Essex plays( or underplays )the laconic hero Jim Mclean.Jim's a bright boy but stepping on to the career ladder holds no interest for him.Rock'n'roll has broken through and for Jim there's only one vocation in life.To rock'n'roll.

The film perfectly captures the staid,constraint and carefree days of Britain in the 1950's.Along with a great soundtrack Jim makes the break from home and sets out to find his dream.

He finds it a tough world out there but eventually finds work in a holiday camp.Here he meets Mike (brilliantly played by Ringo Starr) who's been there, seen it,done it or so he claims.Mike introduces Jim to the ways of the adult world,so therefore throwing of the constrictions of the social strait-jacket that was '50's Britain.

The strong point of the film is it's realism.Why have I never heard of it's directors' other work? One of the best British films of the 1970's;this is a must see for film fans and rock'n'roll fans alike.It's sequel 'Stardust' which charts Jims rise to fame should not be mentioned in the same breath.

Classic tail of adolescent male on leaving school refusing to get stuck in a dead end job, working in a corner shop if I recall rightly. Picks up a guitar and works his way to stardom. Rejecting his family, childhood girlfriend anc baby on route. David Essex is great as Jim MacLaine as is Ringo Starr his partner in crime when working the waltzers and Wong man when pulling the birds. The 50's soundtrack original songs produced by David Edmunds.

Overall it's a great taste of life in the early 60s.

David Essex got the lead role, through two films, in this story of a wanabee pop star who leaves his family and home life for a shot at the big time. Abandoned by his father as a child, Jim lets history repeat itself simply for his ambition - through 'That'll Be The Day', which establishes him as a musical talent with room to grow, through to the bleak 'Stardust' which focuses on the ups and downs of fame.

Ray Connolly's script for TBTD is ironic and clever, and gives scope to a large number of characters you remember - Rosemary Leach and Rosalind Ayres good as Jim's mother and girlfriend, Ringo Starr much better than expected as Mike who works on the fairground and takes the impressionable and cocky Jim under his wing. Mike would develop into Jim's manager in 'Stardust', where he was played by Adam Faith.

Billy Fury plays TBTD's biggest concession to a 'real pop star' as the unlikeable Stormy Tempest, while Keith Moon and Karl Howman, both in the 'Stardust' band appear briefly. Also involved in the film was the great Bonzo vocalist Viv Stanshall.

'That'll Be The Day' is often cited as the better film of the two Jim MacLaine feature, but I personally prefer the overblown, stoned, egotistical character we see in the sequel. David Essex is excellent throughout the two movies, though. The soundtrack album - a huge four-sider groaning with 50s period hits and pastiches - is still well worth a listen, although precious little of it appears in this film.