Steptoe and Son Ride Again

This movie could very well be my funniest and favourite film! If, like me you are a Steptoe fan, you will find this movie perfect. Albert and Harold are on excellent form as the cat and mouse father and son characters. They also utilise the whole of their characters from the series in this film.

The antics that made them famous from the long-running series is just what the viewer gets here whether its Harold having to go to work with a sandwich made from fag hash and mangle-flattened cheese! or Albert sneezing on a prime cut of steak just to get it cheaper ("It's not for me, it's for the dog"!)

The previous Steptoe outing was very commendable but I feel it didn't give us enough to satisfy us for 90 minutes. However, '...Ride Again' has to be the best movie conversion from a t.v comedy yet.

Trust me, you will enjoy this movie if you enjoy the series and the characters then this is perfect.

I watched it again last night as it was broadcast on BBC2. I hadn't seen it for quite a while although the earlier film was on a few months ago. They never fail to make me laugh. Whether some of the comedy is lost in time and translation - both the series and the films possess a good deal of London humour, west London in particular - I don't know but there are a good many gems to be found in the film.

Diana Dors' character makes only a brief appearance near the start of the film. It's when she pulls Harold onto her bed after offering him both her dead husband's clothes (and then herself!), that it's revealed that her old man is only freshly deceased beside them! The return trip from York put paid to poor old Hercules the horse. Two hundred miles and three days on the road would tire any horse so a replacement is needed. Unfortunately Harold gets conned at Southall (horse) market and Frankie Barrett - brilliantly played with menace by Henry Woolfe - fleeces him for his cash and sells him a blind greyhound instead! Barrett fleeces him again later in the film but I won't spoil it. Let's just say his embezzlement became more ambitious!

Look out for the location shots of White City stadium. It was one of the biggest stadiums in the UK, was built for the London Olympics of 1908 and hosted all manner of sports including speedway, greyhounds and rugby league (in the 1930s, being the home of the short-lived London Highfield) before being torn down in the mid-1980s. The site is now occupied by the massive extension to BBC Television Centre. The local tube station is still called White City.

Countless comedies from the seventies produced movies, Rising Damp, For the love of Ada, Are you being served? One thing they all had in common, was they were all poor compared to their respective shows. Fortunately the two Steptoe movies were excellent, and this was the best of the two.

The script is terrific, it's laugh out loud funny, and both characters are totally in character, another flaw with spin off movies. The dialogue is punchy and caustic, but it's the multitude of hilarious moments, that makes this so good, my third choice would be Albert snaring his neighbour, second would be Harold taunting his father with the mannequin's head, but best bit is the coffin scene, who on Earth wouldn't laugh out loud.

It's a favourite film of mine, that stands the test of time. It's a joy from start to finish. 10/10

Yes, i know the ring in the manure scene is from the first movie but i couldn't resist. The first film is ok, if a bit uninspiring. It has it's moments. But the second film is peak Steptoe. I must have seen it a hundred times, but it's still great to put on and chill out to.

With a lot of the series episodes disappointingly only surviving as really poor quality home recordings, plus the Christmas specials being butchered on the official dvd, Steptoe and Son Ride Again stands as one of the most enjoyabe highlights from the entire show.

A real shame that there were no more movies, so many good ideas were possible. The Desperate Hours and Divided We Stand would have made excellent feature length movies. As great as they are, 30 minutes feels a bit of a waste of pure comedy gold.

Only Fools & Horses and One Foot in the Grave would later (re) prove that you can easily stretch out a sitcom to an hour or more without it feeling slow. The longer format allows a comedy show to breathe, or at least it does if you do it well. Steptoe and Son Ride Again and the Porridge movie were earlier examples of how it can work a real treat. 94 minutes flies by when you're having fun!

"Steptoe and Son" is one of my favourite of many redoubtable British sitcoms; we used to be, and still are, in the shape of "Phoenix Nights", "The Office" and "I'm Alan Partridge", rather good at this sort of thing. Yet British film comedy; or more specifically attempts to transfer a TV success to film, have largely failed. Often horrendously badly! British film comedy can only really look back to Will Hay (of whom I've never seen any films actually), the Ealing comedies, some late-1950s Sellers pieces, Monty Python, the odd stray triumph, and the fact that it has produced comedic actors great in American films: Stan Laurel, Chaplin, Sellers and others.

"Steptoe and Son Ride Again" attempts to be closer to the original TV show than the previous "Steptoe and Son" film of 1972, which was quite horribly trite at times. Galton and Simpson script, so there should be no problem there, but there is: pointless bits are included and coincidences are foisted upon the film to make the plot come together. Corbett and Brambell are perfectly in character, but what are they given? A lame duck opening to the film; that takes in a yawn-worthy plot device of a greyhound and a bizarre cameo from a portly, pallidly wasted Diana Dors. Who sanctioned this? We also don't really get to see the actors doing the expertly winding long scenes of Galton and Simpson dialogue, so familiar to fans of the TV series. Perhaps the makers thought they had to, with a film of 'Steptoe', up the ante visually in some way by having more 'action'. Somewhat missing the point about the series.

Once things get to the actual plot - about the insurance policy on Albert's life and the 'funeral' - the comedy finally breaks out upon the picture, like a supply of embezzled honey to an ailing bee. The lacklustre nature of early sequences is always in mind, however, as is the lack of real cinematic interest, despite the attempts at activity. Milo O'Shea is always a pleasure to see, and the scene with his drunken Doctor is a deftly played delight. The wake is pretty well done, and with Harold leaping through a graveyard, some interesting shots are captured at last, by the director.

This central plot is frankly not central enough, and the coda ending is really deflating in its unrelated flippancy. With such a blackly humorous, potentially poignant farce of a scenario, an ending of impact and subtle sadness - there has rarely been a sitcom as achingly melancholic as "Steptoe" at its best - would have possibly raised the film to something special - yet we return to the irrelevancies of the early part of the film. What a shame; with this film the makers managed to actually hit upon a good idea, but they squander its attending possibilities... How emblematic is this of the ennui and failure of British film in the 1970s...? Well, at least it has its very good central proposition; which makes up quite a sizeable sequence of very good material, I suppose.

Rating:- ***/*****