IMDb RATING
5.9/10
3.4K
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Private investigator John Shaft is recruited to go undercover to break up a modern slavery ring where young Africans are lured to Paris to do chain-gang work.Private investigator John Shaft is recruited to go undercover to break up a modern slavery ring where young Africans are lured to Paris to do chain-gang work.Private investigator John Shaft is recruited to go undercover to break up a modern slavery ring where young Africans are lured to Paris to do chain-gang work.
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Spyros Fokas
- Sassari
- (as Spiros Focas)
Avelio Falana
- Ramila's Son
- (as A.V. Falana)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Shaft assumes more of the Bond mantle in this film by going undercover to find out who is running the slave trade out of Africa into Europe. However, it really is too much of a stereotype to Shaft and takes away some of what makes him special.
Shaft, Richard Roundtree again, of course, belongs uptown across 110th street. That's his turf, and putting him in a robe with a stick is just too much.
This film just went too far, past where the imagination can stretch, in letting Shaft win. Yes, it was letting Shaft win, as he couldn't possibly have dodged all the attempts made on his life and still have energy to magically bed Vonetta McGee, and Yugoslavian Neda Arneric.
Having said that, there were some very good moments in the film, and it is still worth the time to see Roundtree in action.
Shaft, Richard Roundtree again, of course, belongs uptown across 110th street. That's his turf, and putting him in a robe with a stick is just too much.
This film just went too far, past where the imagination can stretch, in letting Shaft win. Yes, it was letting Shaft win, as he couldn't possibly have dodged all the attempts made on his life and still have energy to magically bed Vonetta McGee, and Yugoslavian Neda Arneric.
Having said that, there were some very good moments in the film, and it is still worth the time to see Roundtree in action.
After the abysmal Shaft's Big Score, this second follow-up to the original 1971 legend is much finer stuff. John Guillermen takes over from blaxplotation maestro Gordon Parks as director and excellently brings freshness to the whole thing, with Richard Roundtree's supercool private eye being sent to Ethopia in order to infiltrate and bring down a ruthless slave-trading scam.
This entry is wonderfully self-concious in the fact that it all smacks of the Bond saga - even Shaft says it when he finds himself handed a couple of gadgets for his mission. Therefore, there's a strong and largely satisfying formula behind the whole affair. The action is still a little clumsy and quite excessively violent, but in general this is bigger, brighter and funner than what came before it.
This entry is wonderfully self-concious in the fact that it all smacks of the Bond saga - even Shaft says it when he finds himself handed a couple of gadgets for his mission. Therefore, there's a strong and largely satisfying formula behind the whole affair. The action is still a little clumsy and quite excessively violent, but in general this is bigger, brighter and funner than what came before it.
This violent Shaft (Richard Roundtree) entry begins when he's obligated by threats to pull off a dangerous mission . He must go undercover to Ethiopia . In Addis Abeba , Shaft assumes the identity a native , as he's accompanied by a beautiful African young (Voneta McGee) . His work is to break up a slave trade ring whose origin encounters in Paris and ruled by a tyrannical mobster (Frank Finlay) and his hoodlums (Aldo Sambrell) who are exploiting the immigrants in chain-gang employments and minimum wage . The private-eye eliminates anyone who stands in his aim , battling a variety of nasties and keeping things moving along until the final confrontation into the Château of Montfort .
This thrilling picture packs noisy action , violent fights , brutal killings , nudism and results to be quite amusing . The movie is plenty of suspense , thriller , intrigue , adventures and kinky sex , as usual . Strong , raw screenplay by Stirling Shilliphant (habitual of Irwin Allen's catastrophe movies : Towering inferno , Poseidon , Swarm) and based on the characters created by Ernest Tdyman (French Connection) . Richard Roundtree is good as Shaft , his females are Voneta Mcgee with a wide career in blaxploitation genre and being a distinguished secondary ; besides , Neda Armeric , a Serbian actress ,she was recently elected for Serbian Parliament but she withdrew politics after scandal when her vote were registered in Parliament while she was on summer holidays . Colorful as well as evocative cinematography ; most of the scenes in Africa were shot in Ethiopia . The motion picture was professionally directed by John Guillermin , a known author of disaster movies (Towering inferno , Skyjacked , King Kong). The result is an entertaining entry for action enthusiasts and blaxploitation fans with lots of violence , adult issues and profanities . This third outing (the first titled ¨Shaft¨ and the second ¨Big score¨ by Gordon Parks) is followed by seven TV episodes (1973,1974) and 2000 version by John Singleton with Samuel L. Jackson .
This thrilling picture packs noisy action , violent fights , brutal killings , nudism and results to be quite amusing . The movie is plenty of suspense , thriller , intrigue , adventures and kinky sex , as usual . Strong , raw screenplay by Stirling Shilliphant (habitual of Irwin Allen's catastrophe movies : Towering inferno , Poseidon , Swarm) and based on the characters created by Ernest Tdyman (French Connection) . Richard Roundtree is good as Shaft , his females are Voneta Mcgee with a wide career in blaxploitation genre and being a distinguished secondary ; besides , Neda Armeric , a Serbian actress ,she was recently elected for Serbian Parliament but she withdrew politics after scandal when her vote were registered in Parliament while she was on summer holidays . Colorful as well as evocative cinematography ; most of the scenes in Africa were shot in Ethiopia . The motion picture was professionally directed by John Guillermin , a known author of disaster movies (Towering inferno , Skyjacked , King Kong). The result is an entertaining entry for action enthusiasts and blaxploitation fans with lots of violence , adult issues and profanities . This third outing (the first titled ¨Shaft¨ and the second ¨Big score¨ by Gordon Parks) is followed by seven TV episodes (1973,1974) and 2000 version by John Singleton with Samuel L. Jackson .
Shaft's previous adventure, Shaft's Big Score, ended with a James Bond style high speed chase scene involving cars, a speedboat and a helicopter, with lots of shooting and explosions; this, the third and final outing for Richard Roundtree's private investigator, sees our super-cool hero recruited to go undercover in Africa to break up a slavery ring, and is even more like a Bond movie, featuring an international mission, an evil villain (played with relish by Frank Finlay), high-tech gadgetry, sexy women, and a finale that sees an assault on the baddies' French château fortress.
Although undeniably more comic book in nature than the previous two Shaft movies, Shaft in Africa remains very adult in nature, with a high level of nudity, sex and violence as Shaft beats, kills and shags his way across the dark continent towards Europe. Some of the more explicit content includes a rather frank conversation about female circumcision, the senseless death of an innocent pooch, and villain Amafi's nymphomaniac girlfriend Jazar (Neda Arneric) becoming sexually aroused while watching black workmen digging up a road (she also questions Shaft about the size of his phallus, who eventually satisfies her curiosity by shagging her).
Directed with zest by John Guillerman, a film-maker well versed in African adventures (he previously helmed two Tarzan movies and war movie Guns at Batasi, and would go on to make Sheena Queen of the Jungle), Shaft in Africa is a fun film that moves along at a more than reasonable pace with plenty of action. It is, however, a far cry from the seedy world of pimps, pushers and prostitutes that one usually associates with the blaxploitation genre. As such, it failed to satisfy existing fans of the character, was a failure at the box office, and signalled the end of the franchise.
Although undeniably more comic book in nature than the previous two Shaft movies, Shaft in Africa remains very adult in nature, with a high level of nudity, sex and violence as Shaft beats, kills and shags his way across the dark continent towards Europe. Some of the more explicit content includes a rather frank conversation about female circumcision, the senseless death of an innocent pooch, and villain Amafi's nymphomaniac girlfriend Jazar (Neda Arneric) becoming sexually aroused while watching black workmen digging up a road (she also questions Shaft about the size of his phallus, who eventually satisfies her curiosity by shagging her).
Directed with zest by John Guillerman, a film-maker well versed in African adventures (he previously helmed two Tarzan movies and war movie Guns at Batasi, and would go on to make Sheena Queen of the Jungle), Shaft in Africa is a fun film that moves along at a more than reasonable pace with plenty of action. It is, however, a far cry from the seedy world of pimps, pushers and prostitutes that one usually associates with the blaxploitation genre. As such, it failed to satisfy existing fans of the character, was a failure at the box office, and signalled the end of the franchise.
Let's face it, none of the Shaft movies are exactly masterpieces but the character Shaft surely is a classic, who delivers some classic one-liners.
In this Shaft 'adventure' the creators obviously wanted to manifest Shaft as the African-American answer to the successful James Bond franchise. For most parts they actually succeeded in this. Shaft is even more sexist than James Bond and he surely is more violent. The violence is not always tasteful at times however.
The story is told messy at times. The action sequences seem to come out of nowhere and are simply just pointless at times. Also the weak editing doesn't help much.
I however wouldn't had mind it having seen more Shaft movies being made. Unfortunately this was the last (unless you also count the 2000 "Shaft" version). The Shaft movies have a certain hip 70's atmosphere, which I like and the main character is reason enough to watch a Shaft movie.
Great character, weak storytelling.
6/10
http://bobafett1138.blogspot.com/
In this Shaft 'adventure' the creators obviously wanted to manifest Shaft as the African-American answer to the successful James Bond franchise. For most parts they actually succeeded in this. Shaft is even more sexist than James Bond and he surely is more violent. The violence is not always tasteful at times however.
The story is told messy at times. The action sequences seem to come out of nowhere and are simply just pointless at times. Also the weak editing doesn't help much.
I however wouldn't had mind it having seen more Shaft movies being made. Unfortunately this was the last (unless you also count the 2000 "Shaft" version). The Shaft movies have a certain hip 70's atmosphere, which I like and the main character is reason enough to watch a Shaft movie.
Great character, weak storytelling.
6/10
http://bobafett1138.blogspot.com/
Did you know
- TriviaAs of 2019, this is the only Shaft feature not directed by an African-American.
- GoofsShortly before he boards the ship for France, Shaft is involved in a fight in which his right hand is severely bitten by his opponent, drawing quite a bit of blood. Yet when he boards the ship, his right hand is completely wound free.
- ConnectionsFeatured in Dusk to Dawn Drive-In Trash-o-Rama Show Vol. 4 (1997)
- SoundtracksAre You Man Enough
Sung by The Four Tops (as Four Tops)
Words and Music by Dennis Lambert and Brian Potter
- How long is Shaft in Africa?Powered by Alexa
Details
- Release date
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- Also known as
- Shaft in Africa
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $2,142,000 (estimated)
- Runtime1 hour 52 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1
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Top Gap
By what name was Shaft contre les trafiquants d'hommes (1973) officially released in India in English?
Answer