Casse dans la ville

This sequel to the popular blaxploitation hit "Black Caesar" was cheaply and hastily shot, and it shows. It is pretty obvious at times that star Fred Williamson wasn't always available, meaning that he's either doubled or his character simply doesn't appear at all in a scene. The low budget and speedy production also shows in other aspects, one being the screenplay. There isn't too much of a story here. Indeed, it seems at times writer/director Larry Cohen was making things up during the shoot. But despite the crude nature, the movie all the same kind of works. It is fast paced, and never boring. And Fred Williamson does manage to make his character magnetic enough that you keep watching him. Apparently audiences agreed, since this sequel was successful enough at the box office that the studio planned a third movie concerning the adventures of character Tommy Gibbs, but those plans were eventually cancelled.

I loved Larry Cohen and Fred Williamson's previous collaboration 'Black Caesar', one of the toughest and most enjoyable movies of the early 70s blaxploitation boom. That movie was a great success and in the rush to cash in with a sequel something was lost. Cohen was shooting his killer baby classic 'It's Alive' at the same time Williamson was making 'That Man Bolt', yet they still attempted to make 'Hell Up In Harlem' simultaneously! Cohen's script is weaker this time around and the emphasis is on fights (fists and guns) over character development and story. The movie is more of an action film than a crime drama and therefore much less interesting to me. Williamson is still a powerhouse, but the movie as a whole fails to satisfy. Gloria Hendry ('Black Belt Jones') and D'Urville Martin ('Dolemite') both return from the first movie but aren't required to do all that much. You could even call their roles cameos and not be far wrong. Julius Harris ('Superfly') also returns as Williamson's father, but this time round he has a much larger role, and almost carries the first third of the movie all by himself. The film directly follows on from 'Black Caesar' with Tommy Gibbs (Williamson) recovering from a near fatal gunshot wound. He relies upon his Pop to keep things together, and this enables Harris to blossom from a middle aged straight citizen into a cool dressing killing machine almost overnight! This is one of the most entertaining things about the whole movie, but not enough to stop it from being a disappointment. Even the score this time round is inferior, with no James Brown content. I think this movie was too rushed and suffers for it. It has its moments but isn't a patch on 'Black Caesar'. I've noticed that quite a few blaxploitation classics fail to deliver with their sequels (I'm especially thinking of 'Foxy Brown', Jack Hill's weak follow up to his sensational 'Coffy'). I wonder why that was? Greed perhaps, or lack of faith in the material, I don't know. Anyway, 'Hell Up In Harlem' is okay, but it could have been, SHOULD have been a lot better! 'Black Caesar' is still brilliant though, don't miss that one.

No, this is not one of the greatest blaxploitation movie ever made; and yes, it has its flaws. But man, is this one a fun ride or what? It's an hour and a half of pure action with one of the greatest action hero of all time. It's ass kicking after ass kicking, as Tommy Gibbs takes revenge on everybody that have ever been dumb enough to mess with him. The fight scenes are great, inventive and plentiful. The cinematography is quite decent too and the story fun enough to keep you interested in it. Larry Cohen once more delivers the goods in this one. It's actually much better then most action stink fest that Hollywood produce this days. So sit tight and enjoy the roller coaster ride while it last.

Go Fred Williamson!

After the success of Black Caesar earlier in the year, this sequel was rushed into production to hopefully cash in on the clamour for Blaxploitation shenanigans. Sadly it's a rush job that is all too evidently half baked.

Plot has Fred Wiliamson return as Tommy Gibbs (resurrected from the dead apparently!), who takes on corrupt D.A. Diangelo (Gerald Gordon) whilst dealing with matters of the heart. Directed by Larry Cohen, it's with Cohen's frank honest views on the film that critique should start. He would say that Hell Up In Harlem is a 90 minutes montage movie, and he is absolutely right.

This is jerkily episodic as it runs a course of people talking then cutting to boisterous action, then some talking and cut again to some more boisterous action, and on it goes for the complete run time. That the action is so gripping - and some choice dialogue zingers in the mix as well - keeps this from being an unwatchable mess. You also have to have respect for this type of guerrilla film making, it literally is filmed on the fly.

Regardless of the unbelievable aspects of it all, the oodles of bright red fake blood, and poorly executed stunt work, the rawness of the violence keeps things above average. In fact there's a bit of bad taste simmering away in the violent dynamics, with no legal consequences of lead character's actions, which of course is a blaxploitation trait.

It's messy, but it's entertaining mess within the genre it sits in. 6/10

Another kick ass blaxploitation classic, director Larry Cohen really knows his stuff! "Hell Up in Harlem" features even more action than it´s great predecessor "Black Caesar" does! It´s a fast-paced crime story about the rise and fall of an Afro American godfather and everybody who loves such blaxploitations goodies like "Dolemite", "Blacula" or "Foxy Brown" should give it a look! Once more, main actor is the ultimate coolness and it´s no wonder why Quentin Tarantino digged him out for his funny "From Dusk Till Dawn" movie. Unfortunately, they don´t make stuff like this anymore! Movies like "Dead Presidents" or "New Jack City" are nothing else but failed attempts to exhume the blaxploitation genre! Better watch the originals again, they are da real deal!