Scream, Pretty Peggy

Jeffrey Elliott (Ted Bessell) hires college student Peggy John (Sian Barbara Allen) to take care of his elderly mother (Bette Davis!) in their creepy old mansion. It also seems there's a deranged sister wandering around...and Peg starts getting glimpses of a person with long blonde hair and a white dress. Peg becomes curious and starts looking into the family history and things start to get strange...

Saw this only once on TV when I was about 11 or 12. I was scared out of my mind! The glimpses Peg got of the sister really creeped me out and the ending horrified me. I also remember Davis giving a restrained (for her) performance and given nothing to do. Still it was creepy, atmospheric and well-acted. Another great old made for TV movie that's impossible to see today. I give it a 7.

Bette Davis, a great actress, unfortunately has nothing to do in this one except give dire warnings to the heroine. After the first half-hour, you know how this one is going to end; the clues are just that easy. I give it high marks for atmosphere, but other than that, this made-for-TV chiller doesn't do much. Good for wasting time on a Saturday afternoon if nothing else is on.

Scream Pretty Peggy (1973)

** 1/2 (out of 4)

Famous sculptor Jeffrey Elliot (Ted Bessell) hires college student Peggy (Sian Barbara Allen) to take care of the house work, which includes looking after his elderly mother (Bette Davis). Soon Peggy learns about Jeffrey's sister who is locked up in an attack after suffering a mental breakdown years earlier.

SCREAM PRETTY PEGGY is a decent made-for-television film that benefits greatly from three very good performances and some nice direction by Gordon Hessler. The film manages to build up a rather creepy atmosphere but there are some issues that prevent it from being much better. I will get that issue out of the way and it's the screenplay by Jimmy Sangster and Arthur Hoffe. The film borrows from a couple other more famous movies and this here takes away any major suspense with the twist that you'll see coming from a mile away.

Still, if you enjoy these made-for-television movies then this one here is certainly worth watching. The three leads are certainly what keep the film so entertaining and especially Allen who is extremely good in her role. She really does come across as a somewhat naive college student who isn't quite smart enough to know she should be getting the hell away from this house and the family. Bessell is also very good in his role and the great Bette Davis always knows how to steal a scene.

Director Hessler was very familiar with the horror genre and he does a nice job here by building up some great atmosphere and bringing a Gothic feel to the material. I thought there were some creepy scenes dealing with the sister and this stuff makes the picture worth sitting through.

This movie scared the CRAP out of me when I was a kid; I loved it! I was getting it confused with another t.v. movie from the same period--"Let's Scare Jessica to Death" (1971); not nearly as good--since I really don't remember it. What confused me, is that I think the name Jessica appears in this movie as well. I tracked this down because I remembered it stars "Don-nald!"--the boyfriend from THAT GIRL. I had forgotten that the great Bette Davis is also in this film. I would love to see it again now as an adult and see if it is as effective as I remember. I recommend this film as a fun scary t.v. movie from the 70's with some great suspense and shocks.

Perky college co-ed (Sian Barbara Allen, who looks a bit like Jessica Harper) talks her way into job as housekeeper for a famous sculptor and his elderly mother; soon, she's curious about the person living in the room over the garage, a woman she's told is incurably insane. TV-made extension of "Psycho"'s theme, lacking at the very least one big jolt (no shower scene here). Instead, "Scream, Pretty Peggy" is full of chit-chat, relying on a single plot-hook in which to hang all its weary exposition. The performances are unusually strong for a television feature, particularly by Ted Bessell as the artist, but the reedy-thin story is stretched to the breaking point. Interesting location, appropriately scary music from Bob Prince, pithy supporting work from Bette Davis. Otherwise, pretty tame.