A bounty hunter takes in the son of a man he killed.A bounty hunter takes in the son of a man he killed.A bounty hunter takes in the son of a man he killed.
Robert J. Wilke
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According to articles Ford refused to play a criminal after 3-10 to Yuma because he worried about his imagine. I can't fault his acting although he was overweight and and had difficulty getting on and off his horse several times
He always had a amazing unique voice that had several ranges to it. The plot kept me interested and the scenery was amazing. Can't fault the actors for the problems with the film and camera. Certainly hated the ending. Ford carried his role well as substitute father, hunter, friend, husband and rancher. Burns, Silverheels and the rest of supporting cast does not disappoint. Lot to fit in a movie and actually could have been 3 with a little creative writing. Would recommend to all western fans. Found the movie free on YouTube.
Glenn Ford who was associated with some of the best westerns ever made has his last starring role in the genre in Santee. Although he would do more westerns up to almost the end of his career, he would no longer be the leading man/action hero in any of them.
Ford was 57 when he made Santee and even in this one he's transitioning to be a father figure, much the same way John Wayne was in films like Big Jake, Rio Lobo, and The Cowboys.
Unfortunately Santee takes it's plot from a combination of Henry Fonda's The Tin Star and Robert Mitchum's Young Billy Young. Ford is a former lawman, turned bounty hunter who decides that marshaling doesn't give him quite the latitude he needs to deal with bad guys. It also doesn't pay as well. But having his son shot down by John Larch and his gang was enough to turn him bitter.
He's also forced to kill Robert J. Wilkie another outlaw who has a son in Michael Burns. But he takes Burns into his home. Truth be told there wasn't much attachment there anyway, Burns hardly knew him.
Jay Silverheels has the best part in the film as Ford's loquacious ranch foreman. I do believe he had more dialog here than in over 200 episodes of The Lone Ranger. Dana Wynter has a few scenes as Ford's wife and makes them count.
But Santee is just a tired rehash of a pair of better films. Glenn Ford fans will like it though.
Ford was 57 when he made Santee and even in this one he's transitioning to be a father figure, much the same way John Wayne was in films like Big Jake, Rio Lobo, and The Cowboys.
Unfortunately Santee takes it's plot from a combination of Henry Fonda's The Tin Star and Robert Mitchum's Young Billy Young. Ford is a former lawman, turned bounty hunter who decides that marshaling doesn't give him quite the latitude he needs to deal with bad guys. It also doesn't pay as well. But having his son shot down by John Larch and his gang was enough to turn him bitter.
He's also forced to kill Robert J. Wilkie another outlaw who has a son in Michael Burns. But he takes Burns into his home. Truth be told there wasn't much attachment there anyway, Burns hardly knew him.
Jay Silverheels has the best part in the film as Ford's loquacious ranch foreman. I do believe he had more dialog here than in over 200 episodes of The Lone Ranger. Dana Wynter has a few scenes as Ford's wife and makes them count.
But Santee is just a tired rehash of a pair of better films. Glenn Ford fans will like it though.
The best features of this film are the scenery and Jay Silverheels in a part where he can show some emotions, compared with his stonefaced Tonto. In fact it's Ford who is bland for much of the film, despite the tragic loss of his son which is meant to have shaped his character; only in the very last scene does he convey real emotion - without saying a word.
The plot is unconvincing several times over. At the beginning one would have thought four tough guys could have stood and fought rather than flee from Santee, renowned bounty-hunter he may be. After a brief wish for revenge, the orphaned Jody seems to too readily accept Santee as a surrogate father, and in the version of the film I saw I never noticed any evidence that he had become a gunman competent enough to accompany Santee against six more tough guys.
A disappointment.
The plot is unconvincing several times over. At the beginning one would have thought four tough guys could have stood and fought rather than flee from Santee, renowned bounty-hunter he may be. After a brief wish for revenge, the orphaned Jody seems to too readily accept Santee as a surrogate father, and in the version of the film I saw I never noticed any evidence that he had become a gunman competent enough to accompany Santee against six more tough guys.
A disappointment.
A bounty hunter (Glenn Ford) takes in the son (Michael Burns) of a man he killed.
I have never been a huge fan of the western genre. Some are incredible, but most seem to be rather blah. One could say that about any genre, I suppose. I mean, heck, I love horror and I would be the first to admit that most of it is garbage. But it is garbage that still generally entertains me. The western, for the most part, is not something I understand.
This one is alright. Adopting a kid (who is really more of a young adult) in the west is a good story, and Glenn Ford is a decent actor. As far as the genre goes, this is very much middle ground.
I have never been a huge fan of the western genre. Some are incredible, but most seem to be rather blah. One could say that about any genre, I suppose. I mean, heck, I love horror and I would be the first to admit that most of it is garbage. But it is garbage that still generally entertains me. The western, for the most part, is not something I understand.
This one is alright. Adopting a kid (who is really more of a young adult) in the west is a good story, and Glenn Ford is a decent actor. As far as the genre goes, this is very much middle ground.
Thoroughly mediocre Ford vehicle has him as the West's toughest bounty hunter (?!?). He lets the son of the guy he just killed follow him around, then eventually gives him a job. The son gives up his plans for revenge, opting to become a bounty hunter himself instead. Wynter is given a role that is thankless window dressing, and Silverheels is the only person in the movie who looks in shape for the West. Some good action, and it was good to see Silverheels in a movie again (though his part was fairly small), but bare plot goes on too long for its own good.
Did you know
- TriviaIn 1972-73, Edward Platt ("The Chief" in Max la menace (1965)) raised enough money to produce this film, which was one of the first independent color movies shot partially on videotape. It was actually the first western to use videotape on location. Platt saw the many advantages of using videotape rather than film, and his crew shot the production with portable TV cameras (Norelco PCP-70 NTSC analog television system and the Philips PC-70 studio color camera) along with the Ampex VR-3000 two-inch portable video tape recorder). Once completed, the images were transferred to 35mm film format for it's theatrical release.
- Alternate versionsThe UK video version was cut by 4 secs to remove a horse-fall.
- SoundtracksJody
Music by Don Randi
Lyrics by Bob Silver & Pete Willcox
Performed by The Raiders, featuring Paul Revere & Mark Lindsay
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- Santee - Der Einzelgänger
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