Santee

Thoroughly mediocre Ford vehicle has him as the West's toughest bounty hunter (?!?). He lets the son of the guy he just killed follow him around, then eventually gives him a job. The son gives up his plans for revenge, opting to become a bounty hunter himself instead. Wynter is given a role that is thankless window dressing, and Silverheels is the only person in the movie who looks in shape for the West. Some good action, and it was good to see Silverheels in a movie again (though his part was fairly small), but bare plot goes on too long for its own good.

Glenn Ford who was associated with some of the best westerns ever made has his last starring role in the genre in Santee. Although he would do more westerns up to almost the end of his career, he would no longer be the leading man/action hero in any of them.

Ford was 57 when he made Santee and even in this one he's transitioning to be a father figure, much the same way John Wayne was in films like Big Jake, Rio Lobo, and The Cowboys.

Unfortunately Santee takes it's plot from a combination of Henry Fonda's The Tin Star and Robert Mitchum's Young Billy Young. Ford is a former lawman, turned bounty hunter who decides that marshaling doesn't give him quite the latitude he needs to deal with bad guys. It also doesn't pay as well. But having his son shot down by John Larch and his gang was enough to turn him bitter.

He's also forced to kill Robert J. Wilkie another outlaw who has a son in Michael Burns. But he takes Burns into his home. Truth be told there wasn't much attachment there anyway, Burns hardly knew him.

Jay Silverheels has the best part in the film as Ford's loquacious ranch foreman. I do believe he had more dialog here than in over 200 episodes of The Lone Ranger. Dana Wynter has a few scenes as Ford's wife and makes them count.

But Santee is just a tired rehash of a pair of better films. Glenn Ford fans will like it though.

Another movie from the Mill Creek 200 cult cinema box set.

Pretty good western about a bounty hunter who takes in the boy of the man he killed. Teaches him the ropes and becomes like a father to him.

I liked this, not to big on westerns but very well done. Glen Ford is great as Santee. All around good movie.

This unknown movie Western deals with a relentlessly obstinate bounty-hunter named Santee (Glenn Ford). He's the best tracker in the west, but sometimes justice can be hard to find . As the bounty hunter takes in the son of a man he killed . Santee develops a paternal relationship with the son named Jody (Michael Burns) of a man (Robert J. Wilke) he killed . Santee takes him for his ranch named Three Arrows where live his wife (Dana Wynter) and his Indian foreman (Jay Silverheels). Santee and his wife take Jody in and a father-son relationship begins to grow . But bandits led by a nasty villain named Banner (John Larch) arrive in the little town killing and robbing bank , then Santee helped by Jody take the law on their own hands .

This average Western contains action , drama , shootouts , riding pursuits and an enjoyable father and adopted son relationship with tragedy included . Fine acting by veteran Glenn Ford supported by attractive Dana Wynter and a newcomer Michael Burns . Good support cast such as Robert J Wilke , Robert Donner , John Larch and Tonto's Jay Silverheels . Colorful cinematography with glamorous landscapes by cameraman Donald Morgan . Catching musical score with agreeable song at the beginning and the ending . Spectacular final gunplay plenty of shooting and death with dramatic final . The motion picture was middlingly directed by Gary Nelson . He's an usual TV director as episodes (Disneyland) as long time television movies (Murder in Coweta County , his best film) and occasionally cinema director (Allan Quatermain in the lost city of gold) ; his most known and successful film was 'The black hole' .

I spoke to Ed Platt in early 1974, not long before his death. If he was troubled by the financial failure of "Santee," he didn't show it; he was warm and unpretentious. We had a common interest in video production, which probably helped him open up. In any event, I didn't see "Santee" for more than 35 years; I must say, Ed's innovative use of video to film hurt the movie; and, as a relatively novice producer, Ed should have played it safe and stayed with film. The interior shots appear horribly lit, and the initial scenes are cluttered and almost tedious. However, after Glenn Ford shows up, the movie loosens up, and we get a pretty well written, expertly acted movie. The casting, particularly of Ford, Michael Burns, Harry Townes and Jay Silverheels is especially inspired. Dana Wynter seems an odd choice, especially since the reddish lighting makes her look Native American, and she can't completely disguise her British accent. However, Wynter's chemistry with Ford and Burns is downright terrific, and she dominates every scene.

"Santee" needs more fleshing out, and the money spent on the flashback could have been been spent building Ford's relationship with Burns. The ending comes too soon and too abruptly. Nonetheless, "Santee" is one of Ford's better westerns, certainly better than "A Time for Killing," "Day of the Evil Gun" and "The Last Challenge." As Ford's last starring western it is a flawed, if fitting tribute to one of the great cowboy actors.

I give "Santee" a "6".