A bounty hunter takes in the son of a man he killed.A bounty hunter takes in the son of a man he killed.A bounty hunter takes in the son of a man he killed.
Robert J. Wilke
- Deaks
- (as Robert Wilke)
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The best features of this film are the scenery and Jay Silverheels in a part where he can show some emotions, compared with his stonefaced Tonto. In fact it's Ford who is bland for much of the film, despite the tragic loss of his son which is meant to have shaped his character; only in the very last scene does he convey real emotion - without saying a word.
The plot is unconvincing several times over. At the beginning one would have thought four tough guys could have stood and fought rather than flee from Santee, renowned bounty-hunter he may be. After a brief wish for revenge, the orphaned Jody seems to too readily accept Santee as a surrogate father, and in the version of the film I saw I never noticed any evidence that he had become a gunman competent enough to accompany Santee against six more tough guys.
A disappointment.
The plot is unconvincing several times over. At the beginning one would have thought four tough guys could have stood and fought rather than flee from Santee, renowned bounty-hunter he may be. After a brief wish for revenge, the orphaned Jody seems to too readily accept Santee as a surrogate father, and in the version of the film I saw I never noticed any evidence that he had become a gunman competent enough to accompany Santee against six more tough guys.
A disappointment.
This unknown movie Western deals with a relentlessly obstinate bounty-hunter named Santee (Glenn Ford). He's the best tracker in the west, but sometimes justice can be hard to find . As the bounty hunter takes in the son of a man he killed . Santee develops a paternal relationship with the son named Jody (Michael Burns) of a man (Robert J. Wilke) he killed . Santee takes him for his ranch named Three Arrows where live his wife (Dana Wynter) and his Indian foreman (Jay Silverheels). Santee and his wife take Jody in and a father-son relationship begins to grow . But bandits led by a nasty villain named Banner (John Larch) arrive in the little town killing and robbing bank , then Santee helped by Jody take the law on their own hands .
This average Western contains action , drama , shootouts , riding pursuits and an enjoyable father and adopted son relationship with tragedy included . Fine acting by veteran Glenn Ford supported by attractive Dana Wynter and a newcomer Michael Burns . Good support cast such as Robert J Wilke , Robert Donner , John Larch and Tonto's Jay Silverheels . Colorful cinematography with glamorous landscapes by cameraman Donald Morgan . Catching musical score with agreeable song at the beginning and the ending . Spectacular final gunplay plenty of shooting and death with dramatic final . The motion picture was middlingly directed by Gary Nelson . He's an usual TV director as episodes (Disneyland) as long time television movies (Murder in Coweta County , his best film) and occasionally cinema director (Allan Quatermain in the lost city of gold) ; his most known and successful film was 'The black hole' .
This average Western contains action , drama , shootouts , riding pursuits and an enjoyable father and adopted son relationship with tragedy included . Fine acting by veteran Glenn Ford supported by attractive Dana Wynter and a newcomer Michael Burns . Good support cast such as Robert J Wilke , Robert Donner , John Larch and Tonto's Jay Silverheels . Colorful cinematography with glamorous landscapes by cameraman Donald Morgan . Catching musical score with agreeable song at the beginning and the ending . Spectacular final gunplay plenty of shooting and death with dramatic final . The motion picture was middlingly directed by Gary Nelson . He's an usual TV director as episodes (Disneyland) as long time television movies (Murder in Coweta County , his best film) and occasionally cinema director (Allan Quatermain in the lost city of gold) ; his most known and successful film was 'The black hole' .
Santee is directed by Gary Nelson and written by Brand Bell. It stars Glenn Ford, Michael Burns, Dana Wynter and Jay Silverheels. Music is scored by Don Rand and photography is by Donald Morgan. Plot finds Ford as seasoned bounty hunter Santee, who after killing the outlaw father of young Jody Deaks (Burns), takes him under his wing at his Three Arrows Ranch. With both of them nursing loses in their lives, they both come to be great for each other, but just as harmony is abundant at the ranch, news comes that the outlaw gang responsible for Santee's pain is back in town.
No country for empty pockets and a flat stomach.
Primarily shot on location in Santa Fe, New Mexico, Santee is notable for a couple of things. Firstly it was the last time that Western legend Ford would play a lead role in the genre, secondly is that it was filmed on video tape. Some debate exists as to if it was the first film to be shot that way, but certainly the research suggests it was definitely the first Western. Santee is a strange film in many ways, for sure as a film it's not a great lead role send off for Ford, but he is actually very good in it. The story is a good one from Bell, full of emotional worth and maintaining interest throughout, while there's plenty of action and blood shed within the plot. The dialogue, too, often has some intelligence about it. But it's so poorly put together it becomes a frustrating watching experience.
The video tape filming doesn't work, the colour is often dull and the night interiors are lifeless. While a couple of close ups appear to suddenly become pan and scan! Other problem comes with there being no truly great villain to underpin the destinies of Santee and Jody Deaks. The Banner (John Larch) gang exist, get a couple of small scenes, but that's about it until the bloody finale. The cast around Ford are OK, Wynter doesn't quite look right for a ranch gal lover, but makes a mark as a loyal wife and surrogate mother. Burns has the youthful naivety just right, but isn't helped by the screenplay having him become a killing man too quickly, and Silverheels turns in a good one as the wise ranch hand at Three Arrows. The film is very 70s in look and feel, something that can take you out of the period setting, more so with Rand's foot tapping music accompaniment. Bonus, though, on the music front, is the feature song in the picture, "Jody," that is song by Paul Revere and The Raiders, it's a beautiful ballad and carries with it the requisite emotional heft.
An enjoyable Western with one or two tricks up its sleeve, but the problems are evident and stop it from being a must see for anyone other than Western and Glenn Ford purists. 6/10
No country for empty pockets and a flat stomach.
Primarily shot on location in Santa Fe, New Mexico, Santee is notable for a couple of things. Firstly it was the last time that Western legend Ford would play a lead role in the genre, secondly is that it was filmed on video tape. Some debate exists as to if it was the first film to be shot that way, but certainly the research suggests it was definitely the first Western. Santee is a strange film in many ways, for sure as a film it's not a great lead role send off for Ford, but he is actually very good in it. The story is a good one from Bell, full of emotional worth and maintaining interest throughout, while there's plenty of action and blood shed within the plot. The dialogue, too, often has some intelligence about it. But it's so poorly put together it becomes a frustrating watching experience.
The video tape filming doesn't work, the colour is often dull and the night interiors are lifeless. While a couple of close ups appear to suddenly become pan and scan! Other problem comes with there being no truly great villain to underpin the destinies of Santee and Jody Deaks. The Banner (John Larch) gang exist, get a couple of small scenes, but that's about it until the bloody finale. The cast around Ford are OK, Wynter doesn't quite look right for a ranch gal lover, but makes a mark as a loyal wife and surrogate mother. Burns has the youthful naivety just right, but isn't helped by the screenplay having him become a killing man too quickly, and Silverheels turns in a good one as the wise ranch hand at Three Arrows. The film is very 70s in look and feel, something that can take you out of the period setting, more so with Rand's foot tapping music accompaniment. Bonus, though, on the music front, is the feature song in the picture, "Jody," that is song by Paul Revere and The Raiders, it's a beautiful ballad and carries with it the requisite emotional heft.
An enjoyable Western with one or two tricks up its sleeve, but the problems are evident and stop it from being a must see for anyone other than Western and Glenn Ford purists. 6/10
According to articles Ford refused to play a criminal after 3-10 to Yuma because he worried about his imagine. I can't fault his acting although he was overweight and and had difficulty getting on and off his horse several times
He always had a amazing unique voice that had several ranges to it. The plot kept me interested and the scenery was amazing. Can't fault the actors for the problems with the film and camera. Certainly hated the ending. Ford carried his role well as substitute father, hunter, friend, husband and rancher. Burns, Silverheels and the rest of supporting cast does not disappoint. Lot to fit in a movie and actually could have been 3 with a little creative writing. Would recommend to all western fans. Found the movie free on YouTube.
Thoroughly mediocre Ford vehicle has him as the West's toughest bounty hunter (?!?). He lets the son of the guy he just killed follow him around, then eventually gives him a job. The son gives up his plans for revenge, opting to become a bounty hunter himself instead. Wynter is given a role that is thankless window dressing, and Silverheels is the only person in the movie who looks in shape for the West. Some good action, and it was good to see Silverheels in a movie again (though his part was fairly small), but bare plot goes on too long for its own good.
Did you know
- TriviaIn 1972-73, Edward Platt ("The Chief" in Max la menace (1965)) raised enough money to produce this film, which was one of the first independent color movies shot partially on videotape. It was actually the first western to use videotape on location. Platt saw the many advantages of using videotape rather than film, and his crew shot the production with portable TV cameras (Norelco PCP-70 NTSC analog television system and the Philips PC-70 studio color camera) along with the Ampex VR-3000 two-inch portable video tape recorder). Once completed, the images were transferred to 35mm film format for it's theatrical release.
- Alternate versionsThe UK video version was cut by 4 secs to remove a horse-fall.
- SoundtracksJody
Music by Don Randi
Lyrics by Bob Silver & Pete Willcox
Performed by The Raiders, featuring Paul Revere & Mark Lindsay
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