Les vierges de la pleine lune

Two brothers searching in Transylvania for the legendary 'Ring of Nibelungen' fall under the spell of the sexy and evil Countess De Vries(Rosalba Neri)who uses the ring to attract the local virgins to her foreboding castle where they fall victim to her bloody rituals.This soft core piece of Italian erotica offers plenty of sleaze and nudity.Rosalba Neri is the convincing bloodsucker that spends much of the film in an advanced state of undress.In one memorable scene the Countess writhes around in a coffin in the pink while the faithful maid slowly pours a pitcher of fresh virgin blood over her naked body.Unfortunately the action is quite dull and there is almost no suspense.Still if you like lesbian vampire movies you can give it a look.7 out of 10.

It's a European horror movie from the '70s and has what you'd expect it would: a fairly predictable premise that alters the standard scenario a bit, slow pacing that adds to the tension, creepy supporting characters, and some vague reason for adding sexual content. This movie is not very interesting except as an example of a period piece that is heavily stylized.

Il Plenlunio delle vergini (THE DEVIL'S WEDDING NIGHT) is probably only interesting as a late example of Italian Gothic horror. By 1973 most Italian horror films were following in the footsteps of Alfred Hitchcock and Argento's giallos (eg. THE BIRD WITH THE CRYSTAL PLUMMAGE, 1970), including those of the original gothic filmmakers, Riccardo Freda (THE IGUANA WITH THE TONGUE OF FIRE, 1971) and Mario Bava (HATCHET FOR THE HONEYMOON, 1970 and BAY OF BLOOD, 1971). Also of interest to cult and horror film buffs, the film was photographed by Italy's (probably inferior) equivalent of Jess Franco, Joe D'Amato. Other than that, this film has little to recommend for it. The photography is a mediocre homage to NOSFERATU, the sets pale in comparison to those of earlier gothic horror films (for example, Bava's BLACK SUNDAY), the story is dull and inconsistent, the nude scenes are neither necessary nor particularly erotic, and the atmosphere is less-than-spooky when it isn't unintentional comical. They don't make 'em like this anymore, and we should be thankful for it.

This movie has as much life as the Countess's zombie housekeeper. Even Rosalba Neri's hot body couldn't get things exciting. But. then the housekeeper (Rosalba Neri) bathes the Countess in hot blood, and it gets a little steamier.

But, the real deal in this Italian classic is Dracula's ring. With it, the Countess summons young maidens from the village to fulfill her needs. She is a real hero to me in that she doesn't seek power or glory or riches, just young maidens to frolic with before she drinks and bathes in their blood. Bwa ha ha ha. And it's not just a single serving for the Countess, she orders in a five-pack, then does the funky chicken, and, voilà, 10 perfect breasts, extra spicy Italian-style. Yum.

Now, she must just avoid the evil Herr Schiller (Mark Damon), who wants to take her hand for his own purposes.

They don't make them like this anymore.

Some bright red gore, the naked charms of several sexy women, including star Rosalba Neri, and a few unintentional laughs are the main attractions of this otherwise rather tedious vampiric potboiler. Appearing opposite a bland Mark Damon, Neri plays bride of Dracula La Contessa Dolingen de Vries, who uses the fabled ring of the Nibelungen to lure virgins to her castle. Damon plays dual roles (when he isn't really up to just the one), that of archaeologist Franz Schiller, who goes to the castle in search of the ring, and of his twin brother Karl, who follows, too late to save his sibling but not too late to end the Contessa's reign of terror.

As is often the case in such Gothic Euro horror, there's an awful lot of wandering around the castle, with an obligatory storm raging overhead, all of which is fairly mundane, but at least director Luigi Batzella sees fit to punctuate the boredom with the occasional spot of sleaze: the Contessa has sex with Franz, giving the viewer a good eyeful of Neri's bod; Neri also gets naked whilst taking a blood bath, the red stuff poured all over her chest by faithful housemaid Lara (Esmeralda Barros); the Contessa and Lara have a lesbian romp; and five virgins are stripped naked before being stabbed in the neck, their blood gushing over their bare breasts. All good stuff.

Also reasonably fun: the fight between Karl and a bald hunchbacked vampire; the trippy laughing scene (I haven't a clue what that was all about); Karl hacking off the Contessa's hand; the Contessa turning into a huge bat to attack comely innkeeper's daughter Tanya (Francesca Romana Davila); and the silly surprise ending.

5.5 out of 10, rounded up to 6 for the hilarious moment when the Contessa holds up the magical ring to Karl and he starts to do Tai Chi. At least that's what it looked like to me.