Penny Gold

Despite obviousness of many plot elements within this work directed by renowned cinematographer Jack Cardiff, it is quite possible to enjoy the film for its merits that include expected polished camera-work and lighting, but also superlative design, plainly a result of competent research, and atmospheric settings about Windsor Castle, to the benefit of a somewhat unfocused crime melodrama involving murder in the normally staid world of philately. Action opens in a flat close by the Castle with a young woman, fresh from a shower, being bludgeoned to death, over two dozen blows to the face making her corpse essentially unrecognizable, and when Detective Inspector Matthews (James Booth) launches an investigation he learns that the deceased was one of a pair of decorative and identical twins, performed by Francesca Annis, the surviving sister, Delphi, employed by their guardian, a prominent stamp collector, with the titular item, a piece of enormous value, being target of a plot to steal it, this somehow connected with the homicide. Filmed at London's Pinewood Studios complex and on location in the vicinity of Windsor Castle, including the House on the Bridge Restaurant atop Windsor Bridge, the windows of which offer an agreeable view of the Royal edifice (enjoyed here at lunch by Matthews and Delphi), the film suffers from credibility factors and an oddly structured use of flashbacks, but a John Scott score is reasonably effective (there is a seamless inclusion of police sirens!), and Cardiff leads his players well. There is not a weak portrayal from among the cast, with even the monochromatic Annis being largely believable, Booth and Nicky Henson providing strong turns as the case investigators; Joss Ackland gains acting honours as Jones, supervising police official in the matter.

It's a British murder mystery movie. It's not bad, though it's also not great; it tells a good story, though without being particularly engaging. Though modestly satisfying, the content feels less grabbing and noteworthy than the basics of the film's craft. Filming locations are fine and fetching, and set design and decoration no less so. I appreciate Jack Cardiff's direction, his keen eye for arranging shots and scenes, and for that matter the scene writing contributes a suitable level of tension and mystery to any given moment. I think the cast is fairly solid - yet with that having been said, what stands out the most to me about 'Penny Gold' is the appearance of Francesca Annis. Beautiful, smart, and charming in her own right, Annis is given an opportunity to demonstrate welcome range and nuance, not least of all for rather having two roles here instead of just one. If there is a singular reason to watch this feature, Annis is it, as her performance is frankly commanding.

I'm divided on John Scott's score, as some themes seem very fitting for the mood of a given scene, while in many other instances it's overly playful - for example, during the opening credits, as police examine and move the body of a murder victim. Characters are given just enough personality and varied motivations to feel real, and breathe some life into the narrative. I think the movie is well made - and, happily, in the last third of the length a spark of thrilling vigor is summoned that revitalizes the picture, constituting all the terrific value that 'Penny Gold' has to offer. This last stretch, leading into the climax and ending, is sharp and brilliant, and significantly boosts my overall opinion. I just wish that the rest of the feature were so absorbing, for the first two-thirds just don't make much of an impression. The result is that the title feels uneven; it's enjoyable, but just not quite as stimulating a cinematic experience as one would hope.

Recommendable above all for utmost fans of the cast, or of British murder mysteries, there's nothing so dazzling about this as to make it an essential must-see. It's not that there's any one specific fault about it - although the very, very end is a tad contrived - only that too much of the runtime passes by without actively getting one's attention. Still, when all is said and done it's ultimately entertaining, and worthwhile on its merits. You don't need to go out of your way for 'Penny Gold,' but if you happen upon it, it's a decent way to spend 90 minutes.

The British film industry was dying on its feet when this film was made in the early seventies.The fact that it was directed by Jack Cardiff speaks volumes.Anyone can see the basic premise of the plot after only about 10 minutes.So there isn't a lot of suspense merely an interest as to how the plot unravels.Booth seems to be doing an imitation of Jack Regan but despite the car chase and the rough handling of suspects this is no "Sweeny".Penelope Keith is seen in a small role before her rise to fame.This is the sort of film that was far more at home on the TV screens than on the cinema screen.At the end of the day this is little more than a potboiler.

This could have been made at Merton Park ten years earlier, but for it being in colour, the graphic description of the injuries suffered by the murder victim and the annoying 70's-style music score by John Scott. Several other reviewers have commented on the fact that it is possible to see the final 'twist' coming almost as soon as the credits are over; although part of the fun is working out the 'how' and 'why' since the 'what' is already so obvious.

Shot in wintry London locations (particularly at and around Windsor), it's attractive to look at; but considering that it was directed by Britain's top Technicolor cameraman of the forties & fifties, it's constant reliance on zooms comes as a letdown.

Everyone is dying to get their hands on a priceless stamp, a Penny Gold.

It's a very watchable murder mystery, it is very much of its time, and I love that aspect of it, great cars, great fashion and some terrific location shooting. Plenty of suspense, loads of twists, expect the unexpected.

The best aspect of this film, Francesca Annie, she's a terrific talent, and dare I say it, incredibly beautiful, she has always had such enigmatic presence, I thought she made this film.

It's not a quality movie, it's a bit humdrum, but absorbing enough,w out for Joss Ackland and Penelope Keith.

One big twist I wasn't expecting, enjoyed. 6/10