El pantano de los cuervos

Something I always hated with horror movies from the older days of color is how much the blood looks like paint. HG Lewis took that to extremes in movies like Blood Feast and Color Me in Blood. Even the French Connection had cartoonish red paint meant to be blood in a scene or two. This movie does also but watching it without color makes it a suitably disturbing horror movie experience.

The pace for this film is pretty decent. It drags a little when Dr Frosta tries to get his boss involved in his little experiements. There are some disturbing moments like the real autopsy scene, and the bizarre rape scene with his living or dead girlfriend, not sure if she was reanimated by then or not, or at all. Others mentioned the song and it really is a highlight considering how sincerely it is sung. In this age of realdolls, i can imagine some YouTube karoke video turning up with a guy lipsyncing to the song while holding his rubbery lady friend.

Ramiro Oliveros plays a bad doctor named Dr. Frosta, who's up to your usual demented nonsense for a researcher in a horror film. His aim is to conquer death, so he regularly messes around with cadavers. All of the rejects are taken to the nearby swamp for disposal. Meanwhile, Dr. Frostas' fed-up girlfriend Simone (Marcia Bichette) has announced her desire to leave him for another man, night club crooner Richard (Marcos Molina). And Dr. Frosta had better watch it, for a dedicated police inspector, played by the always entertaining Fernando Sancho, is on the case.

This Spanish-Ecuadoran horror film may well test the patience of some Euro-horror lovers. It's not gory enough, sleazy enough, atmospheric enough, or even funny enough, to quite succeed. It's best described as mildly amusing. Not much of note ever happens, but that doesn't mean that "The Swamp of the Ravens" is without its pleasures. For example, the inspector receives a gruesome piece of evidence - a severed hand - while he is stuffing his face at a restaurant.

There are also low points, of course. Early on in the film there are some cringe-inducing romantic episodes with Simone and Richard. Director Manuel Cano fails to give the proceedings much style when it comes to his handling of the material. The performances are on a par with the film itself: no more than passably amusing. Oliveros is a handsome guy, but his antagonist is simply boring. At least we get one interesting character in the form of Frostas' mute assistant (Domingo Valdivieso), who kind of resembles Anthony Perkins.

The dead bodies in the swamp never pay off as much as one would like, and the title is a misnomer: it should have been titled "The Swamp of the Buzzards". However, in presumably some sort of attempt to justify the title, Dr. Frosta quotes Poe right at the end.

Five out of 10.

NEVER was there a "film" more deserving of treatment by Rifftrax than Swamp of the Ravens! This movie has it all.

In THE SWAMP OF THE RAVENS, Dr. Frosta (Raymond Oliver) is a scientist driven to reanimate the dead. Of course, this doesn't go over well with his colleagues, causing him to go rogue. Frosta's compulsion leads to several murders and an unholy necrophilia sequence.

This movie features many fetuses in jars, odd nightclub crooning, and an actual autopsy performed -in front of the cast!- in such a nonchalant, matter-of-fact way that they might as well have been carving a turkey!

Though incredibly cheap, cheeezey, and the very epitome of schlock, there's an undeniable sense of dread and bleakness to this film that defies explanation. The scene with the zombies rising from the titular swamp is unexpectedly, skin-bubbling-ly effective...

"Swamp Of The Ravens" is a very unusual piece of 1970's Euro Cult Cinema. It's story is one that was all all too familiar several decades before this came out. A doctor who has been banished from his hospital for crossing both moral and scientific barriers decides to strike out on his own and continue with his experiments. Except there is no Gothic castle here. Instead his laboratory is located in a shack surrounded by a swamp filled with the doctors used cadavers - which may be why all those ravens are hanging around it. There are some grisly sequences including what looks like a genuine autopsy - not stock footage but instead one which seems to have been performed especially for this film, with the actors present. Add some hazy performances, atrocious dubbing, a couple lepors, and a semi sadistic romance with just a touch of necrophilia - and presto! You have a crowd pleasing 1970's Euro Sleaze Extravaganza!